Peepli [Live]

Satire is always a tricky genre for directors. Always a possibility of making a mockery of a grave situation or making it too serious for the audience (especially Indian) to take it. This balancing act between the poignant and theatrical is a precarious one, which is why Anousha Rizvi's directorial debut is noteworthy. Rizvi, a former reporter/journalist from NDTV brings a more insightful approach to the problem of farmer suicides and dynamics of media coverage.

I am not a great fan of Indian cinema. But every once in a while a movie comes along that shows ambition and reach which is not reminiscent of our cinema in general. The script while focusing on the predicament of farmers also manages to bring in the role of the media and the politicians. Probably, one of the more well rounded scripts in Hindi cinema in recent times.

The plot:-" Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the very same government's program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die!!! His brother is happy to push him towards this unique 'honor' but Natha is reluctant. Local elections are around the corner and what might have been another unnoticed event turns into a 'cause celebré' with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone's lips - "Will he or Won't he?" As the mania escalates what will be the fate of Farmer Natha; nobody seems to care how he really feels?"

The criticism levelled out at the film inspite of the positive reviews is the lack of empathy it generates for the state of the farmers. It is a fair argument if those were your expectations from the film. My take is that it wasn't and it shouldn't be a director's prerogative to "effect" the audience. Especially in a satire, where the prime motive is to poke fun at the theatrical failure of system and its participants. Be it "Dr. Strangelove or how I learn to stop worrying and love the bomb" , "Network" , "Wag the dog", "Jaane Bhi do Yaaron" or any other great satire, I never really think the writer was conscious of establishing sympathy or empathy for the characters. Humour in life and films was essentially developed to convey some real harsh absolute truths in a sugar coated manner. We from the cities who our so pre occupied with planning our weekend, our holidays, our Diwali shopping, job appraisal etc can't be realistically expected to be social workers and understand the true plight of the farmers after paying Rs. 200 for an A/c theatre with sofa seat. It is quite incredible how insulated we are from "less privileged".

Of the performances everyone if top notch. Raghuveer Yadav is an explosive talent and I am glad he got this role. On a slight negative, the gag got a bit stretched in second half which could have been edited by 5-10 minutes. It is always a risk in a satire, when unnecessary emphasis is added on an element that audiences have understood, in this case it was of media "sensationalization". I think it was truly insightful in showing political and media nexus and how the cover stories and sound bytes are planned for. Maybe after this, people consuming the news will be more discrete.

Contrary to my gut feeling Peepli Live wasn't too bad a movie to catch , especially when you are looking for entertainment in it's more rudimentary form.

Minimalist in her approach, The director of this movie has proved beyond a doubt that melodrama and reality are two very different and hardly reconcilable things. Bare naked in it's projection of Indian Villages, the movie is what Khosla K Ghosla was to the middle class. In fact one feels nauseatic watching those ridiculous 80's 90's flicks where village folk were depicted as specimens from a high end fancy dress exhibition. With damsels wearing mutlicoloured , skimpy clothes and men wearing hideous outfits bearing no similarity whatsoever with the actual village attires.

Peepli on the other hand treats everything as it is. The movie is devoid of glamour, any glamour. Which means the movie , given it's theme, is good.

There are no subplots which drag the viewer away into romantic liaisons. No sugary silver linings here.

The entire cast fits in well with the theme and also makes us wonder as to how can all those Khans, Kapoors , Khannas call themselves actors .I mean the actors in the movie didn't give away anything.

The script however was ridden with too many profanities for comfort. The movie could have done without them as well . But that's creative freedom and also gave some folks in the theatre something to cheer about.

The movie is good.

Story: Story of two farmers Face loosing their land for an unpaid Government loan. At the time of National Elections they seek help from a Local Politician who suggests to commit suicide to get the benefit to their families.

* The Director and Producer deserve thumps up for coming with a movie with current issue - Farmers committing Suicide. * You too would have noticed 'What the News Channels' Want?! They are also marketing something, yes SO CALLED NEWS. And they market like anything. 'Death Toll Reaches 50 and Expected to reach 100 by Tomorrow morning', 'Breaking New - MLA's Sister had Knee Injury' etc..

