La vie d'un couple marié bascule lorsque la femme est accusée de meurtre.La vie d'un couple marié bascule lorsque la femme est accusée de meurtre.La vie d'un couple marié bascule lorsque la femme est accusée de meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Junkie
- (as Alissa Haggis)
Avis à la une
I have not seen the original that this is apparently a remake of so I cannot compare. What I can say is that this movie was deftly directed with a perfect pacing that smoothly shifts through each gear from 1 to full throttle. It starts off with the necessary slow exposition, transitioning to a heartfelt family crisis drama and crime thriller with the tension slowly cranking up to a breakneck speed when I was literally holding my breath in the compelling edge of the seat finale.
What I admire most about this film is the smooth kinetic flow from scene to scene. There didn't seem to be any implausible leap in logic apart from maybe towards the end but everything just connects together so well. All of the actors were superb in their roles. As for Russel Crowe, well I can't think of many actors who expresses wordless undying love better than he can. He is simply a master of it and you just cant help root for him even if he makes or contemplates morally wrong decisions. His character is beautifully played with all the invulnerability, weaknesses and stubborn obsession he possesses.
The supporting actors were all excellent in the little screen time that they each get. And there is even a brilliant cameo by a well known Irish actor (shant spoil who it is for you) that sparked up the screen briefly in an instrumental role to the plot. The great Brian Denhhey also has a few minutes on screen time as Crowes father, hardly uttering a word but you just know exactly what is going on in his mind and it is absolutely touching.
So in summary, this is a top thriller with an exhilarating edge of the seat 3rd act, enriched by beautifully touching moments and thick underlying subtext of undying love.
The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.
The story is about an average guy who plots to break his wife out of prison, where she's serving time for a murder that he doesn't believe she committed. He's a community college teacher, not an expert on prison escapes, so a lot of The Next Three Days is spent with Crowe's character researching how he can accomplish his goal and trying to get passports, money, etc. It's only in the last 30 minutes when the plan is actually put into action, but the movie stays exciting and interesting throughout.
I unfortunately haven't been able to check out the original French film, Pour Elle, so I can't compare quality between the two. Judged solely on its own merits, I thought The Next Three Days was a solid, tense, occasionally clever thriller. Nothing mind-blowing, but not many glaring flaws, either. There are a few moments when the move strays a little too far beyond believability (ex. super cops repeatedly making huge, unerring leaps of logic), but I still recommend it.
Cool soundtrack, too. Who would have thought The Like would be featured in a big budget Hollywood flick?
Le saviez-vous
- AnecdotesPaul Haggis selected Pittsburgh as the main location as he wanted one that was relatively close to the Canadian border, figuring that would be a logical destination for someone breaking their wife out of prison. He also wanted the location to be one less cinematically familiar than New York City or Chicago.
- GaffesWhen the detective says "get the warrant", the only admissible evidence they have to even suspect John is that his wife owns a car that uses the same tail lens as was found in a trash pile up the street from the meth lab. No judge would issue a warrant on that, and certainly not in the time frame shown.
- Citations
John Brennan: So, the life and times of Don Quixote, what is it about?
Female College Student: That someone's belief in virtue is more important than virtue itself?
John Brennan: Yes... that's in the there. But what is it about? Could it be how rational thought destroys your soul? Could it be about the triumph of irrationality and the power that is in that? You know, we spend a lot of time trying to organize the world. We build clocks and calendars and we try to predict the weather. But what part of our life is truly under our control? What if we choose to exist purely in a reality of our own making? Does that render us insane? And if it does, isn't that better than a life of despair?
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #19.35 (2010)
- Bandes originalesWaltz Trio Session
Composed & Performed by Giorgio Rosciglione, Cinzia Gizzi and Gegè Munari
Courtesy of 5 Alarm Music
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Los Próximos Tres Días
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 148 651 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 542 779 $US
- 21 nov. 2010
- Montant brut mondial
- 67 448 651 $US
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1