Qala

It explores an unexpected theme bounded by metaphors and symbolisms pointing to the vulnerability of women to make a career in showbiz. Envy, guilt, trauma are some of the key motifs. Dichotomy of fame is portrayed with flashes and blinding lights. With earnest acting performances and art direction. The anatomy of Qala is enthralling. We often stage sadness rather than madness as the cornerstone of female heartache. Qala rectifies that with the freedom to lose control. With an unsettling aftertaste it left me with a story that felt familiar with a syntax of arthouse and unconventional horrors.

Qala is a poignant masterpiece. The movie is dark, mysterious amd powerful of capturing the attention of the spectators. Not just the plot, the minute details that the setting holds are eerie and at the same melancholic just like a still painting. It is a concoction of resentment, desire to love and be loved and an extreme form of jealousy that leads to the metamorphosis of a being. The enchanting aura of Tripti Dimri as Qala and the magical acting of Babil Khan as Jagan does full justice to the plot. Comprehensively, it is a gut -wrenching narrative with extremely beautiful musical that narrates/describes the inner psyche of the characters.

Dimri's acting was way better than the story pace but needed Babil's character to grow more to let Qala's feelings be justified. The Cinematography was too beautiful. The movie was a musical and it's music justifies it's genre all the music scores in the movie were soulful and heartwarming. Cinematography and music were the two things I loved about the movie. There were some things which needed research like himachali people wearing black on funeral was not good but yeah it looked beautiful in the snow. The story pace was slow but it added beauty to the tragedy but sometimes it was just too slow. Overall movie was a slow painful but beautiful and melodic death.

I do not know how to describe this movie. It's not a movie but an EMOTION! Or rather a tsunami of emotions!!!

The CINEMATOGRAPHY itself is so BEAUTIFUL that it will break your heart! I was so mesmerized, that I rewinded and rewatched some scenes 20-30 times!

The story is simple and straightforward. It's no mystery what happened even though the directors and writers could have infused some intrigue. And that's my only gripe. They revealed what happened too early and they should have kept their cards close to their heart to maintain some suspense.

But the BEAUTY of the movie has not suffered because of that. The HEART of this movie is based on EMOTIONAL COMPLEXITY. Mother-daughter relations, jealousy, competition, that eternal strive to gain the approval of your parents!

SONGS are another highlight of this film. Drawing on our folklore, spiritual and mesmarizingly haunting!

There were a few hiccups in acting from Tripti Dimri but all the others carried their roles to superlative PERFECTION!

In this era where Bollywood churns disappointing gutter movies so often, this one stands out like a diamond in a coal mine! You will not regret watching this!

Qala is one of those films which makes you feel books are better than films. It is just so difficult to tune everything to the same frequency the cinematography, acting, pacing, storytelling, music(which is top-notch in this one btw.) etc. It could have been one fine mystery short story, but of course, how would we have gotten the great album then?

I don't have much problem with its slow pacing because it picks up in 2nd half, and I am used to slow-paced films. What bothered me the most was the monotonicity.

Playing the role of a child who has a disturbing childhood and is continuously deprived of her mother's attention and love despite being a single child is not easy, even for someone who has done a dozen films, let alone a new actor. And it did prove a bit too much for Tripti Dimri(Qala). She's cute, but her expressions in the film are primarily scared (that too in a weird way) or terrified. Very sorry to say, but Babil Khan(Jagan) was not up to the mark either. I absolutely loved the bits with Sunil Grover(he's an absolute gem) and his thoughtful dialogue:

". . . Par daur badlega. Daur ki ye puraani aadat hai."

Apart from music, the colour grading is very beautiful, which complements the dark aspects of the film industry. The shooting locations and photography are great too.