Un scientifique fou enlève et mutile un trio de touristes afin de les rassembler en mille-pattes humains, créés en cousant leurs bouches aux rectums des autres.Un scientifique fou enlève et mutile un trio de touristes afin de les rassembler en mille-pattes humains, créés en cousant leurs bouches aux rectums des autres.Un scientifique fou enlève et mutile un trio de touristes afin de les rassembler en mille-pattes humains, créés en cousant leurs bouches aux rectums des autres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 3 nominations au total
Winter Williams
- Lindsay
- (as Ashley C. Williams)
Rosemary Annabella
- Amy
- (voix)
- (as Monica Iconica)
Avis à la une
I finally got around to seeing this film and frankly I was not shocked; probably because I had read about its grossness far in advance. What I wasn't prepared for was the fact that a large part of the grossness was not actually shown, but rather spoken of and indirectly seen through bandage attachments. At some points it was very Hithcockian in the fear was instilled indirectly. Graphs showed how the surgery would be accomplished; only bits of the surgery were actually shown; the graphic defecation scene was verbalized and intimated. Very Hitchcock were the master of suspense a tad more mad. However, the scariest part of the film was Dieter Laser's performance. I can't recall ever seeing a mad scientist on film that projected madness and insanity as deeply as Mr. Laser
..Every time he was on screen you could feel your skin crawl with fear. Brilliant performance, mainly because it went to the edge of "over the top" but never actually got over the top. I've also read reviews which damned the actresses for not being "good actresses". A bunch of hooey for sure from those observers. I'd like to see them top the girls "tongue in cheek" performances. I never for a moment didn't see fear in their eyes, which btw is also another means of showing more fear than the actually surgery which was done while the cast was under anesthetics. In the beginning of the film you could feel the chemistry of the girls as they giggled about in their hotel room. A definite chemistry; one which would be needed as they got closer to each other at the Dr.'s house. Hats off to this film for sever reasons; suspense, fear and scare without an overload of blood and gore as in other films. Think of the Akitamura's job of convincing us that he was frightened, angry and scared in his native Japanese tongue, while again having tongue in cheek fears to contend with of his own character. Bottom line: An original, at the edge, horror film. Where does on go after that
..kudos to the cast for braving out a fully developed and overly imaginative film
..and to Mr. Six for following through. Can you imagine the sales pitch he had to prepare? Besides, our news media shows more graphic crap than this on their 24/7 newscasts (eg. There was more gore with Kadhafi killing, etc.)
Okay, American tourists with a car that breaks down - of course they go wandering through the dark German woods (you could play a drinking game and have to take a shot every time they say "Lindsay" and "Jenny" to each other - you'd be wasted) - and they come about a remote house and wouldn't you know it - just their luck - the house belongs to a complete nutjob surgeon who used to separate conjoined twins and now is obsessed with stitching people together. I'm no doctor, but there seem to be major flaws in his medical design - oh well. The film is kooky but well made, the lead guy (who looks a bit like Lance Henrickson) gives 100% and is fine as the mad doctor but the whole concept reeks of teenage boys getting stoned for the first time and playing a game - let's come up with the grossest thing that could be done to you in surgery. That's what it plays like - a teenage boy horror/fantasy/gross out. But with films like Saw and Hostel, it was only a matter of time before there was something like this and before long, they'll be other weird concepts that will try and top this one. Look out for ManBaby - see we sew a baby on the back of a guy who hates kids! It's creepy and it's funny! Hoo boy. Of course there's an itch to see something like this - the same itch that made people pay money to go see a freak show back in the day.
Sometimes in life you have to make a stand, even when it's unpopular to do so.
We here in the USA and in many other countries have become societies where just about anything goes in the name of entertainment or making a profit. You want to play "a game" where you can blow off people's heads then watch the blood squirt in High Definition ? No problem you can buy a variety of them easily. You want to see porn films where the actress pretends to be underage or that she is getting raped mercilessly, it's out there. You like snuff films? They have simulated ones of those too for your viewing pleasure. Probably even real ones if you look hard enough. There are even films of women and men having sex with animals for those of you into that. I suppose the people that watch and support these films justify it by thinking "Hey, I'm not doing it myself...I'm just watching someone else do it". But what does that say about you as an individual if this is where you seek entertainment and a sense of fun? These films are all an insult to human dignity, something you would think we'd all have a common ground to stand against. How could they instead become something viewed for enjoyment?
