This Must Be the Place
- 2011
- Tous publics
- 1h 58min
Cheyenne, une rock star à la retraite vivant de ses royalties à Dublin, retourne à New York pour rechercher l'homme ayant humilié son père récemment décédé pendant la Seconde Guerre mondiale... Tout lireCheyenne, une rock star à la retraite vivant de ses royalties à Dublin, retourne à New York pour rechercher l'homme ayant humilié son père récemment décédé pendant la Seconde Guerre mondiale.Cheyenne, une rock star à la retraite vivant de ses royalties à Dublin, retourne à New York pour rechercher l'homme ayant humilié son père récemment décédé pendant la Seconde Guerre mondiale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 17 nominations au total
- Elevator Woman #4
- (as Sara Kamoo)
Avis à la une
Sean Penn tries very hard in this film, taking on a role of the worn out and disturbed rock star (Cheyenne) living in isolation. His character is weirdly ambiguous—and just plain weird—somewhere between a cross-dresser, a transvestite, and a myopic hedonist. He is something like "the idiot" of literature who seems completely out of touch but also has a wisdom and aloof perspective others do not.
It sometimes works. The movie itself is filled with ambiguity, and not in an enchanting way. Since it does not charm by its aura and filmic intention (it has little of either), it should give us a better sense of what exactly is going on. Oh, you'll get the drift, and you'll pick up on the Cheyenne's regret and melancholy. And you might understand he hits the road in a bumbling search for some evil-doer geriatric Nazi (I'm serious) that no other person is better qualified to pursue.
Well, any movie that pushes into its own sphere with some enthusiasm is worth watching, to me. I'm glad I did. But I can use my experience to warn a viewer that it's a personal calling here. Penn alone is reason to either hate or like the film, his overacting reminding me mostly that there are people who are really like this character who would have done much better. Instead we feel him acting all the time. It should be said that some of the other actors are forced to push their performances, too.
One curious aspect to the film I loved was all the versions of the one song in the film, "Home" or "This Must Be the Place" by the Talking Heads (and performed by all kinds of people including David Byrne himself in a small, very tacked-on cameo). Some of the versions are so different you might not even catch that it's the same song again. Listen.
So what's the point of all this angst and campy sadness? I think it's about the rediscovery of this Cheyenne's self. His real self, a person with normal qualities. He succeeds by breaking out of his self-imposed hermetic world and in a way it's a warm and almost terrific experience. For him and for the viewer. But for all its intentions it felt forced to me. There wasn't enough supporting material, not enough ambiance, and not enough character development (oddly enough, since it's all about Cheyenne's character). There is so much time spent on superficial aspects we never really get into the depths that might be here. Maybe.
I want to think of this as a 10 star dream with a 4 star soul. That makes 7, I guess. But it feels less satisfying than that for me, and I'm thinking you'll know by now whether you might give this a tentative whirl.
At first I didn't like how Sean Penn portrayed Cheyenne, but later on in the movie I completely forgot that I was watching Mr. Penn. So I guess the performance is good, and maybe I just didn't find the character to be a very interesting or likable.
This movie is slow, and I don't even mind slow movies. Hell I usually think the slower the better, but this just drags forever. The plot doesn't take off until half way thru and even then it feels like you've already watched this movie for hours.
There's an insane amount of camera trickery, almost every scene uses some camera dolly or crane thing, even if it serves no purpose other than moving the camera around in an "imaginative way". It was really distracting and I didn't find the camera work that fun to look at.
The script leaves a lot of stuff untold. There is talk about people who are seemingly important, but they are never explained who they are and while you have ideas, it's not something you'd like to spend any energy guessing. Some movies make these mind games fun, but here they're just annoying. I noticed myself thinking all the time if I had missed something, but reading at the forums here, I don't think I missed anything. This movie just doesn't inspire you to figure out those loose endings at all.
In the end I gather I just don't like the directors way of making movies. The story is quite interesting, but the way it's told just wasn't my cup of tea.
Cheyenne (Penn) is married to Jane (Frances McDormand). They have been together for 35 years. Not only is this the opposite of what one would expect of a rock star, but she works as a firefighter. No, they are not broke, it's just what she does.
The two of them are surrounded by some interesting characters in a film that moves at a snail's pace.
You never really know where it is going, but at the end you realize that it was good for Cheyenne to get out of his world and grow up.
Ciao ciao, Alberto
Sean Penn is just amazing and the whole movie is something you don't see much in US cinemas. Its so different that there is almost no comparison. Of course it will be a big hit within the Gothic scene, but also the regular movie fan should give it a try. Its very slow paced road trip, but Penn carries that overwhelmingly with his outstanding performance of the character, who reminds of course of Robert Smith, but in a superb way. The story is very simple and so I leave that totally out, since it would spoil it right away.
My favorite scene is when he visits the show from David Bryne playing "This must be the place", keep it in mind and enjoy the show! Its certainly an experience for real movie fans!
(That it won't be a huge box office hit, most likely, should not hold anybody back who wants to see a good movie!)
Le saviez-vous
- AnecdotesThe organ-like instrument that David Byrne plays for Cheyenne is a variation of Byrne's "house organ." Byrne created the organ in 2008 as part of an art installation project in New York City. Instead of playing musical notes, each key on the organ transmits a signal through a wire, which in turn "plays" the building: for example, motors vibrating a set of metal girders, hoses blowing air through the building's water pipes, or metal rods striking the radiator.
- GaffesCheyenne refers to the band as "The Talking Heads". David Byrne and group went so far as to name an album "The Name of This Band is Talking Heads" to help people drop the "the".
- Citations
Rachel: No shit! Now I remember you. You sang with Mick Jagger once.
Cheyenne: I know him. He's a good singer, I like the way he dances.
Rachel: Listen your cheeseburger is a bit too well done. You don't mind do ya? Unfortunately, that's life!
Cheyenne: You know what the problem is... Rachel?
Rachel: What?
Cheyenne: Without realizing it, we go from an age where we say: "My life will be that" to an age where we say: "That's life."
- Versions alternativesThe international version is approximately 7-minute shorter than the version screened at the Cannes Film Festival and released in Italy.
- ConnexionsFeatured in WatchMojo: Top 10 Sean Penn Performances (2013)
- Bandes originalesThis Must Be The Place (Naive Melody)
Written by David Byrne (as D. Byrne), Tina Weymouth (as T. Weymouth), Jerry Harrison (as J. Harrison), Chris Frantz (as C. Franz)
Performed by David Byrne
(c) Warner Bros. Music Inc. / Index Music Inc.
Licensed by Warner Bros. Music Italy S.r.l.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Un Lugar Maravilloso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 143 979 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 754 $US
- 4 nov. 2012
- Montant brut mondial
- 11 928 909 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1