Le garçon qui criait au loup

After inheriting a family castle in Romania, a family discovers the dark secret behind the local legend of a vicious beast roaming the city as they race to stop a horde of vampires from taking control of the castle.

This here turned out to be quite an enjoyable and entertaining kiddie-centered horror-comedy. There's a lot of good in this about making an even mix between tween-inspired parts and more normal horror motifs, and there's plenty to both sides in here. The tween backbone here is all well-handled with the different attitudes toward the single father dating, the romance for once isn't obtrusive to the story in detriment for the actual horror, and the beginning where they explore the castle is just filled with some quality gags that really showcase the goofier humor present that really appeals to kids. From the gags trying to scare the sister to the constant sibling-like digs on each other and the side-splitting recurring gag with a character's name, there's some really funny stuff in here and it gets better once the transformation occurs. The antics that depict the transformation, from the heightened sense and reactions to the lessening of objection towards previously-objectionable attitudes and how their date goes which is constantly threatened by her burgeoning abilities for some nice laughs but knows to transition into horror territory nicely as once those abilities creep in, the explanation and back-story about the creature amongst the town's history is wonderfully handled. It makes for a pretty enjoyable time by creating a pretty strong connection through the twisted mythology with the action in the last half which is just non-stop brawling between the two werewolves and the vampire clan through the catacombs under the castle, through the cemetery and finally into the neighboring warehouse providing plenty of fun times as the fight progresses, and overall this is mixed quite nicely with the humorous aspects of the story. The fact that the creatures are done with practical make-up effects that look rather impressive for the realism and great they look in design and movement is another key factor here, and the only real flaws come from the beginnings of their life. The trouble it goes to set her up as a goofy klutz only to be saved by the werewolf curse is way too clichéd and feels too overwrought to be of much originality. As well, the whole thing is dropped once they get to the castle anyway, leaving the inclusion rather curious. Otherwise, there's not much to dislike here.

Rated Unrated/PG: Violence.

Going into this on a rewatch, I wasn't expecting much especially since this is a Nickelodeon TV movie and at best, it's okay, and at worse, it's kinda bad. But this movie was better than I remembered, though it's not flawless.

BTW, I have no nostalgia for this movie cuz I first watched it on Netflix back in 2021 or 2022 during the night and barley remembered anything, so this is completely a nostalgialess review.

The things I liked was the acting was solid for the most part (though some places were not that good), the story (while pretty generic and simple) was entertaining enough, the characters are decent, the effects were fine enough and the pacing was surprisingly very well done.

The cons were they were some cringy, annoying and predictable moments, some clichés and the writing could've been better.

Honestly, I would say Brooke Shields as Madame Varcolac carried this movie hard honestly, she probably had the best acting out of everyone else.

Also 2 things, the constant howling effects when any of the characters what Madame Varcolac was MAD annoying and how did Paulina survive at the end when she clearly was burned by the sun?!

But overall, good solid movie to pass the time, but could've been better.

Having sat through this movie, as an adult, I have to say that "The Boy Who Cried Werewolf" is actually quite surprisingly good. I had expected it to be more of a sassy family movie.

First of all, though being a Nickelodeon movie, the story was rather interesting, with just enough action and suspense to keep it all going. Sure, the movie borrows heavily on the old classic werewolf movies, but it does so in a good manner. And it is a good way for younger viewers to get introduced to the werewolves in movies.

And the cast was superb, especially Brooke Shields. She was really good in the role of Madame V, and it was actually sort of refreshing in a way to see her in a role as bizarre as this one was. Victoria Justice, in the role of Jordan Sands, was the one carrying the movie though, being the central character and all, and she did so nicely. But also hats off to Chase Ellison, playing Hunter Sands, he came off very energetic and believable in the role he was given.

The effects in the movie were actually quite good, especially for a movie of this caliber, being Nickelodeon and all. But I suspect it is because the legendary Greg Nicotero had a finger to play here. Whenever he is part of some production, it always turns out great.

Oh, and before I forget. The sets and backgrounds were awesome. There were so many small and fantastic details to everything. From the town square, to the castle, and such. I love small details in movies, and the ones in "The Boy Who Cried Werewolf" actually showed there had been put a lot of effort into the production.

I think "The Boy Who Cried Werewolf" actually is quite suitable for young and mature audiences alike. For the youngsters, there is a lot of action and thrills going on, and the mood is kind of brooding and dark. And for us adults, well, I thought this movie brought a light-hearted and fun take on the werewolf genre, bringing the genre out to a new audience. The story was fast paced, predictable of course, but still it kept a good pace.

I was thoroughly amused throughout the entire movie, and I am sure that it will be a hit with many younger viewers.

