La vie d'un couple marié bascule lorsque la femme est accusée de meurtre.La vie d'un couple marié bascule lorsque la femme est accusée de meurtre.La vie d'un couple marié bascule lorsque la femme est accusée de meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Junkie
- (as Alissa Haggis)
Avis à la une
Crowe and Banks play John and Lara Brennan, a happily married couple with one child. Lara is arrested and convicted to life in prison for murdering her boss, though she claims she didn't do it. A woman brushed by her as she was entering the parking lot where her boss was found dead. However, because her prints were on the murder weapon and blood was on her coat, the jury votes guilty.
A few years pass and John and Lara hold onto hope that she will win her appeal, but she doesn't. John realizes that he has no choice but to break her out of jail. His timeline is shattered when he learns that she's being transferred to prison soon, giving him only three days.
Wonderful, action-packed and gut-wrenching story of a normal man who is so desperate he nearly goes insane. Crowe is remarkable as John,a teacher who talks about Don Quixote living in a world of his own reality. He soon must practice what he preaches as he walks the mean streets in order to work out a careful plan, even as he cares for his young son Luke (Ty Simpkins) who has become more and more withdrawn and angry since his mother's imprisonment.
Beautifully directed by Paul Haggis, The Next Three Days keeps you on the edge of your seat throughout -- you're never sure what's going to happen or how far John will go. There is a wordless scene between John and his father (Brian Dennehy) that will break your heart.
Besides Crowe, Banks, and Dennehy, the excellent cast also includes Liam Neeson, Olivia Wilde, and Jason Beghe. Don't miss this.
The best films are those where you are introduced to characters who do the unpredictable believably, or people you think will be key players die in the opening scene, someone you least expect turns out to be the murderer, these are the films that keep you guessing and keep you involved. In Paul Haggis' intense thriller he chooses a wise and well crafted angle to lure you in and hold your attention. The development of John Brennan and his gradual transformation over time before your very eyes.
Meet John Brennan, he's a normal average working man, slightly nerdy even, living a fairly dull routine life. When his wife is imprisoned for murder John, as you would expect of a normal average slightly nerdy working man follows the rules of appeal in an attempt to win her freedom. Three years pass and the realisation that his wife will remain behind bars for life hits home. When normal people find themselves in hopeless situations desperation can drive them to do very abnormal things.
What Haggis works brilliantly into both his screenplay and direction is the gradual metamorphosis of Brennan's persona as he becomes fixated on breaking his wife out of prison. Brennan doesn't suddenly become the all American action hero capable of great feats of courage. We have a knowledge of his character from the beginning of the film and Haggis does not treat the audience as idiots, we know that Brennan cannot walk into a phonebox and there's a sudden change into superman. This would not work for John Brennan, the nerdy schoolteacher, what we see however is how little by little, piece by piece he falls more and more out of control, deeper and deeper out of his depth. We know this is not the normal behaviour of Brennan, but the screenplay is so well crafted and Crowe delivers the character to us perfectly that both the scenarios and Brennan remain at all times, believable. He makes tremendous mistakes and shows real human failings and frailties that as we ride along with him we're never far from the belief that it will all go very wrong, very soon. Haggis treats us to a wonderfully woven story that rolls along with ease, then suddenly the momentum builds into a Tsunami of real tension. Brennan is completely exposed and you fear for his outcome.
If a director can pull you into the story, make you care about a character, and if during the course of that film allow you to watch that character change in a very real and gradual way then he has delivered a truly great film.
Haggis' screenplay does not allow the audience to get ahead of the story. Developments are unexpected and plausible scenarios affect action and reaction. Some events have no bearing on the outcome but you cannot know which are red herrings and which are genuine avenues rather you find yourself wondering where this will all lead to, making The Next Three Days a complex and intriguing thriller very much in the cerebral and classical sense such as North by Northwest or Vertigo.
A tremendous, faultless film.
10/10
The plot takes too long to set up, so the first half of the film is a slow haul. But the last half has almost the cracking pace of a DIE HARD romp. Writer/director Paul Haggis elects to deceive the audience as well as the police who are in close pursuit of the fugitives, which puts this in the tradition of 'classics' like TO CATCH A THIEF and CHARADE. Gritty and enjoyable.
Le saviez-vous
- AnecdotesPaul Haggis selected Pittsburgh as the main location as he wanted one that was relatively close to the Canadian border, figuring that would be a logical destination for someone breaking their wife out of prison. He also wanted the location to be one less cinematically familiar than New York City or Chicago.
- GaffesWhen the detective says "get the warrant", the only admissible evidence they have to even suspect John is that his wife owns a car that uses the same tail lens as was found in a trash pile up the street from the meth lab. No judge would issue a warrant on that, and certainly not in the time frame shown.
- Citations
John Brennan: So, the life and times of Don Quixote, what is it about?
Female College Student: That someone's belief in virtue is more important than virtue itself?
John Brennan: Yes... that's in the there. But what is it about? Could it be how rational thought destroys your soul? Could it be about the triumph of irrationality and the power that is in that? You know, we spend a lot of time trying to organize the world. We build clocks and calendars and we try to predict the weather. But what part of our life is truly under our control? What if we choose to exist purely in a reality of our own making? Does that render us insane? And if it does, isn't that better than a life of despair?
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #19.35 (2010)
- Bandes originalesWaltz Trio Session
Composed & Performed by Giorgio Rosciglione, Cinzia Gizzi and Gegè Munari
Courtesy of 5 Alarm Music
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Los Próximos Tres Días
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 148 651 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 542 779 $US
- 21 nov. 2010
- Montant brut mondial
- 67 448 651 $US
- Durée
- 2h 13min(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1