Mission: Noël - Les aventures de la famille Noël
- 2011
- Tous publics
- 1h 37min
Arthur, le fils maladroit du père Noël, se voit confier une mission avec son grand-père? apporter un cadeau qu'ils ont égaré à une petite fille, et ce, en moins de deux heures.Arthur, le fils maladroit du père Noël, se voit confier une mission avec son grand-père? apporter un cadeau qu'ils ont égaré à une petite fille, et ce, en moins de deux heures.Arthur, le fils maladroit du père Noël, se voit confier une mission avec son grand-père? apporter un cadeau qu'ils ont égaré à une petite fille, et ce, en moins de deux heures.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 2 BAFTA Awards
- 3 victoires et 23 nominations au total
- Arthur
- (voix)
- Santa
- (voix)
- Grandsanta
- (voix)
- Steve
- (voix)
- Mrs Santa
- (voix)
- Bryony
- (voix)
- Peter
- (voix)
- Gwen
- (voix)
- Lead Elf
- (voix)
- Lead Elf
- (voix)
- Lead Elf
- (voix)
- Lead Elf
- (voix)
- Lead Elf
- (voix)
- Lead Elf
- (voix)
- Lead Elf
- (voix)
Avis à la une
When Arthur discovers that one gift was accidentally undelivered, he becomes determined to get it to the unfortunate girl before Christmas sunrise. Even with the help of his retired grandsanta (Bill Nighy) and a perky elf (Ashley Jensen) from the Wrapping Department, can Arthur travel around the world in time?
There have been many movies over the years where Christmas must be saved from disaster, but Arthur Christmas has a very creative take on it. From the opening scene where it's established that Santa is really a dynasty through the centuries, a title handed down from father to son, to the paramilitary operation to get millions of presents delivered in one night, to the misadventures of Arthur and his grandsanta as they try to make sure one little girl is not disappointed, Arthur Christmas is fun, creative, and original. Produced by Aardman Animations in association with Sony Pictures Animation, this CGI animated film delivers Aardman's distinct brand of quirky humor and style.
The art direction maintains the slightly skewed look of an Aardman claymation film. The character designs are asymmetric and the surface textures are realistic yet bold. The North Pole command center and Santa's high-tech sleigh are clean and modern.
Sometimes celebrity voice talent backfires, but here it works beautifully, the English accents lending a sense of gravity that heightens the silliness. Bill Nighy is particularly good, conveying wisdom that is tinged with resentment of the modern gift-delivery methods his son and grandson use.
Arthur Christmas is a funny, heartwarming, and poignant look at the Santa Claus mythos, adding a family dynamic that will resonate with children and adults. I expect Arthur Christmas will become a joyful holiday favorite for years to come.
Where I live, too many Christmas Carol adaptations take the place of imaginative theater productions that could celebrate the holidays without the requisite Scrooge redemption. Arthur Christmas is a refreshing new take on the countless Santa stories, notwithstanding my favorite: Bad Santa, which satisfies my need for the new and irreverent.
Arthur (James McAvoy) is one of Santa's two sons, a bungler with a big heart. He takes it on his own to bring a present to the one girl in all the land whose present was not delivered. His technocrat brother, Steve (Hugh Laurie), has been responsible for the mis-delivery, although his array of laptops for elves and computerized delivery system is impressive. The head versus the heart forms the central conflict, providing laughs and groans but never in a mean way as in Bad Santa.
Aardman CG works its animation magic to create big-nosed, elongated-faced characters like GrandSanta (Bill Nighy), Santa (Jim Broadbent), and Mrs. Santa (Imelda Staunton), all of whom are fleshed out as loving characters with quirks just right for their roles.
In regard to developing character, Aardman goes nose to nose with Pixar. The use of 3-D is unobtrusive as it is in Martin Scorsese's Hugo with the process useful to give flights of the sleighs a grand feel, swooping in and out of perspective. Yet, in the end, regardless of the jazzy visuals, it's a lovely and exciting story for the holidays. As soon as the younger audience adjusts to the Brit accents, and that doesn't take long, they will enjoy the high spirits, good will, dry humor, and imagination they deserve and should expect from the masters of unique animation.
It's wonderful filmmaking that touches the heart with affectionate Brit humor.
It tells the (very British) story of Father Christmas' operation and how he, and his family, plus an army of highly-trained elves, delivers presents to all the boys and girls on one night. However, his family-run business hits a rocky patch when one little girl is accidentally missed out, threatening to ruin Father Christmas' good name in the process. Step up Arthur (youngest son of Father) Christmas, who with the help of an elf with an obsession of wrapping things in pretty paper and bows, plus his aging (and slightly senile) Grandfather (aka 'Grand Santa') set about making the one last drop on Christmas Eve in which to get the present to the girl before she wakes up and thinks Father Christmas has forgotten about her.
It's not a particularly complicated story and, on hearing about it, I first wondered how much mileage could be made out of it. The trailer looks impressive, but sometimes they squeeze all the best gags into the ninety second trailer and there's nothing left for the film itself. Luckily, this is not the case. The story is truly charming. It highlights the best of British (vocal) acting talent and weaves it into a heartfelt story about family at Christmas with jokes that will make children chuckle, while others will go straight over their heads for 'parents only' to enjoy.
I'm no fan of Christmas. I think it's over-hyped, expensive and too commercial. Many a Christmas ever I've locked out the three well-meaning ghosts, but Arthur Christmas even managed to make me feel almost festive - an emotion that Dudley Moore couldn't even manage in his Father Christmas movie. That's how good Arthur Christmas really is (unless I'm experiencing a mid life crisis a few years early).
Le saviez-vous
- AnecdotesThe creators decided to approach the character design with the idea to make them feel British and quirky, not air-brushed or appealing.
- GaffesScandinavia celebrates Christmas on the eve of the 24th. So even though Denmark is apparently Santa's first stop on Christmas night, the children would have long since unwrapped their presents when he got there.
- Citations
Grandsanta: You were right, Arthur. It doesn't matter how Santa's gift gets there. Doesn't even matter if it's Mr. Postman in his spaceship.
Arthur: As long as it gets there.
Grandsanta: You made it happen, lad! No one got left out.
- Crédits fousAfter the end of the credits, there is a seven second scene, all in black silhouette on a blue background. One of the elf-lowering-cables descends, pauses, then lifts up an elf, who proceeds to throw snowballs at the screen until it's all black.
- Versions alternativesAlso shown in 3D version.
- ConnexionsFeatured in The Big Picture: November 2011 (2011)
- Bandes originalesSanta Claus Is Comin' To Town
Written by J. Fred Coots and Haven Gillespie
Published by EMI Music Publishing Ltd. and Larry Spier Music LLC o/b/o Haven Gillespie Music Publishing
Produced by Christopher Stewart (as C. "Tricky" Stewart) and Aaron Pearce
Vocals produced by Kuk Harrell
Background vocals by Kuk Harrell and Bryan Jackson
Performed by Justin Bieber
Justin Bieber appears courtesy of RBMG/Island/Def Jam Music Group
Contains portions of "ABC"
Written by Fonce Mizell (as Alphonso Mizell), Freddie Perren, Deke Richards and Berry Gordy (as Berry Gordy Jr.)
Published by Jobete Music Co., Inc.
Contains portions of "I Want You Back"
Written by Fonce Mizell (as Alphonso Mizell), Freddie Perren, Deke Richards and Berry Gordy (as Berry Gordy Jr.)
Published by Jobete Music Co., Inc.
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Détails
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 46 462 469 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 068 931 $US
- 27 nov. 2011
- Montant brut mondial
- 151 133 654 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1