Greetings And Salutations, and welcome to my review of The Boy Who Cried Werewolf; here's the breakdown of my ratings:

Story: 1.25 Direction: 1.25 Pace: 1.75 Acting: 1.50 Enjoyment: 1.50

TOTAL: 7.25 out of 10.00

Werewolves; Vampires; dark, mysterious figures; an immense and ominous castle; and a creepy-ass housekeeper - what more could a family film need(?)

Thankfully the writers, Art Edler Brown and Douglas Sloan provide the audience with a witty script to keep them chuckling through the hour and a half. Unfortunately, the underlying concept is overly-used in plenty of teen flicks; The rites of passage storyline. After the tragic death of their mother, poor old dad has to cope with the aftermath. His son Chase is having a hard time and overcompensates with horror-based practical jokes. There are power outages where he lies in wait near the fusebox to scare his sister. There are decapitated body parts swimming in fake blood left in the fridge. So, you can understand the movie's title and think you know where the story is heading - or is it? His sister Jordan is the bespectacled nerd in school who likes the football jock and would like to be part of the Heather's clique - Sounds a little familiar, doesn't it? It should; these elements had been done to death before this picture's 2010 release. Happily, Brown and Sloan transport us out of the dangerous waters of teen movies by adding a motley mixture of horror goodies and gags. Yep, Jordan will still metamorph into a mighty attractive bewitching mademoiselle and love interest to the local Romanian village teen heartthrob and bakers boy, but mystery and suspense will litter her path. And the secrets and misgivings come from many avenues. Firstly, who is the forboding housekeeper, Madame Varcolac, whose very name has the creatures of the night singing their sweet music? Why is the local estate agent so keen to sell the mansion, and does she have romantic designs on their dad? What is the secret of their departed benefactor, and why does it appear to be connected with a popular video game franchise? Added to the numerous conundrums, Brown and Sloan proffer the audience with decent characters. Each is an individual in their own right, which helps significantly with the humour.

Eric Bross isn't the world's greatest director. In truth, his stock and trade are on the average side. But he excels at managing the movie's tempo. Not only can he manipulate it impeccably to create excitement, tension, and a little dread, he's punchline-perfect with the visual and vocal gags. And though he has a good eye for composition - the upward pan of the mansion shows how massive it is but also attaches an eerie feeling to the building - he could've done with adding more captivating camera angles, especially for the fights and the chases. His cutting is excellent, as I said. However, changing their height and angle would've heightened the excitement. At least there's no camera shake - Thank you for that, Mr Bross. There's a scene when Jordan takes off across the rooftops; Bross follows her athletic departure with a pan and a slight zoom. It would've been nice to have a couple of close-ups on the rooftop or maybe more of a following shot. But these are small things because the movie works.

The cast is superb. However, this film belongs to Brooke Shields. After watching her in this picture, I can say this lady sure can act. Yes, her accent may slip a couple of times, if I'm being pernickety, but she sure does come across as scary and intimidating. I wouldn't mess with Madame Varcolac.

And in all honesty, I'd recommend watching the whole of this movie just for the music video at the end. Madame Varcolac and the rest of the cast singing Britney Spiers' song, Baby, One More Time, is priceless - and Shields stays in character, awesome. But the bonus is the movie is one enjoyable romp through the Old Country of horror. The Boy Who Cried Werewolf will be a go-to movie whenever I get down and need my spirits lifted.

Now take off that fur coat and... What do you mean you're not wearing a fur coat... Err, well, just come over here and take a look-see at my IMDb lists - Absolute Horror, Just For Laughs, and Guilty Pleasures to see where I ranked The Boy Who Cried Werewolf. Sit: Rollover: Good werewolfie.

Take Care & Stay Well.

Jordan Sands (Victoria Justice) is a dorky teen who became the lady of the home after her mother's death. She's awkward, accident-prone (especially near hunky boys) and picked on by the mean girls. Her father David is struggling as her little brother Hunter gets into trouble for his grotesque pranks. They find that they inherited their Great Uncle Dragomir Ducovic's castle in Wolfsberg, Romania. The California family travel to Romania. Jordan is taken with local boy Goran. Madame Varcolac (Brooke Shields) is the creepy housekeeper. Sketchy real estate agent Paulina Von Eckberg (Brooke D'Orsay) entices David. The kids discover a secret lab and Jordan steps on a broken vial. She becomes meat-loving, athletic and more powerful. Her senses improve and she stops needing glasses. However her transformation doesn't end there.

This is a barely passable tween horror which means that it's not really scary. Victoria Justice has the love of the tween audience. The production is limited TV level. The Vancouver sets don't have the right Gothic look. Brooke Shields is overacting. The werewolf looks like a Halloween costume. The final battle has low grade special effects and some stunts. It doesn't have any fun or horror to interest anyone older than a young tween.