Pimp

This must be the most terrible film I have ever seen. Danny Dyer should just be ashamed to be associated with this drivel. Robert Cavanagh just deserves better. A poorly scripted, badly acted, terribly directed movie that doesn't even deserve DVD status. No wonder it only made £205 at the cinema. I was bought the DVD as a joke present, and I am not Danny Dyer's biggest fan. He is over rated and plays the same characterisation in anything he does. But this just proves my point.

Well not exactly, but this pseudo documentary does try to shine light behind the scenes. I think it is daring to go places a normal movie wouldn't go and the idea as it is, is interesting. But while the commentaries seem forced (and like a bad cliché), what really drowns the movie, is the fact that it tries to put a fictionalized story behind it all.

In other words, it tries to give the whole thing a meaning. Which goes completely against the mood/goal it set out to do. It is profane and will not be for those easily offended. But while there is also (some) explicit footage, this anything but exciting (pun intended). Of course, if you'd be looking for a special kind of excitement, you'd know where to look for it. That's not what I'm referring to. The movie as it is, is a drag. It feels just too long (but then again, that's just me ... try it out, but if you're not hooked after the first minutes, I highly doubt the movie will win you over by the end)

The film Pimp is characterized by comical violence and sexuality that pushes the viewers good taste -- I advise people to only watch this if they do not mind such extreme content.

The style of filming is interesting and unorthodox, and some of the cinematic work was pleasing. The storyline jumps around a lot and demands the viewer to pay close attention to different plot changes.

I found it to be entertaining in its own way, although sometimes apparently crude for the mere sake of being crude. However, if you approach the film with this knowledge and view it just as some light entertainment it is not that bad of a film.

This is a film about prostitution seen through the eyes of one guy Woody who has cams following him about his work as a Pimp in downtown London England. It is realistic because this is how a Pimp works and how he is likely to be treated and respond to the dangers of his environment. Actually this is more of a drama and there are few scenes which will offend in a sexual way, mostly only the extreme blasphemies which is a common feature of British films of this kind.

Don't be put off, for example if you saw 'This is England' or 'Green Street Hooligans', then you will be at home with the raw material of this movie. I was never convinced however with the choice of the actress playing the Chinese girl who was the pawn in the sexual politics of the story but perhaps it doesn't matter in the overall relativity of the story.

It is a sort of 'paranormal activity' movie except the cam follows the pimp wherever he goes and whatever he does.

The film for me is obscene and offensive but at the same time I found it curiously entertaining. It is uncomfortable viewing but this is life and the world of prostitution. Other films such as 'Trade' and 'Human Trafficking' addressed the issue in a different way, it begs the question whether we can feel sympathy for a 'pimp'.

the same sentiments crossed my mind a couple of years when I watched a film called 'Hustle and Something' when I heard a song called 'its Hard out there to be a Pimp' won best Oscar music.

Cant rate the film above 6 but don't be put off. its a lot better than some of the American garbage dished out recently.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Soho pimp Woody (Robert Cavanagh) tries to run as tight a ship on his business as he can, but rival competitors are always on edge to spoil his game. Still, he gets by as well as he can, but when he starts receiving snuff tapes that appear to show his girls being brutally murdered, things get heavy.

Another film where Danny Dyer is mis-sold on the front cover, this time as the main star when more time is given to Cavanagh. Like a lot of modern films, Pimp is aiming to be clever, with it's use of the camera and style of story-telling, but the result is unsuccessful. The frequent new character introductions are disconcerting, especially as many are never heard from again, and the camera style wavers around in an uncomfortable manner. The mock documentary style gets in the way of a decent, coherent story, which fails to hook you in and get you following it in any way, only being able to vaguely make anything out. In more competent hands, this could have been pulled off wonderfully. As it is, it's quite a jumbled mess. **