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IMDbPro

2050

  • 2018
  • Accord parental
  • 1h 46min
NOTE IMDb
3,8/10
1,3 k
MA NOTE
Stefanie Bloom in 2050 (2018)
Trailer 1
Lire trailer1:02
2 Videos
99+ photos
Artificial IntelligenceDystopian Sci-FiDramaFantasySci-Fi

Un père de famille avec plein de problèmes dans sa vie découvre un salon caché qui offre une solution - des sexbots.Un père de famille avec plein de problèmes dans sa vie découvre un salon caché qui offre une solution - des sexbots.Un père de famille avec plein de problèmes dans sa vie découvre un salon caché qui offre une solution - des sexbots.

  • Réalisation
    • Princeton Holt
  • Scénario
    • Brian Ackley
    • Princeton Holt
    • David Vaughn
  • Casting principal
    • David Vaughn
    • Irina Abraham
    • Devin Fuller
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,8/10
    1,3 k
    MA NOTE
    • Réalisation
      • Princeton Holt
    • Scénario
      • Brian Ackley
      • Princeton Holt
      • David Vaughn
    • Casting principal
      • David Vaughn
      • Irina Abraham
      • Devin Fuller
    • 38avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 16 victoires au total

    Vidéos2

    Trailer [EN]
    Trailer 1:01
    Trailer [EN]
    2050
    Trailer 1:02
    2050
    2050
    Trailer 1:02
    2050

    Photos587

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 583
    Voir l'affiche

    Rôles principaux91

    Modifier
    David Vaughn
    David Vaughn
    • Michael Greene
    Irina Abraham
    Irina Abraham
    • Brooke Greene
    Devin Fuller
    Devin Fuller
    • Drew
    Dean Cain
    Dean Cain
    • Maxwell
    Stefanie Bloom
    Stefanie Bloom
    • Sophia
    Stormi Maya
    Stormi Maya
    • Quin
    Shannone Holt
    • Reign Regan
    Hope Blackstock
    Hope Blackstock
    • Alli
    Chris Riquinha
    • David
    Jace Nicole
    Jace Nicole
    • Diana
    Jonathan Ercolino
    • Cameron
    Juliana Corsetti
    • Georgia
    • (voix)
    Ben Bott
    • Atticus
    • (voix)
    Gregory Rawrysz
    Gregory Rawrysz
    • Parlor Bartender
    Merrill Joseffer
    • Parlor Hostess
    Jor el Jordan
    • Juice Bar Patron
    Billy Marshall Jr.
    • Rudy the Bartender
    Jerry Hebrank
    Jerry Hebrank
    • Business Investor
    • Réalisation
      • Princeton Holt
    • Scénario
      • Brian Ackley
      • Princeton Holt
      • David Vaughn
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs38

    3,81.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    BarneyGrapes

    Acting:5, directing:5, occasional flashes of insight:10

    I really struggled rating this one. I have a softspot for any nice cinematography set in New York City. Don't know why, have never been there. Just something so human and organic about that city.

    As for acting: some really really bad, most slightly below average, and occasionally excellent. Same for directing.

    The main companion robot was really good in her role. The others were fine. There was some unevenness in how the director saw their movements and expressions. Maybe he could explain it off as older and newer models. The companion to the main protagonist seemed more natural, but with a slight emptiness in the eyes. The other models felt very artificial.

    And finally to what drags my rating way up to 7, which most wont agree with it deserving for good reasons. But I just had to give it some reward for a couple things it does very well.

    It doesn't get too deep. It's not a complicated highly metaphysical issue. It's an issue we are currently facing, just in a different form. Devices. Loss of human contact and meaningful interaction. Inability to know how to interact.

    On the flip side, they make the very valid point that we overcomplicate the meaning we give to sexual devices. Our social conditioning adds way too much subtext (you need the device or the roll play because Im not enough, you don't trust me enough, etc...).

    Finally, there is a brilliant comment near the end (non-spoiler, it doesn't impact the outcome or story of the film). It involves releasing sterile insects into a population to help control or eradicate that population. A simple comment, but one the writers were brilliant to see and make the connection to sex bots.

    So I don't want to over emphasize this film and say it's amazing. It's more of a film with a lot of lost potential. In the right hands, with the right director, and some cleaning up of the script and dialogue, it could be an excellent film. Not ground breaking, but good. But again, some people may find it too simplistic. I loved the simplicity.

