Hello Tomorrow!

It is beyond me how many strange reasons i have read here from complaining people.

Hello Tomorrow is a drama about SELLING DREAMS to easy to scam desperate people of the failed american dream flavoured with a beautiful and creative atomic punk setting. No action, no war, no lasers, its a moody drama in a beautifully done alternate 50s sci-fi setting. Very interesting plot about a swindler mastermind's ways to try to built a business based on fairy tales about moon-homes for poor people... Very good presentation of the 50s nostalgic, also fake "smiley" american world filled with interesting inventions. Its like a little tale from Amazing Stories magazine.

NO, NOT STEAMPUNK, stop using that word, it has nothing to do with this series. Atomic punk is from the pulp era, from the America that never was (fallout world without the nuclear desolation).

Also: the trailer was pretty good: I expected EXACTLY that based on that. I dont even know how ppl thought, it will be action packed as they missing that.... not everything is about cheap superheros folks.

The acting is great and the story is fine. The retro science which annoys some people is hardly noticeable after a while. What I find hard is that the story is based on conning good people out of their savings in an obvious con. While I am sure it will all be hunky dory by the end of the show with warm fuzzies all round it is hard to root for any of the characters in the meantime.

It is also hard to beleive that anyone could beleive that it is possible to have a cheaper and better life on the moon than on earth. I suppose that people have shown enormous gullibility in the past but its just a lttle too much for me.

I normally don't give shows a 10, because let's be real. Even Game of Thrones (first 5 seasons) was like a 9.5 at best. This show is legitimately at least a 9. But IMDb ratings (as of February 18, 2023) are a 6.7? Wow.

I don't know what's more mind blowing- this show, or that people don't seem to get it. It's almost the perfect show. It's the 1950s vision of the future with Billy Crudup and Hank Azeria (and an absolutely incredible supporting cast); but moreover- it's not the 1950s, but it's a vision of what our world would look like today, had we kept the 1950s vision of things. They still have incredible technology... it's a little creepy like Pleasantville... but it's so right on the money. They nail the 1950s culture, they nail the sales culture, and they absolutely nail the father longing for a son's love dynamic. The acting is superb and the production design is the highest level. The music is off the charts and the cinematography is also off the charts.

If you're not entertained by this show, you have a sad life.

...... Well now I will be as honest as I can ever be...It's one of those cases when the trailer was sensational and the tv show is just nowhere near it, too simple and sad. I mean it's predictable ok? And just plain boring. Was expecting so much more from this...like some action scenes but it's too melodramatic for my taste i'm afraid... , three episodes in and it's still stuck in this weird and sleepy drama from start to finish....so I'm not sure I will finish the series...but maybe one more episode i will watch . I just hope they come up with something new and far more imaginative than this.

I was very intrigued by the show's retro-futuristic aesthetic. I was expecting something like a live-action Jetsons and hoping for a For All Mankind -like exploration of alternative history.

What we get is a very simple show about a con man trying to reconnect with his son. That's it. The fact that he's selling property on the moon or that the bartenders are floating robots is absolutely inconsequential.

Compare it to For All Mankind. That show is a generational drama that explores an alternative reality and even though the technology and politics are in the background, you can still understand how that future came to be and its implications and ramifications, which are often fascinating.

Or take Severance, another Apple show, so simple on the surface, and yet so intriguing, because, besides the mysteries, it explores how the procedure affects the characters and society as a whole.

None of these are present in Hello Tomorrow. The retro-futuristic look quickly becomes just an overused visual (compare it to Gattaca, where they were very smart in getting just a whiff of retro, enough to create an unique style, but not so much as to overshadow the story). Even Loki put this aesthetic to better use.

What we are left with are a bunch of characters that are not even lovable like the protagonists of Paper Moon, the '70s movie about a con man and his daughter.