Macabre

I've never seen an Indonesian film before, and the last film I'd expect from there is some gory horror film as I know they're a very conservative country who even reject Lady Gaga! Macabre is much more sickening than Gaga. The formula has been used many times before but to me it's far from tired. I love horror films that take place in a house run by a demented, murdering family. The Texas Chainsaw Massacre and Frontiers come to mind (both are favourites of mine) and Macabre offers quite an impressive and thrilling spin! We've all heard the story before, but a lot of films tend to get it very wrong, focusing on way too much exposition before getting down to the horror. Macabre gets down to it quite quickly, giving us an interesting half hour build up before all hell breaks loose! The great thing about Macabre is that it is never boring, there is always something going on very much like the remake of Mother's Day. One big problem with Macabre is that it's over-populated with way too many characters who all look very similar, or don't really have much character to them. Macabre lacks the character development that is needed in the slasher department, however that's not to say that aren't some character's to root for.

At one point the film becomes so over-populated it's nay on impossible to tell what's going on! However, part of Macabre's entertainment value lies in its chaos. Make no mistake, Macabre is an extremely solid and very re-watchable horror film that would be perfect for those nights where you have a little party! It's a non-stop roller-coaster ride which serves up some extremely nasty treats. The character of Dara is memorably creepy and she's certainly a person you would not like to mess with. Her wide eyes, scraped-back hair and slow mechanical voice makes her a fantastic villain and one that you're not likely to forget.

Another great thing about Macabre is that it has a very similar idea to blood and gore as French horror. That means it doesn't hold back! I think every scene features some pretty horrific gore which all adds to the entertainment and thrills. There are some really great practical effects, and inventive kills that should have horror fans drooling at the mouth. Macabre has been likened to Inside but I personally don't see that, other than there being a pregnant character in both films, and both showing a liberal idea to the use of blood, Macabre is much more Frontiers-esque. However, I don't think that Macabre is up to Frontiers' perfection.

Frontiers exceeds in every way possible. Through the directing, writing, character development, music and editing. Whilst Macabre is pretty solid on the writing front some of the directing is slightly off-key, although most of the time it's pretty impressive with the Mo Brothers being sure not to film the action too shaky or too close so we can't see what the hell is going on! Macabre is quite choppy on the editing front and some of the lighting is also quite amateurish. However, I don't want to dwell too much on the negatives because this is actually a really good film and one which I enjoyed very much.

Whilst Macabre may not be the horror masterpiece the trailer would suggest it still serves up some hardcore horror thrills that makes a good substitute for French horror. It's way better than most American stuff to come out and is never boring. In fact, I would've liked to have seen even more! The ending is creepy and the supernatural ideas also add an original and quite disturbing quality to the film. My only real gripe is that I bought the UK version and it might just be my DVD but it seemed incredibly blotchy to me, making the blacks appear more greyish-blue than black, which is a shame with the film spending the majority of the time in the dark! It kind of spoilt the experience for me. Hopefully the film will get a well deserved wider release with a better transfer. Highly recommend to all you horror lovers!

There were a few things that kept me from putting "Macabre" (2009) on my high priority list. This movie is a feature length spin-off of the "Darah" short film that was originally part of the horror anthology entitled "Takut: Faces of Fear" (2008). I wasn't particularly fond of the short film. It had some good violence but the protagonists irritated me a bit too much (especially their moronic decision-making). Obviously, I put off watching the spin-off for months. Another factor is that I'm still timid with regards to Indonesian horror films due to the scarce number of online reviews and ratings that make the selection process analogous to walking in a mine field. There's really no way to predict whether you're in for an instant classic like "The Forbidden Door" (2009), a cool flick like "Kuntilanak" (2006), or a total turd bomb like "Hantu Perawan Jeruk Purut" (2008).

I finally ended up watching "Macabre" tonight and I must say that it was more entertaining than I thought it would be. Within the opening five minutes I already felt at ease once I saw the lovely Julie Estelle grace the screen. Even when she's in a bad movie like "Kuntilanak 2" (2007) she still makes it somewhat watchable, so her unexpected presence automatically raises my rating of this film by 1 or 2 points. Now, fans of Julie's ghost movies are in for a shocking experience when watching "Macabre" because her role here demands a much more physical, emotional performance. She pulls it off very well and this is likely the best performance of her young career.

The plot is basic and involves a group of friends who help a young woman by giving her a ride to her home. Things get nasty when her family turns out to be homicidal maniacs. In this sense "Macabre" follows a similar route taken by films such as "The Texas Chainsaw Massacre" (1974) and "House of 1000 Corpses" (2003). There's nothing new here, but in this genre it's the execution that counts and in this film there's a healthy dose of gritty, nasty, bloody violence and gore to keep most horror fans satisfied. It doesn't reach the glorious blood overload of "Inside" (2007) (one of my top 10 favorite horror films of the decade), but it holds its own. After the brief setup this is a non-stop mix of suspense and bloodshed. A few of the death scenes are certainly memorable and will help "Macabre" to carve out it's own little identity in the genre.