    And we certainly can't fault those who struggle to get through this film. They have good reason.

    Last note: the ending dialogue is excellent, however, it ultimately ends flat.
    4ASouthernHorrorFan

    My Review Of "2050"

    The story is ambitious. Much like "A.I" and 'Humans', "2050" explores the relationship between man and technology. The personal acceptance, social implications and potential conflict. In this film the exploration is between human relationships and advanced artificial intelligence integrated sex bots. And yes there is a slight flippant approach with "battle of the sexes" humor.

    I am not sure if "2050" ever lives up to the expectations of the film's creators. The concept, on the surface is a curious topic, one with a valid point. Unfortunately, I felt a definite judgemental vibe from the story's perspective choices. Several of the characters felt shakey, didn't really fit Into the situations offered. Some of the writing seemed to need a bit more development.

    Special effects are pretty minimal. The environments seem more now than future. Aside from some ancillary CGI elements peppered in there is no real leap to a sci-fi aspect. I didn't get enough A.I conveyance from the android characters to believe them. All that said, the film is shot nicely. Some of the situational material between the human characters were nice. "2050" has a few cool elements but not enough to make sci-fi futurist fans happy.
    4bemyfriend-40184

    Funny, but Inconclusive

    I guess my title says it all. Parts of this well crafted rom-com made me laugh out loud. But yeah, there was no real conclusion; to the story, or to the moral/ethical questions. Towards the end of the film, I could see that the writers really didn't have a point to make; or a conclusion to reach. I lost interest, and the movie lost 4 stars. Seen on Tubi, the free streaming site; which has an odd assortment of films, and now, live TV.
    2wbwalthers

    Bore Bore Bore !!!!!

    This movie is a slow stupid story. The Director is absolutely terrible. All kinds of ridiculous camera angles and ridiculous lighting all of which are drug out for such a long time. I can't say anything bad about the actors. I think they did OK with what they had to work with. The script was just stupid and the characters of the story are flat boring. Fantastic music playing throughout the movie. Only problem with it is it doesn't fit the movie. One of the lamest movies I've ever seen.
    5troy-boulton

    Not Dean Cain's worst film in the last decade

    It's not a new premise by any measure, but the narrative and dialogue has enough originality to hold some interest. There are moments of brilliance in the cinematography, like islands in a sea of low budget mediocrity. "Futurising" the present by dropping in the odd cheesy special effect really doesn't work; either go all the way, or be way more subtle. This is just disjointed world-building that drops the viewer out of the story.

    The acting and dialogue is like the cinematography. Inconsistent. Moments of beauty and powerful nuance, drowning in acres of awkward and stilted.

    I'm glad Dean can still get work. I've always had a soft spot for him. He's not a great actor, and his 50+ years sans A-grade Hollywood cosmetic surgery/stylist/nutritionist/trainer budget are showing, but he seems like such a nice guy. He deserves a shot, and this film shows not all hope is lost.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Stefanie Bloom believes that many of the topics addressed in the film will be real before the eponymous year of 2050.
    • Citations

      Alli: If you control the people, you control the world. They tried everything they could to try to control us. Because they know we are emotional people. They tried to divide us by playing on our emotions. You know why, right? Because, if you keep the people emotional and angry you distract them from building their own financial empires and taking care of their families, and their family's families. I mean, think about it, bro. First you program people emotionally, right? Next you destroy their health. The best way to do that is through the food and water supply. I mean, Henry Kissinger snitched on the whole operation. He said, "If you control the oil, you control the country." "And if you control the food, you control the population." So now we've been programmed to rely on microchips more than we rely on each other. We no longer talk to each other, we only follow each other online, what? But this, this is the remedy. This is how we get back to our roots. This is how we bring humanity back to our essence, I mean, guys, oh. Just take this.

    • Connexions
      References Les Jetsons (1962)
    • Bandes originales
      What We're Left With
      by Konstantinos Lyrakis

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    FAQ15

    • How long is 2050?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 janvier 2020 (États-Unis)
    • Pays d’origine
      • Chine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Robot de compañia
    • Lieux de tournage
      • Long Island City, New York, États-Unis
    • Sociétés de production
      • Be Your Own Hollywood
      • Butterfly Chasers
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 46 minutes
    • Mixage
      • Dolby Digital
      • D-Cinema 96kHz 5.1

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