Habemus Papam
- 2011
- Tous publics
- 1h 42min
NOTE IMDb
6,7/10
15 k
MA NOTE
Ajouter une intrigue dans votre langueA story centered on the relationship between the newly elected Pope and his therapist.A story centered on the relationship between the newly elected Pope and his therapist.A story centered on the relationship between the newly elected Pope and his therapist.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 19 victoires et 20 nominations au total
Avis à la une
I saw the movie a few days ago and, even though I did not like the ending, I gave a 9/10, because I loved how the Cardinals were made to look so godly and so human at the same time. Michel Piccoli did such great acting.
Last but not least, besides being very entertaining, the movie now has proved to be prophetic, as Pope Benedict has resigned to everyone's surprise. That alone makes this movie, a great movie.
PS: For the person who wrote: "Waste of time, written by an atheist so what do you expect", and then complains of "an insult to all Believers". I am not an atheist; I believe in God. But my thinking brain felt deeply insulted as I was reading the rant.
Last but not least, besides being very entertaining, the movie now has proved to be prophetic, as Pope Benedict has resigned to everyone's surprise. That alone makes this movie, a great movie.
PS: For the person who wrote: "Waste of time, written by an atheist so what do you expect", and then complains of "an insult to all Believers". I am not an atheist; I believe in God. But my thinking brain felt deeply insulted as I was reading the rant.
This film has had a very diverse range of reviews, and this is probably because its full appreciation requires a finger on the pulse of the Catholic world.
Moretti makes a statement about the current state of the Church, which behind its omnipotent facade seems to be unable to truly face the challenges of remaining relevant to its followers. Rather than set up an intricate political plot of intrigue and betrayal, Moretti chooses to represent this powerlessness through a single person, an unassuming cardinal who feels unable to take on the responsibility. At the same time, though, he reveals that the state of unease is widespread among the cardinals, who dread the thought of having to take on this leadership, as much as the thought of losing their leader.
A banal way forward would have been for the cardinals to turn against each other, or against the Pope; instead, here they find relief in reverting to games and simple everyday activities, as if the isolation inside the Vatican walls is lifting an unbearable oppression from them, as they can do normal things as normal people do.
The film has several imperfections, and one feels sometimes the story gets somewhat contorted, especially when the new Pope rekindles his old love for the theatre. Still, it is a visually attractive film, sensitively scripted and well acted.
This is a surprisingly sympathetic film made by a non-believer who is often critical of the Church. Moretti is appreciative of the magnitude of the problem faced by the church, but most of all one has the impression that he cares deeply about the people involved: those on the balcony, those behind the curtains and especially those down below, in the square.
Moretti makes a statement about the current state of the Church, which behind its omnipotent facade seems to be unable to truly face the challenges of remaining relevant to its followers. Rather than set up an intricate political plot of intrigue and betrayal, Moretti chooses to represent this powerlessness through a single person, an unassuming cardinal who feels unable to take on the responsibility. At the same time, though, he reveals that the state of unease is widespread among the cardinals, who dread the thought of having to take on this leadership, as much as the thought of losing their leader.
A banal way forward would have been for the cardinals to turn against each other, or against the Pope; instead, here they find relief in reverting to games and simple everyday activities, as if the isolation inside the Vatican walls is lifting an unbearable oppression from them, as they can do normal things as normal people do.
The film has several imperfections, and one feels sometimes the story gets somewhat contorted, especially when the new Pope rekindles his old love for the theatre. Still, it is a visually attractive film, sensitively scripted and well acted.
This is a surprisingly sympathetic film made by a non-believer who is often critical of the Church. Moretti is appreciative of the magnitude of the problem faced by the church, but most of all one has the impression that he cares deeply about the people involved: those on the balcony, those behind the curtains and especially those down below, in the square.
The description of the movie is wrongly understood. This movie is definitely NOT about the relationship of Pope and his therapist. The failed therapist has and episodic side-role. The movie is about a Bishop who cannot take the burden of responsibility and attention that falls upon him. How he struggles and how he finds courage to solve the situation. There is no relationship between a Pope and therapist who have a 10 sentence conversation. Even the other therapist - therapists wife does not have any major impact or role in the movie whatsoever. Okay she kind of connects with the Pope but has more of a satirical role considering the outcome and storyline. Misleading is this introduction. Please change it.
This movie will make you feel weird. The setting is highly unusual and plot unexpected. You'll feel confused, even perplexed by the whole situation.
However, that is exactly the point - this movie perfectly portrays what anxiety and depression feel like. Confusion, the need to be alone and the feeling of powerlessness are all typical for sufferers and are key elements of this wonderfully weird movie.
I definitely recommend this movie for a nice, slow-paced and thought provoking afternoon.
We have a Pope, or Habemus Papem, starts with the death of the Pope and the funeral procession at the Vatican. The scenery is spectacular with Cardinals from all over the world reciting prayers. The story then switches to the voting for the new Pontiff. The election of the new Vicar of Christ, played brilliantly by Michel Piccoli, is a very interesting concept.
Piccoli has severe doubts as to his ability to lead the Catholic Church and refuses to accept his fellow Cardinals decision appointing him to be in charge of the great bureaucracy of Rome.
The best psychiatrist in Italy is brought in to help the newly elected Pope deal with his anxiety. He leaves the Vatican for a few days to travel incognito and find himself among the common people. I won't continue so as not to spoil the rest of the film except to say that it remains interesting throughout. It never becomes preachy and the cast is excellent, led by Michel Piccoli.
Piccoli has severe doubts as to his ability to lead the Catholic Church and refuses to accept his fellow Cardinals decision appointing him to be in charge of the great bureaucracy of Rome.
The best psychiatrist in Italy is brought in to help the newly elected Pope deal with his anxiety. He leaves the Vatican for a few days to travel incognito and find himself among the common people. I won't continue so as not to spoil the rest of the film except to say that it remains interesting throughout. It never becomes preachy and the cast is excellent, led by Michel Piccoli.
Le saviez-vous
- AnecdotesCardinal Gianfranco Ravasi forbade Nanni Moretti to film at the Vatican.
- ConnexionsFeatured in At the Movies: Cannes Film Festival 2011 (2011)
- Bandes originalesTodo Cambia
Written by Julio Numhauser
Performed by Mercedes Sosa
Warner Chappell Music Argentina / Warner Chappell Music Italiana
1984 Polygram Discos
Courtesy of Universal Music Italia
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- How long is We Have a Pope?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- We Have a Pope
- Lieux de tournage
- Palazzo Farnese, Rome, Lazio, Italie(Vatican courtyard)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 548 115 $US
- Week-end de sortie aux États-Unis et au Canada
- 31 368 $US
- 8 avr. 2012
- Montant brut mondial
- 17 877 523 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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