This film reminds me of the various medical atrocities the Nazi's inflicted on unfortunate prisoners. Even the doctor in it is a German. I won't list those atrocities here, but they were real they happened, they weren't fictional or simulated. If you could get your hands on actual films of those Nazi experiments and there outcomes would you watch them for fun? Is squirming uncomfortably at a visual assault to your sense of right and wrong a thrill for you? Does that thrill justify whatever you are watching? If so, you might consider some therapy to find out why that feeling, watching the suffering of others, is a pleasure for you. What if a victim in those films were someone you loved, your sister, brother or child perhaps, instead of total strangers? How would you feel knowing someone watched their suffering for enjoyment? If you wouldn't view those experiments then don't watch this assault on human dignity either fictional or not. Make a stand be proud of having morals.
I feel ashamed to be a member of the human race when I see a film like this is making money for some sicko movie makers. No, it's not just a metaphorical comment on anything as some would like you to believe. Stand up and say "ENOUGH !". Don't be afraid if you're insulted and ridiculed for having a sense of morality in a world where a growing number of people have none. Do what you know in your heart is morally right.
Please do not spend money to view this film. Send a message to those that try to profit by making them. These people are exploiting human dignity, OUR dignity, for the sake of their own wealth. Don't be a part of it.
We here in the USA and in many other countries have become societies where just about anything goes in the name of entertainment or making a profit. You want to play "a game" where you can blow off people's heads then watch the blood squirt in High Definition ? No problem you can buy a variety of them easily. You want to see porn films where the actress pretends to be underage or that she is getting raped mercilessly, it's out there. You like snuff films? They have simulated ones of those too for your viewing pleasure. Probably even real ones if you look hard enough. There are even films of women and men having sex with animals for those of you into that. I suppose the people that watch and support these films justify it by thinking "Hey, I'm not doing it myself...I'm just watching someone else do it". But what does that say about you as an individual if this is where you seek entertainment and a sense of fun? These films are all an insult to human dignity, something you would think we'd all have a common ground to stand against. How could they instead become something viewed for enjoyment?
This film reminds me of the various medical atrocities the Nazi's inflicted on unfortunate prisoners. Even the doctor in it is a German. I won't list those atrocities here, but they were real they happened, they weren't fictional or simulated. If you could get your hands on actual films of those Nazi experiments and there outcomes would you watch them for fun? Is squirming uncomfortably at a visual assault to your sense of right and wrong a thrill for you? Does that thrill justify whatever you are watching? If so, you might consider some therapy to find out why that feeling, watching the suffering of others, is a pleasure for you. What if a victim in those films were someone you loved, your sister, brother or child perhaps, instead of total strangers? How would you feel knowing someone watched their suffering for enjoyment? If you wouldn't view those experiments then don't watch this assault on human dignity either fictional or not. Make a stand be proud of having morals.
I feel ashamed to be a member of the human race when I see a film like this is making money for some sicko movie makers. No, it's not just a metaphorical comment on anything as some would like you to believe. Stand up and say "ENOUGH !". Don't be afraid if you're insulted and ridiculed for having a sense of morality in a world where a growing number of people have none. Do what you know in your heart is morally right.
Please do not spend money to view this film. Send a message to those that try to profit by making them. These people are exploiting human dignity, OUR dignity, for the sake of their own wealth. Don't be a part of it.
Motto: "Behind every great man, there are two great women." 'The Human Centipede' gives the viewer a voyeuristic glimpse of the life of hobbyist Dr. Joseph Heiter whose ambitions are both exotic and daring. In the opening scene we find Joe sobbing about his failed past projects. We watch and feel Joe's strength as he makes the decision to put the past behind him and to face the future with renewed optimism. But, as Joe soon finds out, a hobbyist's life is not easy. The next day, Joe learns that a true hobbyist has to make great sacrifices, if he is to complete his project in the best possible way. The enfolding scenes serve as a reminder to all of us that a passionate man does not settle for less than perfection. Joe rests at nothing, does not sleep, and does not eat until his project is finished.
After what is truly a great start of his project, we follow Joe as he is dealt a setback and faces it heads-on. Fearing for the worst, in an exciting turn of events, Joe's inventiveness ultimately gets him back on track. From there on, he is heading straight for success. When the last part of his project is finally completed, we experience Joe's intense fulfillment through a rare display of affection (while he is a passionate and intense human being, Joe is not a people's person). In an emotional scene, we find Joe celebrating his success and taking pictures of his accomplishment. In a particularly gripping moment, Joe holds up a mirror to his project, as if for it to see its own beauty. The scene concludes with Joe lifting up the mirror like a trophy—an obvious tribute to the many successes of the German football team.
