Wolverine : Le Combat de l'immortel

Saw The Wolverine. Masterfully choreographed action and best train fight scene ever. The best Wolverine yet and Hugh Jackman delivers. Thoughtfully paced with a perfect blend of action and story. You don't need to know anything about the previous movies since this one can stand alone. The story may get in the way at times for those who only enjoy mindless action. I will go see it again without the 3D effect to see if that made any difference. The only drawback for me was the glare from theater stair's runner lights on my 3D glasses but that had nothing to do with the movie. They threw in a nice little surprise for the true fans just after the end credits started to roll.

If there's one major element that truly sets this picture apart from any other standard "solid" comic book movie is the way through which the director communicates the experience of being Wolverine. His healing factor and the idea of out-living everyone you know is daunting and depressing. Finding purpose after facing true vulnerability adds so much to the character and FAR more than we've seen before. Tremendous visual and emotional imagery is presented throughout the movie and provides the viewer with greater insight into the hero and even the villains. This one screams quality from the opening through the amazing final act. I've seen it mentioned that the resolution deviates from the comic books but I honestly couldn't care less. What hits the screen more then works in movie form.

For those going into this flick expecting simple fun, prepare to enjoy but prepare to be surprised. Fun is not the only piece of this pie. In fact, I think movie fans of all kind will be stunned at how many levels this movie delivers upon. This is an action packed but surprisingly deep film that, for me, really delivers. The Wolverine will leave your movie-going senses on high and I honestly can't wait to see it again.

I didn't much care for X-Men Origins: Wolverine. Hugh Jackman still was, and always will be, a brilliant Wolverine, but the other characters felt lackluster, the villain was weak and the storyline didn't fit well with the other X-Men movies. It didn't have the same feel.

For some time it seemed that the poor critical performances of both that and X-Men 3 would mean there would be no more movies with Wolverine in them, at least in a leading role. Luckily, the film makers decided to do one more and if this particular movie is going to be the last one, I for one can move on happy with what I got.

The Wolverine is a movie that works both as a continuation of the X-Men storyline, as well as a standalone movie. The focus is kept heavily on Hugh Jackman, which works for the movie's advantage. There are some callbacks to the events of the trilogy, but as a whole I think this film could have worked just as well without them, if not better, as they are a bit distracting from time to time. But most of the time the focus is on where it should be. In this movie Logan travels to Japan in order to meet an old acquaintance, who wants to settle old scores before his demise. In Japan we get some gorgeous scenery, nice atmosphere, intriguing settings, believable characters, all that good stuff.

I especially liked Tao Okamoto's character Mariko, the granddaughter of Wolverine's old friend. Jackman and Okamoto have brilliant chemistry together and when the movie slows down during the second act to give them time to simply interact with one another, it feels justified. Usually that kind of slowing down in an action movie feels boring and unneeded, even sappy, but here it works because the actors have the skills to pull it off. Which is a great thing, because it gives the movie more depth and we get a chance to know Wolverine in a new way that the Origins movie tried to reach, but never could because of its lack of emotional maturity.

Unfortunately this film has one major flaw and that is the unbelievably weak villain, known as Viper. Her actress, Svetlana Khodchenkova, just doesn't have the screen presence or acting skills to give the character any memorable attributes. She merely stands there, struts around in her skintight suit and spouts the dialogue. That's it. Sure part of that is poor writing, but it's still rather jarring because the two main protagonists are so damn good. If only the villain had been as good, this could easily have been one of the best Marvel movies yet made.

As it is, it's still fine. The two main characters are very good, most of the side characters do a good job as well, the action works wonderfully, the Japanese setting gives the film a nice coating of majesty and even the story, while nothing that extraordinary, functions well enough for us to enjoy it. The villain is weak, very weak in fact, which keeps the film from being great, but you can overlook it and focus on the good stuff.

Wolverine plus Samurai makes a pretty good combination for me. A great film that is based on the X-Men comic books and movie series.

Some time after the events of The Last Stand, this sequel of sorts focuses on Logan/Wolverine as a tortured soul living in isolation and haunted by vivid memories of his lost love. Now, having reached an emotional impasse, he travels to Japan to visit an old comrade. Once there, he quickly gets caught up in a complex political power struggle that, for the first time in his life, makes him truly vulnerable. Jackman, not unexpectedly, is formidable in the lead, and there are lots of visceral action scenes, but that does little to compensate for the faults; film's tone is grim, its characters—sans Jackman—are unappealing, plotting is convoluted, subject matter turns ugly, and the pace lags heavily after a strong start. Jackman effectively spits, scowls, snarls, and flexes his muscles in what has become his go-to role, but he has almost no support; too long, too dark, and too serious to really be fun. **