Une auteure en herbe pendant le mouvement des droits civiques des années 1960 aux États-Unis décide d'écrire du point de vue des domestiques afro-américaines par rapport aux familles blanche... Tout lireUne auteure en herbe pendant le mouvement des droits civiques des années 1960 aux États-Unis décide d'écrire du point de vue des domestiques afro-américaines par rapport aux familles blanches pour lesquelles elles travaillent, et les difficultés qu'elles rencontrent quotidienneme... Tout lireUne auteure en herbe pendant le mouvement des droits civiques des années 1960 aux États-Unis décide d'écrire du point de vue des domestiques afro-américaines par rapport aux familles blanches pour lesquelles elles travaillent, et les difficultés qu'elles rencontrent quotidiennement.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 79 victoires et 121 nominations au total
- Stuart Whitworth
- (as Chris Lowell)
- Yule Mae Davis
- (as Aunjanue Ellis)
Résumé
Avis à la une
The character development in this movie is really outstanding – I hate movies with flat single dimension characters and these from the lowest to those with the most screen time are just remarkably developed – even the newspaper editor, the lines they chose for him to keep gave you enough information that even he is a memorable character with only three scenes, maybe 4 in the entire movie. Same for Stuart, Skeeter's love interest – you actually like him then hate him and he only has maybe 3 minutes of air time. Great great job. Sissy Spacek with so few speaking moments is great as is Cicely Tyson who speaks volumes even in scenes with no words. Admittedly, being based on an amazing book the background story was already set out and tracks the book closely without some of the details but they have done a great job of putting it to film –
This movie sets out beautifully a terrible time in our history that unfortunately is not over – it is better, but not over by a long shot. Being a child of the south and coming up during that time, being raised by such bigoted grandparents and parents, it leaves me pause to wonder how I avoided this rabid virus of hate and takes me back to long hot lazy days in the deep south before every building was air conditioned – such attention detail right down to the Jesus fans they waved in church – awesome flick. You FEEL the heat, the tension, the pain, the injustice of the time but still you laugh with them even as you cry for them - both races - ignorance is to be wept over.
However, I think this movie does more, goes further in its exploration of the behavior of the privileged during that time. They were rabid toward blacks but were not that much better toward anyone who did not share their socio-economic status (the way the "Junior League" treated Celia) and the enormous peer pressure they put on one another (the club encouraging Skeeter's mother to make a poor decision). It visits the sins of the parents passed on to their children – the bigotry and injustice that is learned at the knee of our elders. OMG it is just an awesome, poignant, moving, NOT TO BE MISSED film.
Mesmerizing from start to finish – never once drags – just an easy easy easy 10
The cast is excellent with award worthy performances from Viola Davis, Emma Stone and Octavia Spencer - the main cast. The acting was amazing and there was great chemistry among the respectful classes of people in the film ( the whites and the blacks).
The script was well written and I love the balance of comedy and drama. There are some intense scenes however the comedy makes the movie more enjoyable rather than just a movie to make you feel sad all the way through. There was a perfects balance there and I loved that. The film also took you on a roller-coaster of emotions. Sometimes you were sad, extremely happy, angry or laughing. Its also one of those movies that can hold your interest from beginning to end.
With great performances, a brilliant script and a film so touching and inspiring, The Help is definitely a must-see!
Now having proclaimed my neutrality above, I will tell you this: this is one powerful movie that will sure touch and move you in one way or another whatever your political lining. The casting, directing and acting are top-of-the-shelf superb A+++. When my wife first told me about it, I said OK whatever. Man was I wrong! I cried and laughed at the same throughout the movie, and I'm a dude and where I come from men are not supposed to show their soft side. All I can say is go see the movie and it will be worth it.
Okay, so here's the truth: I'm a middle-aged, white male... I didn't read the book and I assumed, based on the fact that this is a virtually an all-female cast, that this was some sort of chick flick. Boy, was I wrong!
This is an incredible film that not only pays justice to the bestseller on which it's based (according to those who have read the book AND seen the film), but is phenomenally cast, with exceptional performances by Viola Davis, Emma Stone, Octavia Spencer, Bryce Dallas Howard and Allison Janney. Veteran actresses Sissy Spacek and Cicely Tyson also deliver incredible performances. While Tyson's character is central to the storyline, her role comprises what seems to be a few, precious minutes of the 2:20 running time, she delivers, in my opinion, one of the most powerful and moving moments in the film...one in which she doesn't even utter a line (trust me, you'll know when you see it.)
The Help also delivers some very funny moments and will make you laugh. I'll go so far as to say that this film and a few of its cast members will draw some Oscar nominations. I certainly think this takes Stone into a whole new level.
The racial imbalances of 1963 are well illustrated in "The Help," and will, no doubt, underscore how far America has come, as well as how little progress we've made in the last 50 years. Either way, this is a powerful movie that needs to be seen on the big screen as soon as you can get a ticket.
But it wasn't fiction--at least, the depiction of Southern society wasn't. As I watched I kept drifting back to small-town South Carolina in the 1950s, where I grew up. It was moving and disturbing to be reminded how black people were treated then--loved and yet "kept down in their place." Our neighborhood was all middle-class and every family had a maid. There were plenty of boys my age, we visited in each other's homes, and called every maid by her first name. One even started a baseball team for the little white boys, for which her reward was a visit by the Klan.
Our maid helped my mother cook and clean. One of my parents picked her up and took her home every day--and she rode in the back seat. She ate her lunch in our kitchen--without being allowed to use our utensils. I remember her eating with her fingers. I do not remember ever seeing her use our bathrooms. I thought about that during the movie and truly cannot recall what she did, an embarrassing gap in memory.
I do remember when my father was out of work and our maid had to be cut back to three days a week. I actually cried; she was a member of our family. When talk about civil rights began in the late 1950s, my mother became annoyed at our maid for getting "uppity." And so it went. We moved to central Florida in 1961, where there were no maids.
Travel back in time with this film. It's quite real, and I highly recommend it.
Le saviez-vous
- AnecdotesKathryn Stockett's book, on which this film is based, was rejected 60 times before it was eventually published.
- GaffesSkeeter uses liquid paper. In 1963, people used hard, round "typewriter erasers" and brushes to correct typing errors. Liquid paper was still being sold out of its inventor's house.
- Citations
Minny Jackson: Eat my shit.
Hilly Holbrook: What'd you say?
Minny Jackson: I said eat... my... shit.
Hilly Holbrook: Have you lost your mind?
Minny Jackson: No, ma'am, but you is about to. 'Cause you just did.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #19.196 (2011)
- Bandes originalesJackson
Written by Jerry Leiber and Billy Edd Wheeler
Performed by Johnny Cash and June Carter Cash
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Historias cruzadas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 169 708 112 $US
- Week-end de sortie aux États-Unis et au Canada
- 26 044 590 $US
- 14 août 2011
- Montant brut mondial
- 221 802 186 $US
- Durée
- 2h 26min(146 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1