Bienvenue à Cedar Rapids

My first 2011 film. It's a pretty unambitious comedy, but it survives because of a fantastic cast. Too fantastic, really. I have to wonder what drew them to this rather middling material. Ed Helms (of The Office and The Daily Show) stars as a sheltered insurance salesman from a small town in northern Wisconsin who is drafted by his boss (Stephen Root) to go to an insurance conference in Cedar Rapids, Iowa. He's pretty inexperienced with life outside his own little bubble, and he gets led astray by troublemaker John C. Reilly. The film also co-stars Isaiah Whitlock, Jr. (who co-starred in HBO's The Wire, a series for which the character espouses a lot of love), Anne Heche (extremely good - probably the only good thing I've ever seen her done), Sigourney Weaver, Alia Shawkat (of the TV series (not the rap group) Arrested Development) and Kurtwood Smith (of That 70s Show and RoboCop). I wanted to see this one because of its Midwestern setting. Part of me was afraid that it would be Hollywood making fun of Midwesterners, but it's pretty gentle. Helms may play a sheltered small-town guy, but it's just him (Reilly's character is from Steven's Point, WI, and he's not a rube; he is a drunk, though). The film actually has a lot of affection for the Midwest, and it has a lot of heart.

OK, so I seen this film on IMDb with quite a good rating and wanted to know what the fuss was about so, I proceeded to purchase and watch the movie, I have to tell you I put it on expecting it to be terrible, and for the first 10 minutes I did find it pretty boring with jokes that just didn't really make the cut but believe me people once the real storyline kicks in, this movie can be pretty hilarious in places, with characters that EVERYBODY will love, I have seriously not seen a movie in a long time where I felt as if I liked the characters this much, overall its a short laugh riot, which really does deserve the rating it gets online, its only on for around 1hour and 20 minutes, and the jokes come every 1 - 2 minutes so you should be entertained throughout the whole movie.

This is a purely nice and even heartwarming comedy. Sure, most the characters are one dimensional presentations but somehow the movie connects just enough to make it worth while. There are no real side splitting laughs. In fact, I would barely call this a comedy at all if not for the efforts of John C. Reilly. He absolutely steals the show. His work may not be classified as side splitting but it comes really really close. We've all seen it before but not without Will Ferrell to partner up with and bounce ideas off. Reilly proves he needs no one else to be funny. Still, this is a human interest story plain and very simple. Note: Anne Heche has still got it and was MILFing up the screen at every turn. What a wonderful woman.

This film got reasonable reviews so I decided to make the effort to check it out, not least of which because of the cast that features quite a few names and faces that I know from either being instantly recognizable (Weaver, Reilly, Heche) or from their work on other projects that I like a great deal (The Office, Arrested Development, The Wire etc). The plot here is fairly straightforward, a small-town insurance salesman has to replace a colleague at a regional conference in Cedar Rapids and win the prestigious award that his company has won many years running. It is a simple idea and much of the comedy will come from the sweetly naïve Tim having his eyes opened to a wider world while also trying to keep his principles in place. Like I say, a basic plot and it very much depends on what the script does within that frame.

There are plenty of ideas here and plenty of set-pieces but the problem is that the film doesn't really deliver any of them really well. On one hand we have aspects of it that are the rather awkward naïve comedy that Helms does with his character in The Office. This manifests itself in his relationship with an older woman (she is having fun, he is deeply in love) or his inability to know a prostitute when he sees one. On the other hand we have the more exaggerated adventures he gets drawn into, these involving sex, drink and drugs. Neither of these two aspects is particularly strong either individually or together and, at best, they produce amusing moments and the occasionally laugh but nothing particularly engaging nor particularly funny. Instead what we get is plenty going on in terms of noise and activity and perhaps this is enough to distract and, for me, mostly it was. The actual plot is quite obvious and heads to a sort of solid ending but I was quite surprised by how lackluster much of it was.

