Ajouter une intrigue dans votre langueIn 2199, the crew of the space battleship Yamato embark on a dangerous journey to the planet Iskandar to acquire a device that will rejuvenate the war-ravaged Earth.In 2199, the crew of the space battleship Yamato embark on a dangerous journey to the planet Iskandar to acquire a device that will rejuvenate the war-ravaged Earth.In 2199, the crew of the space battleship Yamato embark on a dangerous journey to the planet Iskandar to acquire a device that will rejuvenate the war-ravaged Earth.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Avis à la une
In the year 2199 earth is under attack by planet Gamiras and is hopelessly contaminated by radiation. One day they receive a transmission from planet Iskandar with a plan for warp engine and a wave cannon. In their last hope, people of Japan uses this information to transform battleship Yamato - a world war II relic that is now exposed out of a dried up sea bed into a spaceship. They set out to Iskandar which exists in the great Magellan nebula in hopes of finding an answer to earth's problem.
I see touch of Babylon 5 and Battlestar Galactica in the overall looks and feel of the props, ships and the battle sequences, but it's certainly the very best special effects science fiction I've ever seen to come out of Japan. I'd say that Japanese sci-fi have finally come of age in this movie.
The final sequence of this movie is very Japanese in my opinion, and might be over melodramatic for the international audience, but the movie was made for the Japanese viewers, so I don't have any problems there.
Takuya Kimura has a habit of stretching out the ending of a word when calling out orders, and speaking dramatically which sounded odd at times, and the dead pan acting of Meisa Kuroki could have been more charming, but overall things were believable and didn't mess up the story.
Beautifully done movie with real feeling of being out there in space, with unbelievable special effects considering its budget. This is certainly the best sci-fi movie to come out of Japan, and is Toho's new masterpiece.
Then of course this film went for broke in its action sequences, beginning much like Star Trek putting the audience right into the thick of a big set action piece which culminates in a loss that will shape the events of things to come, and seriously, the way the space voyagers attempted to disable an enemy planet's defenses, was uncannily similar to the Star Trek one in its approach. I suppose if Yamato had beaming technology, then this would complete its Trekkie influence, but thankfully it held back on that temptation, making it a little more challenging each time it had to reign in crew outside of its hull.
Fans of the long running series will have to accept the fact that this is not something from our generation, since a translation to film means a huge amount of compression having to take place to tell something worthwhile, creating in a sense its own version of events. It's Year 2199, and Earth is plague by radioactive attacks by the alien race Gamilas, who are adamant in creating an atmosphere suitable for their race for a total takeover. Gone are Earth's greens, and it's up to the crew of Yamato, hastily assembled may I add, to travel to the planet of Iscandar to retrieve what could possibly be Earth's last hope to restore its environment. This sets off a round trip for Yamato's voyage, and along the way the crew will face various hostilities always threatening the ship or to extinguish the hopes of Earth.
The special effects are all detailed and intricately done, so much so that they really look like something to scale and real, making space dogfights in the various Star Wars films seem like a walk in the park. It's incredibly edge of your seat stuff as ships of different sizes battling it out, and if watched in a good theatre with excellent sound system, you can bet your last dollar of feeling every laser, cannon and even the trademark of the Wave Motion Gun round that goes off. Best part is, and I think some films and filmmakers need to learn from this, is that it's never shy of utilizing its best weapon in its arsenal whenever it can, avoiding plenty of the usual cliché pitfalls of saving the best for the last. Really, whatever for, when you have a threat in front of you that you need to neutralize, why not deploy the best you have on board?
Don't expect too much character development here though, because there isn't much time to jam pack so much into what's already close to 2 hours and 20 minutes. As such the first act suffered a little from the lack of a proper introduction on characters and their motivations, preferring to keep you in suspense as it slowly unravelled them, sometimes just through a one liner in passing. You'll soon acquaint yourself with the crew enough to know their core function, and most of them time everyone sticks to their one single function on board the ship. The end result is a rather choppy beginning just as Yamato finds its feet in its maiden voyage, before things smoothen out as the voyage progressed. With a new crew in a new ship also come the avenues for mistakes to be made, and one of the more telling one is how everyone let their guard down en route to base (common pitfall in the military), where one's guard should be up until you actually reach paradise.
The other issue I found wanting in a minor way, though it still worked, was Takuya Kimura's presence. He's such a big star, and is really charismatic on screen that my memory of the Kodai character pales in comparison, but like how Tom Cruise's Mission: Impossible was, my memory of Yamato was that this was a group attempt and mission, which Kimura's star power inevitably made him prominent in every step of the way through the story as if it's solely a one man show, often overshadowing that of his co-stars such as Meisa Kuroki (who is a big name herself), Toshiro Yanagiba and Tsutomu Yamazaki, who plays the ship's Captain Okita, responsible for crafting the mission of hope that Yamato finds itself in. Throwing in a romantic subplot for good measure that was expected though hurried, and side characters such as Analyzer the robot was fun, but could have been better executed rather than a short supporting appearance.
