Une famille sur mesure pour Noël

An "innocent" lie or secret is a common trope in Christmas movies. Likewise big contract needed to save the "family" farm. Throw in reporter, Josh, sent to do a piece on the business which threatens to become an expose. There is also a fake fiancé and a fake marriage. Many of these have slight twists in the way they are presented especially the fake fiancé situation.

The acting is poor at times but mostly OK. The dialogue can be a bit odd, but there are some cute sequences too.

Another reviewer pointed out that the "family" is so inept at explanations to Josh. What's sad is that so many of the explanations should flow naturally even if this group is not really biological family so why would they fumble?

It is also uncomfortable that the lies grow more serious and less innocent, less "white". How the fake fiancé is established is a little ridiculous. So many of the gags are high on the silly meter. The basic lie comes up constantly one way or another.

Kristina Cole has a sweetness consistent with a typical girl next door. She definitely seems low key for the CEO of the business. She and Andrew Biernat have the potential for great chemistry but two things interfered with my appreciation of it. First Biernat has almost no spark in his performance. Second, and more significant, is the lying.

I don't think it is a spoiler to say that the underlying theme of the movie moves toward a sort of redefinition of what a family is apart from strictly biological. This is not a new idea especially for holiday movies. Many would consider the idea that family includes our closest friends to be valid. What might be different about this movie is the this "family" excludes any biological relatives.

So why is it a lie as far as the movie premise goes? Part of that is in misrepresentations in the blog, but even those are not unusual in the world of blogging. The movie is a little vague but implies Natalie wrote about traditions that were never followed by this "family". I think that and the perpetuation of the lies with Josh is where I have a problem that makes it hard for me to enjoy the inevitable HEA.

This movie has a ton of potential and a lot of positives, but for me the dishonesty, the intent to deceive, trumped that. Note to self - skip watching this again.

I love Christmas movies and I'm one who will watch a movie to the end no matter how bad it is. But I just couldn't with this one! I couldn't get past the stiff acting of Andrew Biernat. I'm not an actor and I know everyone needs to start somewhere but he's just not ready for movies. I forced myself to watch 30 minutes but it seemed like 3 hours.

The premise of this movie could have been really fun but the dialog wasn't clever and many scenes were awkward. The lead actress tried but couldn't hold her own. The best friend should have played the lead. I love Christmas movies, even the corny ones but I just couldn't get passed everything that's wrong with this one.

Do yourself a favor and forget about this Christmas movie.

This movie had so much wrong with it I wouldn't know where to start. Awful acting by leading lady, she seemed so fake and overacting every scene and line you just can't find yourself caring about her at all. There was ridiculously corny, terrible dialogue and even the filming left a lot to be desired ....I kept hoping it would get better. I can't imagine this channel will last long with this kind of production garbage. The supporting characters storylines should have been developed more as they were more interesting and their acting was much better. Save yourself the agony and find some paint to watch dry. It will be more entertaining.

Christmas In Pine Valley (2022) -

Andrew Biernat was very handsome, but alas he was not enough to keep me watching this film for that long.

I found it hard to believe that an article on a small family run farm business would take days to achieve or that any magazine would pay the costs to have him stay for a week at Christmas to write it, regardless of the previous errors in his writing. I'd be surprised if an article like that took more than an hour for interviewing and a few hours to write and it would have been written months in advance anyway.

The panic that ensued after leading lady Kristina Cole as Natalie realised that they weren't actually the family business that she had been suggesting online, but a rag tag bunch (Who would undoubtedly have considered themselves a family by the end of the film if I could have watched it that far) was farcical and these deceitful films are really getting tedious, because they lack any imagination and are more predictable than ever, having been done so many times and none of them that successfully in my opinion.

I also hate dishonesty and the ridiculousness that followed to maintain the lie when the truth would work just as well. So when it got to the lie about Natalie getting married I had to turn it off. It was just another deception on top of what was already too much.

And it may seem picky, but some of the decorations were very basic and tatty and it was incredibly obvious that they hadn't put much time or thought in to the set dressings or for that matter the film as a whole.

Natalie was over the top and Josh was quite boring and not played by the best actor. It was a good job he was so pretty and that was the only reason I made it as far as I did with this one.

Unscored as unfinished.

Honestly, I wanted to like this, but it was painful to watch. The plot was SO predictable and had nothing original to it. Also, the script was ROUGH. It affected the performances and was just boring and cheesy.

This is unfortunately a result of the production (GAC/GAF). I have yet to find one of their films that isn't painfully corny and sloppy. This movie suffers from cliches that move it to D-level, direct-to-DVD. There could've been any number of changes that would've improved the whole film.

The acting suffered from the overly cliched characters and I did like the leading lady, but it was a hard film to watch. Our secondary romance worked out ok. That is part of what saved the move. The production design wasn't too terrible.