Attack the Block

B-Movies were once all the rage, but those days seem to have long gone. This is an update on those old much loved films, which takes a simple but outlandish idea, and fuses it with the modern London world.

We have here a set of young estate living lads who end up caught up with an alien invasion! The strange black furry creatures are attacking their tower block, and our unlikely urban heroes are as much looking out for their own lives as that of the others too!

The humour is good, the effects are fine and likable without being corny, the acting is great and you really begin to love the motley crew in this. They're never patronised, they talk in their own lingo and act like many others of their age do!

I really enjoyed it. I think this deserves more exposure, it's a fun film and will keep everyone entertained. Give it a go.

I thought this movie was quite entertaining, and actually funny in some parts. It's not a normal horror movie or alien invasion movie. It ends very satisfactorily, unlike most horror movies, and the plot is quite original played with talented actors in a setting that many of us are not so familiar with. If you like rap, you'll like the music throughout too. All the actors and main actress did very well. Thankfully I saw this with subtitles since I can't follow language from "the hood" very well. The only thing that didn't seem so real to me were the space creatures, but that gave for a good laugh. If you don't take this movie too seriously, it's a lot of fun. And there was "the moral of the story is..." thrown in, like lessons learned, rectifying mistakes, etc. All in all, it makes for a good Thursday or Friday night at the movies.

Made with less than one tenth of SUPER 8 budget, this movie gets twice more entertainment while delivering social messages instead of shallow fake nostalgia. A gang of teenagers (mostly black but from other ethnic groups too) rob a woman/nurse on her way home. A sudden explosion and something falling from the sky, allow the woman to escape. When the gang's leader checks what happened is attacked by an extraterrestrial creature. The group kills the thing and take the body with them hoping to make a few squids out of the strange creature. From there, things get really ugly; when more bigger beasts fall from the sky, police and some gangsters show up; everybody pursuing the gang. The action does not stop. No unnecessary romances, or tear breaking scenes; just a few commentaries about life in those marginal neighborhoods. The acting of the teenage members is excellent. Every one of them has a brief time to deploy their character but all of them have enough charisma to succeed. In brief, do not expect Hollywood overproduced and unrealistic special effects here only real fun.

The first film from Joe Cornish, one half of cult broadcasting duo Adam and Joe, is a vital horror-comedy that pitches a teen gang against a breed of hairy aliens with glow-in-the-dark teeth. It begins with a mugging, as nurse Jodie Whittaker has her phone, wallet and ring taken at knifepoint by five hoodies. No sooner has she fled the scene than an alien falls from the sky into a parked car. The kids kick it to death. Then its mates turn up.

This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.

While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.

Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.

Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.

Mutual distrust turns to uneasy alliance as an alien invasion forces a group of British teens to work together with a nurse who they mugged in this action thriller starring John Boyega as the leader of the teen gang. Boyega is just as effective here as in 'The Force Awakens', giving his hardened character a vulnerable, human side bubbling beneath the surface. The actors who play his young friends are well cast too. Jodie Whitaker is less effective as the nurse and Nick Frost is criminally underused, but in general, there is a lot to like about how the characters interact here. There are even some scattered comic moments to be had in how everyone from the teenagers' girlfriends to the local teen drug lord scoffs at their claims of being under alien attack. The gradual bonding between Whitaker and the teens, who she initially describes a "monsters", in the face of *real* monsters is where the film succeeds best though - so much so that the action sequences end up being a low point of the movie. Without any eyes and glowing sharp jaws, the creatures are quite unsettling to look at, but all the attack scenes become a little repetitive with the film sagging towards the middle. The movie certainly ends on a very high note, however, with a third act that potently pushes the film's single biggest message about teen thugs always being misunderstood and never properly recognised.