The Way - La route ensemble

This movie exceeded all expectations, which were already very high. All kudos to Emilio Estevez for an excellent screenplay and superb direction. The photography, too, was wonderful. I think this will go down as one of Martin Sheen's best ever performances. He underplays his role (due to Emilio's direction?) which makes it all the stronger. In fact, it's the understated quality of the whole film that makes it very moving. It never descends into sentimentality but you still feel the grief of Martin Sheen's character as he makes the pilgrimage his estranged dead son never completed. At the same time, there are a lot of funny moments, which lift it from becoming a depressing journey. The gradual coalescing of the four very different main characters into a unified group works very well. Each of them has a different reason for making the pilgrimage and, to begin with, they seem to have nothing in common, but it's still very believable when they start to relate to each other. Emilio and his father Martin have every reason to be very proud of this film. It works on every level.

In this "feel good" movie, Martin Sheen is the principal actor. Emilio Estevez has written, produced, and directed a magnificent film.

The star of this film is "El Camino de Santiago", a 600 kilometer pilgrimage trail from France, down in and through the N. of Spain.

The plot reveals why Martin Sheen feels he must attempt to complete this pilgrimage. Destitute with sorrow he initially shuns companionship along the trail. Circumstances will reveal how he eventually befriends 3 fellow travelers. One actually gets the feeling that this long journey is a joyful experience. The last scene in this movie reveals the entire theme of the movie.

Superb photography within Spain and France, the music reveals itself as it identifies with the visuals. A "must see".

I have looked forward to "the way" since first hearing about it. I heard interviews with Martin Sheen himself and a great double interview with Martin and Emilio on Irish radio. I did a part of the camino in 2009 and It was a life changing/enhancing experience for me so I couldn't wait to see how the film would deal with it. Yesterday I saw the film in the Screen cinema in College Green Dublin. The film is, in my opinion, very true to the camino experience. A previous reviewer trivialised it as "a road movie" and suggested "wizard of Oz" characterisation. The camino "road" has been travelled for over a thousand years. Long before "road movies" were even thought about and yes, any story of fellow travellers sharing their stories on a journey, can be similar to the "wizard of Oz" but I think Chaucers "Canterbury Tales" is probably the true origin of the species. The camino de Santiago in its reality, and in this film, is a wonderful kaleidoscopic confluence of humanity. Pilgrims seem to self-select for certain character traits such as eccentricity, other worldliness, joyfullness, adventurousness, hurt, curiosity etc. Tom's companions were all from the palette of characters I found on the camino. Tom himself was an accidental pilgrim and only at the end of the camino did he allow himself to fall in love with it like the others. Tom, the cynical skeptic, driven to put one foot in front of another as a way of dealing with the brokenness of his relationship with his son and the trauma of his sudden death, allows the distance required to allow viewers share in the journey of the Camino in a way that could not have been achieved by following four "ordinary" pilgrims, no matter how colourful. Tom was the "straight man", the foil, that allowed the full colours of all the other characters to shine through. I thought it was a brilliant piece of cinema. Ole!

This beautiful simple and involving film is one of the better films I've seen in the past couple of years. It does what the best of cinema can - it moves us, and reminds us that life is a journey full of chance encounters and that its not all serendipity, but we can walk on too.

Matin Sheen and his son, Emilio Estevez, make a winning team here - the direction, though straightforward is, like Ron Howard, filled with memorable scenes and images that linger. Sheen himself is always good at taking us with him - his half-amused, half-bemused style suits this perfectly. As he travels on the old pilgrimage route to Santiago de Compostela to deal with tragic loss he meets and forms a group with three other pilgrims.

All in all, the overall experience of watching this is simply pleasure - and like Danny Boyle's films, it seems simple but it is a complete experience. The Way is human, emotive, emotional, and sincere, and for this viewer a good journey.

Like most road movies, this is as much about the characters' inward journey as it is about getting from A to B. At times it is too sentimental for my taste and some of the encounters seem rather artificial. But it has considerable warmth, humanity and good humour.

I saw this at the BFI in London at a screening attended by Emilio Estevez and Martin Sheen. They are very proud of their film and it obviously means a lot to them, as father and son. They came across as intelligent and socially aware people, which was great to see.

During the discussion, a member of the audience pointed out the parallels with "The Wizard of Oz", something which I confess escaped me while the film was on but seemed perfectly obvious when I heard it. So watch out for that if you see the movie, and also look out for a cameo by Matt Clark, veteran character actor and, apparently, good friend of MArtin Sheen.