Les piliers de la terre

Very good, it is always difficult to find 'drama' that is quality and not overdone, over-the-top or tired. The acting in this is excellent all around and it is definitely worth watching; at least from the two episodes that I have seen thus far. Considering I haven't heard hardly a thing about this until I watched it I am very impressed.

The storyline seems to contain fairly valid historical accounts of the time if not the lives of individuals. Keeping in mind it is not as mystical as I would have thought from the title and even the previews I've now seen since I began to watch it - it has made up for that with a strong story and lovely backgrounds for visual appeal and 'time proper' settings. Can't wait for more.

Set in England during medieval times, this is a fictional account of what happens after a dying king's proper heir dies in a shipwreck. There are many characters(including a family that seek to construct a grand cathedral, two siblings who lose their nobility and try to regain it, and several men of God with more or less pure intentions… and granted, not everyone is actually necessary) and a lot of plot, and it can be dizzying at first, but it is worth your attention(if you like what you see early on… it ain't gonna change). While I have not read the novel and can make no comparisons, I watched this with two people who love it and they both said that it wasn't the exact same and that they still enjoyed it a lot. This is gripping right off the bat, and it keeps to an intense pace throughout. There are many developments, and while it can at times come off as just going back and forth between the same couple of options, you tend to follow them with interest surpassing that of the best banks. The tension and suspense are great. This has good and well-delivered dialog, with many memorable lines(and razor-sharp points about what it was like back then). The exploration of the awful situations that people could be and were stuck in back then, on account of the system, religion and their lack of rights is excellent and chilling. This is realistic(a lot of the way), authentic and has an incredible richness of detail. The strong feminist behavior of the women in this would not have been tolerated as we see here. This has mostly credible psychology, including for the villains(if one or two are black and white in depiction). The acting, writing and direction are marvelous, and the music is as well. This has amazing production values. No one is sacred, anyone could die at any time in this. The twists and unexpected turns of events keep you guessing how it will end, and it is fairly satisfying. There are power struggles, deception, politics and manipulation aplenty. This does seem to think itself Shakespeare at times, using effects right out of Macbeth and Hamlet. There is dramatic license leading to things that couldn't happen… happening. This has some humor. There is some action, and it works well. You can tell this was executive produced by the Scott brothers. The atmosphere is fitting, this always builds the right mood. This can be called a soap opera to some extent, though I would classify it as one of the better ones. Redmayne is a Christian Bale wannabe once he starts talking(he does thankfully refrain from the pitiful Eastwood impersonation). There is a lot of disturbing content, a bit of blood and violence, sexuality, nudity and a little strong language(largely it isn't gratuitous). I recommend this to any fan of epics. 8/10

I always wondered why nobody ever thought about turning Ken Follett's brilliant epic "The Pillars of the Earth" into a movie. Without a doubt, it is the greatest book I have ever read, with a cleverly constructed and well-researched story, engaging characters and is full of intrigues, violence and sex. There is so much going on in the book that not a single page seems to be wasted, which is saying a lot about a novel that has over 1000 of them. Now, over two decades after the novel hit the bookshelves, Ridley and Tony Scott bring you an eight-part miniseries that promises to be one of the best ones I have seen in recent years.

It is 1135 and a dark time in the history of England. 15 years earlier the king's only legitimate heir died during the sinking of a ship, and England's monarch has neglected God and the church during his reign. The priests and bishops are most eager to ensure a religious man ascends the throne after the death of the king, and in return for swearing allegiance to them, they promise Stephen, the nephew of the king, to put him on the throne. A fierce battle of succession ensues between Stephen and King Henry's only legitimate child Maude. In these times, a young and ambitious monk named Philipp is made Prior of Kingsbridge, a fairly large city that has suffered in recent times and that is in dire need to have its church remodeled. Tom Builder travels through England with his son Alfred, his daughter Martha and after his wife Agnes died in childbirth, they are joined by the two outlaws Ellen and Jack. Finally, Tom finds a job in Shiring, but the Lord Bartholomew is conspiring against the new king Stephen and the William Hamleigh, who was rejected by the lord's daughter Aliena, finally sees an opportunity to take revenge. Philipp, Tom and his family and Aliena are faced with several challenges and hardships, but their paths cross in Kingsbridge, and they all will play a vital role in the construction of the brand new cathedral.

Two episodes into the miniseries, I'm quite impressed by how much the atmosphere of the book was kept and although I was prepared to be disappointed, I am really enjoying it so far. It seems that the best and most expensive stuff was just good enough for this series and the medieval cities of the book such as Kingsbridge and Shiring look stunningly real. I am glad that eight episodes were dedicated to tell the story of "The Pillars of Earth" instead of merely a two-hour movie, although it's not nearly as epic as Ridley Scott's big movies such as "Gladiator". The series does have combat scenes, but ultimately it's more of a dark drama, focusing on characters and relationships before anything else.

