Hamlet

Living as close as I do in Birmingham, I have gone done to Stratford-upon-Avon on four or five occasions to see various adaptations by the RSC but by the time I casually enquired about this production, tickets were long gone. The casting of the two big sci-fi names made this no surprise but it was a little annoying still when I later read the good reviews it got. Credit to the BBC then for not only bringing a filmed version of the production to the television but also doing it in primetime on Boxing Day. I can't remember the last time the BBC did such a thing but it is certainly befitting their remit to do this and hopefully it will not be the last time.

To the film itself though. Three hours long as it is, the time does move well because the source material is as good as it is. Moments of drama, comedy, tragedy and intensity all blend well together, with lots going on in the main and on the edges – in summary the plot is simple but there are lots of nuances to be had here and, in this regard, it does help that the cast have done this material in full many times on stage. Focusing on the production as a production rather than a film, there is much to appreciate. Normally I'm not a fan of contemporary or modern settings for Shakespeare but here it doesn't get in the way – it doesn't add much to be sure but nor does it irritate or get in the way as I have seen it do in other productions. The reflective black stage is retained from the theatre version and it does provide a suitably stark backdrop to allow the viewer to focus on the actors. All of this relates to the production but the biggest difference here is that this is being made for television rather than a theatre and this is no small change.

Others have commented on the loss of the physical audience as a point in space for the cast but in fairness one would have thought that the focal point of the camera would have actually made this easier – particularly given the way that the stage in Stratford this was on is surrounded by the audience on three sides. However it doesn't work like that because stage director Doran (who directs here) doesn't seem to make a decision to either shoot it as a stage play or to embrace the use of the camera. This manifests itself in a sort of halfway house where at times it does one or the other well but mostly it resides in the middle where it isn't comfortable with either. Thus while we have moments where the camera compliments the action by virtue of its movement or where it is, mostly it just stays out of the way, apart from the CCTV gimmick (which fortunately is quickly dropped as an idea). As such it makes for an odd television film and I do think that more could have been done to make it more than just a filmed version of the stage production (which is what the makers said they were trying to avoid the film being).

The cast are mostly impressive. I have seen more impacting Hamlets but Tennant does do well and demonstrates a lot more range than he has the chance to do on Doctor Who. Is he a great Hamlet? I'd have to say no but he does engage and do a good job nonetheless. Stewart adds gravitas to his characters and he delivers a very good Claudius – not too slippery and treacherous but enough so we can see it in his heart. Downie is very good as Queen Gertrude while Davies, Gale, De Jersey and indeed most of the supporting cast are equally good. The only slight downside is that the habit of using the same actor for multiple very minor characters is a little more obvious on the screen than on the stage and it does distract at times.

Overall this version of Hamlet deserves credit for being produced for prime time on a terrestrial channel and it does have much about it to appeal to viewers. As a production of Hamlet it is enjoyable and very well put together but it does not replace seeing it on the stage, since it doesn't do a particularly good job of moving from stage to the screen.

I lived in the UK during the production of this Hamlet, but, alas, tickets were sold out. When I found it was filmed, I was ecstatic. A long time fan of Patrick Stewart and David Tennant, I had high hopes. However, I was blown away by this film. Those who have complained about Tennant's acting skills are treating him as the Doctor starring in Hamlet. Tennant's portrayal is one of my favorites. Here is the Hamlet I've read, a young man with a terrible knowledge searching for answers and guidance. His "To be or not to be" was chilling. Patrick Stewart as Claudius is soft-spoken and deadly. He gave me shivers. Here is a man who looks like your uncle (to use one reviewers words), but would kill you in a moment. If I had one complaint, the actress portraying Ophelia was an obvious let-down. I'm not a big fan of Ophelia and this actress seemed to be struggling with the character. Her "mad" scene was painful to watch. So, I had to give this 9 stars. Excellent production. Great set, acting, and atmosphere. I loved it.

Being an American rather new to Shakespeare, I have come to discover that Hamlet is my favorite play, and as of today the David Tennant and Patrick Stewart version provides the breakthrough to understanding this complicated play. I have watched all versions of Hamlet available and was quick to check out the newest one; however, Patrick Stewart was the only familiar actor to me. I have not a clue who Dr. Who might be. Just as well, as that might have tainted my view of Mr. Tennant's acting. Most contemporary productions of Shakespeare border on silly (Leonardo D's version of Romeo and Juliet) to ridiculous (Ethan Hawke's Hamlet), but this version rocks, to use an overused phrase.

I thought the juxtaposition of Shakespeare Old English in a Modern Setting worked amazingly well. The talents of the cast came together superbly (wished for a different Ophelia though). Polonius reminded me of a more dignified version of Bill Murray's treatment, but still caught the pompous drift of the character. Horatio played the devoted and loyal friend to great satisfaction. His Roman to the death speech had me crying all three times I watched the dramatization. I thought Tennant's version of Hamlet contained a measured lunacy, the intelligent fool who had mostly everyone fooled. The To Be soliloquy had the right intensity and then in a moment Tennant switches to Guarded Lover with Ophelia and Knave of Fools to Polonius.

I'm up for another view after writing this. Three hours spin by as I absorb new nuances and understanding. What a marvelous way to spend the afternoon.

I've seen many productions of this play on screen - Olivier, Branagh, Plummer, Chamberlain, Williamson. I've also studied the play and am used to thinking of Hamlet as severely depressed. He's the "gloomy Dane," is he not? Tennant's Hamlet is much more manic, say, than Olivier's or the agonized melancholic in my mind, and it took some getting used to. He embodies the ambiguity about Hamlet's madness. Is Hamlet crazy with grief, or is he feigning madness to distract from his plans to revenge his father's murder, or is the line between those two perforated? This is a great production, and I recommend it enthusiastically.

I was fortunate enough to see one of the previews this production on stage while David Tennant was still fit. It was spellbinding , every actor on the stage was immaculate in their performance, the audience laughed and cried openly. The DVD version is a very good representation of the stage version but it lacks the magic of watching a live production, the interaction that the characters have with the audience, the emotional responses of a theatre full of people that allows you as an individual to show greater emotion than sitting in front of a TV. I also feel that the nature of filming in close up and multi angle sometime gets the viewer too close to the characters. All that said, this is a tremendous production, the comedy is brought to the fore which makes the tragedy even more profound. The cast is absolutely superb and I do mean the entire cast, not only the big name leads.The delivery of the dialogue is so beautifully done that even a Shakespeare novice will understand what is being conveyed. I have seen Hamlet performed live a dozen times and have left before the end on at least six occasions. This version when performed live is by far and away my favourite. My favourite film version is still the 1948 Laurence Olivier version....but this is a close second