The cast are perhaps part of me being disappointed in the outcome but all of them are capable of more. I liked Helms and he played the lead role well, just the material didn't play to his strengths as well as it suggested – it is like it put him between the awkwardness of The Office and the crude slapstick of The Hangover and he didn't sit comfortably between them. Reilly appears to offer the more boisterous side of things but again the film doesn't follow through on what he brings. Heche is a nice touch in casting and works well but Whitlock is wasted; his only contribution of note is to make a great little in-joke where he does an impression of The Wire's Omar (a TV show he was in) – it is funny but it is ruined within seconds since the film feels the need to explain the reference to the viewer. Various other faces do solid work without ever having too much to do, so while some are good, the overall feel is that a great cast don't have much to do. This feeling covers Smith, Shawat Corddry, Root and others.

In the end Cedar Rapids is an OK film that never gets close to delivering on anything it puts on the table. It has an odd mix of styles but it doesn't do any of them really well, which leaves a film loaded with recognizable faces and names, none of whom really excel because the script doesn't either. A solid so-so but no more than that.

"What happens in Cedar Rapids stays in Cedar Rapids," says Joan, a "one of the guys" kinda woman played by Anne Heche who views her yearly trip to an insurance conference in Cedar Rapids as momentary liberation from her life's irrevocable commitments. For those of us who've tried to spend as little time in Iowa as possible, that little mantra's something of a joke, but escapism means something different to everyone. "Cedar Rapids" puts much in perspective this way by showcasing adults as the children they often are.

Ed Helms gets his first starring role as Tim Lippe, an insurance agent from Brown Valley, Wisc. who's never set foot out of his hometown and is even sleeping with his seventh grade teacher (Sigourney Weaver) to whom he's "pre-engaged." When the insurance company's golden boy dies of auto-erotic asphyxia (which Tim regularly refers to as "an accident"), Tim must represent the company at the annual ASMI conference in Cedar Rapids where he must win the coveted Two-Diamond award for excellence or it will cost the company dearly.

Helms nails the fish-out-of-water character using much of the same naiveté that made him a beloved addition to "The Office." Although in many instances his super-small-town mentality serves as a comedic ploy, it informs the way we watch the rest of the film, namely how he interacts with his new group of friends, characters that rather accurately represent the array of business types.

Tim first meets Ronald (Isiah Whitlock Jr.), the amicable by-the-books guy with who tells bland jokes and means well. Then John C. Reilly storms onto the scene as Dean Ziegler a.k.a "The Deanzy," the straight-shooting schmoozer with absolutely no filter and as such, the source of much of the laughs so long as you find humor in creative vulgarity. Last would of course be Joan, who jokes around about seducing Tim but behaves otherwise. Heche seems to have found the path many actresses looking to rebound have taken: playing a damaged middle-aged woman trying to feel things out.

Essentially these characters are grown-up children in much the same way that the "The Office" brings playground dynamics to the adult world. Team-building activities and getting drunk are just the beginning for what these characters do and consequently how they behave. For Tim, it's a long-delayed loss of innocence. He learns that even parts of his ho-hum life can have a two-faced nature; those people he believes to be bad end up good and vice versa.

Director Miguel Arteta ("Youth in Revolt") seems to show an adeptness at this kind of comedy, drawing performances from the cast that provide nuanced characterization and believability. A comedy about Midwestern insurance agents doesn't work if the people don't seem average, yet at the same time, the characters are far from dull.

"Cedar Rapids" mostly struggles as most indies do in finding a balance between comedy and poignancy. The over-the-top comedic elements seem to push away from the dramatic, which is the film's greater strength. There's plenty of humor to be had in the nature of the story to the point that a scene with Tim going over the edge and smoking crack with a prostitute doesn't seem essential to say the least. Tim's reactions to moral conundrums seem a bit exaggerated as well in terms of the writing.

The ending lacks a bit of zing, but the intentions of Phil Johnston's script are pure and true. His focus stays on a well-cast protagonist and Tim's attitudes help create the perspective shift that allows us to enter the characters' shoes. The results are light-hearted and not preachy in the least.

~Steven C

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