The miniseries stays very close to the plot in the novel, and only minor details were changed. One of them is that Tom knows that his son is raised in Kingsbridge from the beginning, and in the novel it's only revealed at almost the very end. And then there is the king, who dies at the beginning of the novel, but here lives through almost the entire first episode. Those are merely small deviations though, unnecessary perhaps, but not really something to make a big deal about. The series was mostly shot in Hungary and Austria, although most scenes are actually confined to the insides of a castle or a town. On a side note, there's a lot of blood, obscenity, violence and nudity in the series, and if you have seen HBO's "Rome", you should already know what to expect.

While there are not too many big names in the cast, some of them you have probably heard of and those are the ones standing out acting wise as well. Ian McShane was the perfect choice to play Bishop Waleran, and he is wonderfully slick and cunning as the main antagonist of Prior Philipp, played by Matthew Macfadyen. I actually find Macfadyen to be almost a little dry in the role of Philipp, but since the character is described with exactly that word many times in the book, I guess he should be commended for his performance. Rufus Sewell so far is the best of the actors in the series, and he is very emotional as Tom and exactly how I imagined him from the books. Natalie Woerner, a German actress, really stands out so far as Ellen and it's unbelievable that she is 43 years old already. She and Sewell have an amazing chemistry together and I completely believe the character's passionate, but scorned upon relationship. Hayley Atwell and Eddie Redmayne as Aliena and Jack will have more to do as the series progresses, as will David Oakes who doesn't seem evil enough for William quite yet. Anatole Taubman, whom you might know from the last James Bond film, is also quite good as Remigius, the manipulative sub-prior of Kingsbridge and Donald Sutherland also appears as Bartholomew in a few episodes. The cast is not well-known perhaps, but definitely strong and I really like what I'm seeing of them so far.

I suppose the miniseries won't be quite as epic as the book, but from what I'm seeing so far it will be a big candidate to pick up a couple of Golden Globes and Emmys in the miniseries category next year. "The Pillars of Earth" deserved a fantastic adaptation, and I'm glad to see that the producers and the director Sergio Mimica-Gezzan were seemingly ambitious enough to ensure that this would be a memorable series, worthy of this great book. But watching the series, no matter how good it is now and will be in the weeks to come, will never be an adequate substitute for actually reading the book.

"Pillars" is amazing! Yes, it does differ some from the original book but it's another story-telling device that enhances an enthralling tale from the 12th century that is fascinating and exquisitely portrayed. I read the book as well as its sequel and thoroughly enjoyed both. The characters in the mini-series were intriguing, beautifully casted and totally believable. There is no way every detail from the book could be worked into the 8+ hour movie for TV. Critics can take exception to some of the what-was-left-out rather than realizing reading a book and watching a movie involve entirely different enjoyment method levels. The mini-series is worth every effort to view. I sometimes watched episodes 2 or 3 times again to take it all in. The sets, special effects, displays of church control vs. every day life for many was portrayed amazingly well. Say what you will about fractured details, overall "Pillars of the Earth" is a fabulous experience that captivates and informs, most of all, invites interest in the metaphor of the building of some of Europe's most gorgeous reaches for heaven architecture-wise as well as the corruption and deceit of many who defied religious belief in the worst ways when they should have been stellar examples of loving leadership.

I have read everything Ken Follett has written, but I pretty much had him pegged as a writer of extraordinarily readable suspense potboilers. Better than Stephen King, but no Cormac McCarthy. Then, in 1989 he unveiled "Pillars of the Earth" and I was stunned. Follett gave full rein to his incredibly vivid and compelling storytelling abilities. When I finished I was sad. I could no longer follow the adventures of these heroic and scheming English men and women in the the tumultuous 12th Century, a time of uncertainty over who should be on the throne.

I have now watched the first six episodes (available on Netflix for instant viewing) and am dying to see the final two when they come available. I didn't know what to expect, but I can declare myself fully satisfied.

What worried me most going in was the series was what the tone would be. Follett is a master of grand, operatic gestures. The mini-series captures that.

He also is far from shy about sex, barbarism and vulgarity. There's a scene when the monks put Ellen on trial as a witch that made my jaw drop. No F-bombs, but one startling c**t bomb. The incest theme between William and his mother is not explicitly shown, but very clear.

Occasionally, it's a bit "stagey" and the CGI is good, but not state of the art.

Still, "Pillars" is a triumph of epic storytelling.