One major problem that I have with loony, murderous family movies is obnoxious antagonists. Just because you're a ruthless, sick family unit doesn't mean that you have to yap your mouths all the time and act like juvenile lunatics. (One of the reasons why I'm not a huge fan of Rob Zombie's movies.) I much prefer the quiet, intelligent, menacing killers who calculate and go about their business with a twisted calmness. You know, the seemingly normal folk that are serving you tea and biscuits one minute and then slicing you in half with a chainsaw the next minute. In "Macabre" that's exactly what they are, and in some ways those quieter qualities help to muffle the bad decision-making that frequently creeps its head in movies such as this. What I mean by this is that the intelligent antagonists quickly handicap the protagonists, which limits their options and creates an entirely realistic scenario. The filmmakers loosen the reigns later on though and eventually the sense of realism recedes until you're left with some unrealistic elements. There are a few bone-headed decisions, but not enough to significantly detract from the positives. In addition, some of these characters take an incredible amount of brutality without kicking the bucket. On the positive side this provides for some long-lasting showdowns as well as some sweet death scenes.

"Macabre" is definitely worth seeking out, and would make a great Indonesian horror triple feature with "The Forbidden Door" (2009) and "Kuntilanak" (2006). Actually, you can add "The Raid" (2011) and "The Raid 2" (2014) as well to mix up the evening with some fantastic martial arts action.

One of the highlights of my Cannes 2010 festival, Macabre dishes up the deaths in very assured and bloodily violent form. In a nutshell: 6 young people end up trapped in a house with a very nasty matriarch and her equally nasty offspring. Yes, there is a reason why the baddies do what they do, but you need to see the film for that!

It's true, as has already been posted here, Macabre does not break any new ground and perhaps jaded palettes will find little here to their taste, but like a well engineered German car, the film delivers the goods in messy style. Breaking with, say, the US tradition, those whom you think would or deserve to survive, do not, nor does the order of their going follow typical genre rules. Unlike in British horror films there is also no humour to alleviate the situation, although local audiences will clearly get a laugh from the stupidly bumbling police - I found them overplayed and irritating - who fortunately also provide more fodder for the maniacs!

The first film to be released under the Singapore label Gorylah Pictures set up by Eric Khoo and Mike Wiluan, Darah (or Macabre as it is known internationally) is a one of a kind slasher film from this part of the region, written and directed by the Indonesian duo Kimo Stamboel and Timo Tjahjanto, collectively known as The Mo Brothers, who actually had a short film version of this made back in 2007 which was simply called Dara, also starring actress Shareefa Daanish as the Mother of all Evil.

As a horror film, it did take its time to set up the premise, rather than to jump headlong into flat out boo-tactics. For about 20 minutes, we're introduced to a group of 4 guys and 2 girls, and their relationship with one another, some by blood, some estranged. They meet in a pub in Bandung and are supposed to go on a road trip to Jakarta, until they are stopped by the beautiful yet mysterious Maya (Imelda Therinne), and in playing the Good Samaritan, decided to drop her off along the way.

So there you have it, a nice handful r of people, some of whom you'll grow to dislike, a road trip, a mysterious lady, and a house in the middle of nowhere. Soon we're introduced to the cool and emotionless Dara (Daanish), and the entourage will soon find themselves in a horrific situation where survival is of the highest order. As I mentioned, it does take a while to build up the premise, and you can feel the calm before the storm with the incessant ticking clock in the audio background, as if counting down the moments where first blood gets drawn.

The eager beaver in me though found it a tad excruciating in the wait, especially when you don't really get to learn much of Dara and her family's background apart from some rapid shots. The directors went straight for the action, and Kimo in an interactive session after the film, had revealed that more of the background of Dara, could be explained in the next film, which they hadn't decided whether to set it forward, or backward in time.

Alas the rating of the film at M18, meant that the editing was a tad choppy, where enough scenes were jarring just because they had lingered on far too longer than the comfort zone afforded. This has a slight impact on the narrative flow, as one minute you see the death blow being applied, and the next you're faced with a jump cut that shows the few seconds after. Thick, crimson blood was also the order of the day from set design to makeup, where everyone gets drenched thoroughly in coagulating plasma no thanks to the insanely violent bloodbath. Genre fans should take delight in watching how

Character-wise, the creators went for the rather contemporary female-superiority style, where guys are made to look really bumbling, and sheer tenacity comes from the females instead, such as Ladya (Julie Estelle) who demonstrates extreme spunk and quick thinking to ensure she comes out of each ordeal as best as she can. You're likely to cheer her on as she takes on the villains, and her solo battle with Dara is a highlight in the film. Dara herself too gives you the creeps especially since Shareefa Daanish put in a measured performance balancing composure, and that mad frenzy baying for blood. It's no wonder she was handed the Best Actress award at the genre Puchon International Film Festival not too long ago.

It's not all blood and gore however, as there were ample time devoted to some slight comedy, especially when the cops come knocking. Serving two purposes in providing light entertainment before the going gets heavy, and also to add to the body count, this episode was perhaps the most fun of the lot, and became a catalyst for the bloodbath to follow in a relatively quickened pace, with dismemberment, slashes, stabs, and strangulation being the norm, with The Mo Brothers keeping things tight.

Darah should appeal to the patient horror fan who can sit through a build up and celebrate when the madness start to descend on the poor victims. It's a little unfortunate though that the real horror was the way this rated version was edited.

Have you seen a recent french movie called "Inside" (International title)? If you have and enjoyed it, you will also enjoy this one. A "fun" and very bloody movie, that definitely is not for the faint-hearted.

But it takes it's time to get started. If you can "wait" for 20 minutes or so, the "ride" will start and you can lean back and enjoy. It's not overly plotted or has any real good acting in it, but then again, do you really need those things, in a movie like this? Of course it has quite some flaws, but again, if you let yourself go with the flow on this one, you can enjoy it. Just know what you watch, if you like those kinda things and you will have a good time.