Phantom, le masque de l'ombre

In New York, the twenty-four year-old Chris Moore (Ryan Carnes) is on the last semester in the Columbia Law School and is a practitioner of Parkour. When his friend has an accident practicing the sport with him, the paramedic Renny Davidson (Cameron Goodman) helps them and Chris and Renny immediately fall in love with each other. However Chris is arrested by the police but Renny's father, Detective Sgt. Sean Davidson (Ron Lea), releases him. When Chris arrives home, his parents make him promise that he will study a lot to not fail in the upcoming exams.

A couple of days later, Chris dates Renny and while he is returning home alone, he is abducted by a group in a van. Soon the leader of the group, Abel Vandermaark (Jean Marchand), explains to him that he is a foster son and his real name is Kit Walker. He is the twentieth-second generation of The Phantom, the ghost who walks, and they belong to his organization Bpaa Thap that helps The Phantom to fight the crime along the centuries. Chris does not believe on his words but when he returns home, he finds his beloved parents murdered and the two criminals waiting for him. Chris flees and one killer dies in an accident. He calls Vandermaark and they travel with Guran (Sandrine Holt) to Bangalla, where he is trained to be The Phantom. Meanwhile the evil Singh Brotherhood led by the cruel Raatib Singh (Cas Anvar) is plotting a scheme using the technology developed by Dr. Bella Lithia (Isabella Rossellini) to kill the charismatic leader Jalil Ben-David (Jason Caselli) and begin a worldwide war.

"The Phantom" is an adaptation of my favorite childhood hero, The Phantom, in the Twentieth-First Century. I saw this movie yesterday on DVD in an edited version of 150 minutes running time and despite of the flaws, I liked the story and found it very entertaining.

The Phantom follows the family tradition, and the uniform has been used since 1536. Therefore, there is no reasonable explanation for the twentieth-second The Phantom to wear different clothing. The uniform could have been improved, but is colors and shape should have been kept the same.

Abel Vandermaark is a contradictory character and the conclusion of the story is not good. Nevertheless my wife and I have enjoyed a lot this free-adaptation of this forgotten hero. My vote is eight.

Title (Brazil): "O 22o Herdeiro" ("The 22nd Heir")

The Phantom (starring Ryan Carnes in the title role) tells the story of a superhero who serves as the defender of justice for all.

The mini-series, which also serves as a pilot for a potential television series, has enough action and romance to make you forget its length. The adaptation of the Phantom gives us a superhero with a clear-cut and unbendable knowledge of right and wrong that has been mostly lacking in the modern superhero movie era.

Those already familiar with the comics will find enough of the comics' elements in the mini-series to satisfy the spirit, if not the absolute letter. However, purists of the comics and those unwilling to suspend some disbelief will find extreme difficulty in enjoying a mini-series that brings the franchise into the 21st Century.

If there are any defects to this show, it is at times when the mini-series works too hard at looking like a pilot, having many scenes throughout to serve as the background for future plots and character development. Especially the final scene (Which I won't give away) that could have served well as the cold opening for the first episode of the first season.

This series is well worth watching. Here's to hoping SyFy can make a cut in the Roger Corman Knockoffs Deptartment to give The Phantom chance it deserves. After all, no one refuses the Phantom.

The Phantom was one of my favorite comics when I was a kid, so my excitement was understandable when I sat down to watch this movie. Alas, the excitement waned almost immediately. This was not a movie worthy of the comic strip, it hardly had anything to do with it whatsoever. It was overly 'modernized', apparently in order to adapt it to the 21st century... Why on earth would you want to do that? It looks more like a music video than an action flick.

Another major problem is the casting of the main character; Ryan Carnes would be much more believable impersonating a teenage MTV pop star than he is starring as the Phantom. And then there is the costume... Suffice it to say that it looks totally ridiculous, and it has nothing to do with the Phantom. The set decoration is rather tacky (I believe due to budgetary restrictions), the cinematography and sound are average, so there is really nothing that really stands out in this movie. Large TV productions have accustomed us to much better products in recent years. It's a pity really, the idea to film the Phantom was a good one, but it should have been done in a different way, a completely different way.

The most reoccurring complaint I see in the prior reviews of this Phantom TV movie is "He's nothing like the old phantom". I am inclined to retort: "So what?" Times change. Crime and injustice evolve, so does the technology that can be used by evildoers. It's only normal in terms of escalation that the Phantom evolves as well. In the old times, the spandex outfit was the Phantom's choice because it would confuse the enemy as well as conceal his real appearance, only nowadays Walker has to take armor piercing rounds and automatic weapons as a potential annoyance too. So yes, he'll wear something different. Same goes with that visor. It has to be both concealing and useful. What is true for technology and attire is also true in terms of psychology. This Phantom reflects his own time. Tradition is not totally forgotten, the whole ritual experience on the lair island is there to remind of all that makes the Phantom who he is. The horse? The dog? You wouldn't bring these to a modern fight, unless you want them minced.

Bottom line: Suck it up buddies, the Phantom we grew with did the same thing we all do. He aged, he died, he got replaced. What is immortal is the concept of the Phantom and in order to survive, all things have to adapt. Including the Ghost Who Walks.

Perhaps it's because I know nothing of the Phantom, but I enjoyed this quite a lot. I don't usually pay much attention to CGI if the concept and characters are compelling, and I found they were here. I did notice (after reading the reviews here) that the jet was not very realistic, but that took little away from the overall storyline.

I was particularly satisfied with the involved plot line that didn't telegraph the ending. Yes, it was basically good against evil, but the characters were well done, the pace was quick and the leads were charismatic. I'd like to see the romantic angle developed and an heir for the Phantom. I loved the lair and the locations, but the Indians I could've done without.

I look forward to seeing SyFy pick this up.