Bollywood - Its very happy see this kind of movies in an Industry where Actors become just a Marketing Executive for their loose Products. Though there are a lot of Directors who just copies and rips from Hollywood or South Indian Movies, there are also few and very few directors and Productions houses who try to come up with new Innovative ideas. UTV is one such Brand and its great to see Aamir Khan producing as Movie in the kind of changing Bollywood to more meaningful.

The style of Director is sharp and strong though the director missed to convey a message - but sticked in to the story and left no Message. The film explores the response of the media. Many Scenes of the film spoofs the Internet and TV Media and Politics. The Natural and Simple Narration will take you to those good old Days where only good movies where produced. Problems of Farmers was usual topic in Malayalam Movies but Post 2000 - this is the best movie about Farmers to come in India.

Bollywood rarely make Sensible movies and Rarely does the Fans make them Box Office HIT. Different Attempt is not accepted easily in North comparing to South of India (Tamil, Malayalam and Kannada) wishing to see more people watching this movie. Promoting this movie only makes Bollywood Look better. Let they come up with more meaningful Movies here after.

Anusha Rizvi has a story to tell and she does it all too un-preachily. No sermons. No grandstands. Her narrative, taking care of every nuance, puts the point right across, and manages to move you. She takes a light- hearted approach to a serious issue. The satire, directed at the media and the government, tends to go tad bit overboard, but is hard-hitting and convincing, for most part. Laudable performances by theatre artists Omkar Das Manikpuri as Natha and Raghubir Yadav as Budhia, (Natha's elder brother). A first timer in the Hindi film industry, Omkar Das is sure to take you by surprise. You may not take to him instantly but his childlike vulnerability and subtle ways, win you over, as the story progresses. Be it his tripping in the gobar, or his confiding in Budhia that he doesn't want to suicide, or the tenderness with which he pats the goat, even as he lies cowering from his own set of woes. (Titbit - Apparently, Rizvi spotted Omkar Das at a play in Bhopal. Until then, Amir was suppose to play Natha) Raghubir Yadav is born to act. He emotes flawlessly. One such scene is where he is arguing with Natha over who should suicide. Within a second, he solemnly vows to suicide, all teary-eyed, in the next, he takes a 'relieved' drag off his beedi, having managed to convince innocent Natha to sacrifice his life ;) From the grouchy (yet entertaining) amma (Farookh Zafar), to Natha's nagging wife Dhaniya (Shalini Vatsa); from the B-grade Hindi news channel correspondent Deepak, to the stoic English news channel reporter Nandita (Malaika Shenoy), it's a perfect cast all the way. The film gets drab and predictable in parts but manages to leave an impact, nevertheless!

Peepli (Live) is a movie which had enormous expectancy levels from the trailers and the very fact that it was produced by THE "Aamir Khan Productions" which had gave birth to many enchanting & consummate cinematic experiences on celluloid... It has absolutely educed even more than the hype it produced, with Anusha Rizvi, a débutante, furnishing an outstanding satire on the backdrop of Indian farmer's suicides...

Not getting into the plot, as most of them know it already... What makes this movie into an astounding cinematic experience, is its utmost natural narration and simplicity.. Whether it be the characters, situations, dialogs... all were just near to utmost realistic...! Humour element used throughout the movie was smart as a whip... Loved the movie for another factor, that it was not preachy at all... Ending which was terrifically weaved out, in some ways, reminds me of one of the greatest satires in Malayalam "Panchavadi Paalam"

Anusha Rizvi, being a débutante, doesn't feel like one as the handling of the subject was just awe inspiring... Music and BG were top class... Camera work was good...The screenplay and dialogs were just tight and perfect... Among the performances, the whole cast were literally living their characters in this movie which makes it even more special!

One the whole, one should give a whole hearted standing ovation to Anusha Rizvi and Aamir Khan for making this film a reality,which has an amazing potential to be India's iconic movie in the International circuit!