But his success is short-lived. It all starts with a phone ringing. Before Joe realizes what is going on, agents of an intrusive government are at his doorstep, threatening to jeopardize all that Joe has accomplished. Will the forces of bureaucracy prevail, or will Joe conjure up a clever plan to save his project, his spiritual livelihood? You will have to see for yourself.
The international cast delivers an enticing performance. No one plays a German like Dieter Laser (Joseph Heiter). Watching Ashlynn Yennie's convincing characterization of an American tourist (Jenny), it is hard to believe this is her debut role in a motion picture. It is a privilege to see Ashley Williams perform as the character Lindsay. Even a novice viewer should be able to recognize her extensive background in theater and musical theater and her world-class training at the American Academy of Dramatic Arts. Last but not least, although he did not speak any lines in a language that I could understand, I think Akihiro Kitamura played the part of some Japanese guy wonderfully.
All in all the film makes for a promising start of what should proves to be an exciting franchise not unlike such hits as Look Who's Talking Now and Harry Potter.
Viewer discretion: some scenes graphically depict the consumption of alcohol. Furthermore, the word 'ficken', a German verb, is uttered early on in the film. Finally, throughout the film brief flashes of nudity (nipple slips) can be seen.
After what is truly a great start of his project, we follow Joe as he is dealt a setback and faces it heads-on. Fearing for the worst, in an exciting turn of events, Joe's inventiveness ultimately gets him back on track. From there on, he is heading straight for success. When the last part of his project is finally completed, we experience Joe's intense fulfillment through a rare display of affection (while he is a passionate and intense human being, Joe is not a people's person). In an emotional scene, we find Joe celebrating his success and taking pictures of his accomplishment. In a particularly gripping moment, Joe holds up a mirror to his project, as if for it to see its own beauty. The scene concludes with Joe lifting up the mirror like a trophy—an obvious tribute to the many successes of the German football team.
But his success is short-lived. It all starts with a phone ringing. Before Joe realizes what is going on, agents of an intrusive government are at his doorstep, threatening to jeopardize all that Joe has accomplished. Will the forces of bureaucracy prevail, or will Joe conjure up a clever plan to save his project, his spiritual livelihood? You will have to see for yourself.
The international cast delivers an enticing performance. No one plays a German like Dieter Laser (Joseph Heiter). Watching Ashlynn Yennie's convincing characterization of an American tourist (Jenny), it is hard to believe this is her debut role in a motion picture. It is a privilege to see Ashley Williams perform as the character Lindsay. Even a novice viewer should be able to recognize her extensive background in theater and musical theater and her world-class training at the American Academy of Dramatic Arts. Last but not least, although he did not speak any lines in a language that I could understand, I think Akihiro Kitamura played the part of some Japanese guy wonderfully.
All in all the film makes for a promising start of what should proves to be an exciting franchise not unlike such hits as Look Who's Talking Now and Harry Potter.
Viewer discretion: some scenes graphically depict the consumption of alcohol. Furthermore, the word 'ficken', a German verb, is uttered early on in the film. Finally, throughout the film brief flashes of nudity (nipple slips) can be seen.
This movie is trash. It's a sick fetish-fueler for some weird cult to get off to. The plot is non-existent. If you want to know what this movie is about in a nutshell, here are some key plot points - mouth sewn to anuses, swallowing feces, and humans turned into slaves without dignity. People will say it's an original idea, but OF COURSE IT IS. It's never been done before because NO ONE HAS THOUGHT OF SOMETHING AS SICK AS THIS YET. After watching, I felt like I needed counseling, or something to make me forget the entire concept. On top of that, there is pathetic dialogue, acting, and directing. The movie literally ends without anything resolved and you just think "What was the point of this?" There's no greater idea, or hidden metaphors. The movie is about swallowing feces. DO NOT WATCH IT.
Le saviez-vous
- GaffesWhenever Dr. Heiter walks in the room where his patients lie down, a breathing machine can be heard. However, none of the people are connected to a breathing machine with tubes, so this sound doesn't make sense.
- Citations
Dr. Heiter: I don't like human beings.
- Crédits fousTom Six's dog Nigel is credited under "Edited by" and "Making of edited by" as "NIGEL DE HOND", which is Dutch for "Nigel the dog".
- ConnexionsFeatured in Scream Awards 2010 (2010)
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Détails
Box-office
- Budget
- 1 500 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 181 467 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 424 $US
- 2 mai 2010
- Montant brut mondial
- 325 113 $US
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