Gravity
- 2013
- Tous publics
- 1h 31min
Deux astronautes s'unissent pour survivre après un accident les laissant perds dans l'espace.Deux astronautes s'unissent pour survivre après un accident les laissant perds dans l'espace.Deux astronautes s'unissent pour survivre après un accident les laissant perds dans l'espace.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 7 Oscars
- 240 victoires et 188 nominations au total
Avis à la une
Acting/Characterization: 1.5/2 - George Clooney is, well, Clooneyesque, but Sandra Bullock shows palpable emotion. It's easy to root for her character as a fellow human being, despite her seeming incompetence as an astronaut.
Script/Writing: 0.5/2 - The script is uninspired, peppered with unfunny anecdotes, clichéd backstories, and inarticulate fretting, but it wisely avoids pretentious meditation on the meaning of it all for a few poignant moments of the heroine quailing in the face of death.
Visuals: 2/2 - Impeccably shot, Gravity is stunning from start to finish. Objects move with geometric beauty, while Earth is a vivid, distant dream.
Concept (Plot/Theme): 1.5/2 - The threat of space debris is wonderfully mundane and realistic, but everything that follows the initial catastrophe requires some suspension of disbelief as survival becomes increasingly improbable. Still, the film adeptly captures the minuscule fragility of human existence.
Total Score: 7.5/10
Gut Feeling: 8/10 - While I wondered how her character qualified for a space mission in the first place, Bullock delivers a moving performance in an immersive film that is worth seeing for the cinematography alone.
Final Average Score: 7.75
It was one of the better 'space' movies. However, as a geek (I know, I know it's a movie) the orbits are all wrong for some of the events to even remotely take place. So if you know anything about space travel, as usual suspend disbelief for the moment. It at least stayed largely true to the no sounds in space thing, and provides some good lessons about linear and angular momentum. The fact I even get to bring this up, means I give the film makers some serious props... I wouldn't go so far as some of the reviews where they says the movie is creating a whole "new genre". The reviewers and movie makers just never realized, until now, what us geeks knew all along... space is much more awesome and frightening if you portray it more realistically.
Hopefully the movie also provides a good reminder about how special this little rock is, and how unforgivable the rest of the universe is. Let's try and keep our planet that way! At least I was reminded of this when I left the theater.
Le saviez-vous
- AnecdotesThe film's cascade of debris is a very real possibility. This scenario is known as the Kessler syndrome, named after N.A.S.A. scientist Donald J. Kessler who first proposed the theory in 1978. A cascading Kessler syndrome involving an object the size of the International Space Station would trigger a catastrophic chain-reaction of debris. The orbiting debris field would make it impossible to launch space exploration missions or satellites for many decades.
- GaffesWhen Kowalski asks Stone to let go of him because the rope will not hold them both, that could never happen because they are both in the same orbit around the earth. A short simple tug would have brought him back to her. Additionally, once they are drifting away from the ISS, disconnecting from Kowalski would not cause her to rebound back toward the ISS unless another force pulled her back in its direction. At most she would stop when the ropes reach the end of their slack, in which case Kowalsky would also have stopped.
- Citations
Matt Kowalski: Listen, do you wanna go back, or do you wanna stay here? I get it. It's nice up here. You can just shut down all the systems, turn out all the lights, and just close your eyes and tune out everyone. There's nobody up here that can hurt you. It's safe. I mean, what's the point of going on? What's the point of living? Your kid died. Doesn't get any rougher than that. But still, it's a matter of what you do now. If you decide to go, then you gotta just get on with it. Sit back, enjoy the ride. You gotta plant both your feet on the ground and start livin' life. Hey, Ryan? It's time to go home.
- Crédits fousThe director thanks his mother during the end credits, in Spanish: "a mi mamá, gracias".
- ConnexionsFeatured in Filmselskabet: Épisode #4.1 (2013)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Gravedad
- Lieux de tournage
- Space(Earth's orbit)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 274 092 705 $US
- Week-end de sortie aux États-Unis et au Canada
- 55 785 112 $US
- 6 oct. 2013
- Montant brut mondial
- 723 753 370 $US
- Durée
- 1h 31min(91 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1