Still, Space Battleship Yamato is one nostalgic guilty pleasure. It helps if you have a little bit of a background on characters and motivations, as the story hits the ground running at breakneck speed from the get go, and is a special effects romp that will wow even the most jaded of audiences who have seen one space battle too many.
I'm not familiar with the original series or comic so i can not attest to its being good or bad in that sense. What i am familiar with is the historical significance of the battleship Yamato and the symbolism and slight role it played in WWII for the Japanese People. Japan had one of the most powerful navies (and arguably the most powerful)in the world at the beginning of hostilities in the Pacific theatre of WWII. By the 6th of April 1945 when the Yamato left port for the last time, the Japanese navy had been ravaged, they had lost most of their carriers and cruisers with only about 10% of its original naval forces remaining. The Yamato and a few escorts were to attempt to attack the now Allied occupied Okinawa in a near-futile attempt to deal a blow to the US fleet. She was destroyed en-route to the battle by relentless air attack by the US and never got to use her 9 46cm batteries, the largest in existence at the time. This story is about hope, honour, and the tenacity of the Japanese people as a whole. Of course it was corny, they raised the hulk of the ship out of the ground! And besides bearing a resemblance in spirit its clearly not the actual ship, its about 5 times as large. The acting was perfectly appropriate for the type of story this was and despite a few drawn out scenes i was still very entertained. Sure, some of the CGI at the end was, to quote another review, "dodgy", but for the most part actually pretty good. But, thats not what this movie is about.
Its about the symbolism of a desperate mission which only a Japanese navy would have taken, its about remembering history, and its about transferring it to a modern setting of hope prevailing in a time of despair. Enjoy the CGI, enjoy the space battles, don't worry about the inconsistencies with weapons and apparent inept "Gamillas" forces towards the end (maybe new recruits?),and instead enjoy the heroes and unmistakable, "fight to the last man" mentality and Japanese spirit which comes through in every scene.
Boy was I surprised! The movie does leap right into things without the background development of the main 'spaceship' or real character introductions, but to enjoy the movie, especially if you have any familiarity with the source cartoon, it really didn't hinder it that much. When the 'Yamamoto' took off and the special effects were introduced, I almost crapped my pants! It looked FANTASTIC!! Exactly like my 9 year old mind pictured as if it were brought to life!
This movie is FAR from Shakespeare, but for an action space romp, popcorn munching entertainment vehicle... it sure impressed me silly... especially compared to the dreck coming out of Hollywood these days.
If you have fond memories of 'Starblazers', this is a MUST SEE... even if you never saw the cartoon, I'd highly recommend this as a decent time waster.... you could do far worse!
That said, no further invocation of American media landmarks is necessary in discussing this title.
The film was entertaining. I didn't look at the clock until the end. At times, the film was a bit melodramatic but all-in-all the movie was good.
The special effects were very good. I've heard it said this was a low budget film. I can accept that assessment. But the story telling was decent and conveyed the starry-eyed intensity of the comic nicely!
There were some downs but the only one I'd bother with was the romance between the main character and the ace pilot. It hit me like a pizza delivery scooter from outside my peripheral vision. Never saw it coming and didn't quite understand it.
In the end, I enjoyed it and I'd recommend people familiar with the comic/anime series check it out.
Le saviez-vous
- AnecdotesAnalyzer, Dessler and Starsha are voiced by Ken'ichi Ogata, Masatô Ibu and Miyuki Ueda, who voiced these characters in Uchû senkan Yamato (1974).
- Citations
Juzo Okita: Attention, all remaining ships and battle groups. We will retreat. We no longer have a single ship that can prevail.
Mamoru Kodai: Captain Okita, this is Yukikaze, Captain Mamoru Kodai! I cannot obey your command to withdraw! I could never show my face to the friends I've lost!
Juzo Okita: Whether you agree with it or not, the withdrawal is my order, Kodai. We're all that's left to defend the Earth. A true man bears the humiliation of today for the sake of tomorrow.
Mamoru Kodai: I don't think so! Even if it's hopeless, we can still take our enemies with us! Isn't that what a man does?
Juzo Okita: Kodai! Hear my order: Withdraw!
Mamoru Kodai: I'll fight while you withdraw, Captain Okita!
Juzo Okita: Kodai, don't say such a stupid thing!
Mamoru Kodai: Captain Okita... we're proud to have fought with you.
- Versions alternativesExtended cut is about 138:36 min long
- ConnexionsFeatured in Starfilm (2017)
- Bandes originalesLove Lives
Lyrics, Composed and Performed by Steven Tyler
Produced by Marti Frederiksen
Courtesy of Columbia Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Space Battleship : L'Ultime Espoir
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut mondial
- 49 827 298 $US
- Durée
- 2h 18min(138 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1