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Stone

  • 2010
  • Tous publics
  • 1h 45min
NOTE IMDb
5,4/10
44 k
MA NOTE
Robert De Niro, Milla Jovovich, and Edward Norton in Stone (2010)
A convicted arsonist looks to manipulate a parole officer into a plan to secure his parole by placing his beautiful wife in the lawman's path.
Lire trailer2:32
10 Videos
53 photos
ActionDrameMystèreThrillerDrame carcéralDrame psychologique

Afin d'obtenir sa libération conditionnelle, un pyromane condamné tente de manipuler un fonctionnaire de justice en usant de sa belle épouse.Afin d'obtenir sa libération conditionnelle, un pyromane condamné tente de manipuler un fonctionnaire de justice en usant de sa belle épouse.Afin d'obtenir sa libération conditionnelle, un pyromane condamné tente de manipuler un fonctionnaire de justice en usant de sa belle épouse.

  • Réalisation
    • John Curran
  • Scénario
    • Angus MacLachlan
  • Casting principal
    • Edward Norton
    • Milla Jovovich
    • Robert De Niro
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    44 k
    MA NOTE
    • Réalisation
      • John Curran
    • Scénario
      • Angus MacLachlan
    • Casting principal
      • Edward Norton
      • Milla Jovovich
      • Robert De Niro
    • 181avis d'utilisateurs
    • 80avis des critiques
    • 58Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos10

    Stone
    Trailer 2:32
    Stone
    Stone
    Trailer 2:31
    Stone
    Stone
    Trailer 2:31
    Stone
    Stone: I Deserve To Be Free
    Clip 0:48
    Stone: I Deserve To Be Free
    Stone: Who Is That
    Clip 0:46
    Stone: Who Is That
    Stone: Do You Believe In All This
    Clip 1:13
    Stone: Do You Believe In All This
    Stone: What More Do You Want From Me
    Clip 0:34
    Stone: What More Do You Want From Me

    Photos53

    Voir l'affiche
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    Rôles principaux58

    Modifier
    Edward Norton
    Edward Norton
    • Stone
    Milla Jovovich
    Milla Jovovich
    • Lucetta
    Robert De Niro
    Robert De Niro
    • Jack
    Frances Conroy
    Frances Conroy
    • Madylyn
    Enver Gjokaj
    Enver Gjokaj
    • Young Jack
    Pepper Binkley
    Pepper Binkley
    • Young Madylyn
    Sandra Love Aldridge
    • Miss Dickerson
    Greg Trzaskoma
    • Guard Peters
    Rachel Loiselle
    • Candace
    Kylie Tarnopol
    • Young Candace
    Bailey Tarnopol
    • Young Candace
    Madison Tarnopol
    • Young Candace
    Peter Gray Lewis
    Peter Gray Lewis
    • Warden
    • (as Peter Lewis)
    Sarab Kamoo
    Sarab Kamoo
    • Janice
    Richard Murphy
    • Guard #1
    Richard Goteri
    Richard Goteri
    • Guard #2
    • (as Rich Goteri)
    Big Ron Lyons
    • Guard #3
    • (as Ron Lyons)
    David A. Hendricks
    • Pastor
    • (as Dave Hendricks)
    • Réalisation
      • John Curran
    • Scénario
      • Angus MacLachlan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs181

    5,443.7K
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    Avis à la une

    6ferguson-6

    A Vegetarian Tuning Fork

    Greetings again from the darkness. Psychological Thrillers have long been my favorite genre of film. The best ones cause us to examine our own thoughts while analyzing the actions of others we probably don't quite understand. Unfortunately, most scripts fall short in complexity and stimulation, and leave us with a half-empty character study. Director John Curran (The Painted Veil) and writer Angus MacLachlan (the superb Junebug) offer up a just-miss.

    Robert DeNiro plays a parole officer on the brink of retirement. He is the guy that lives and works by the book to suppress his inner demons of which we get a glimpse in the film's opening. Despite the horror, he and his wife stay married for decades ... the relationship is built on a false worship of scripture and plenty of nerve-deadening booze. DeNiro decides to finish out his current files, one of which belongs to Edward Norton. He is an 8 year convict, serving a sentence for a crime that ended with the death of his grandparents.

    The real fun begins when Norton enlists his schoolteacher wife, played by Milla Jovovich, to invade DeNiro's cold facade. So really what we have is: DeNiro trying not to feel anything, Norton trying to pull one over on DeNiro either by himself or with his wife, and Jovovich trying desperately to obey her husband while playing evil mind and body games with DeNiro. This is the point I like to call "the table is set".

    Unfortunately, none of these story lines really go deep. The best seems to be Jovovich and DeNiro, but even that falls short of real grit. So much potential here and the actors all seem up for anything. It's just the script lets them off easy.

    Frances Conroy is excellent as DeNiro's wife whose had her soul locked away. We never really get the full scoop on the Norton/Jovovich connection, but by the end, that doesn't seem to matter. Is the film watchable? Yes. Could it have offered more deliciously evil interaction between these characters? Absolutely.
    ankitgoyal7

    The rare film and a good story

    The basis of the story is quite simple (read the synopsis), but the majority of the film's focus is in its character study. This is where the actors seriously shine. That seems to be the issue with most of the negative responses the film received. Yes, it is slow paced. Yes, there's a lot of religious jargon thrown around. Yes, it is quite the anti- climactic film. But isn't that the point? De Niro, who I haven't seen in anything memorable after Jackie Brown (okay, I'll exclude The Good Shepherd), is marvelous as the underplayed Jack Mabrey. The subtle nuances he gives to a character so burned out of work, marriage -sidenote: Frances Conroy was amazing-, and life in general (the speech he gives at his brother's funeral in the beginning comes to mind) are nothing short of astonishing. I can't stress on how great the performance was, De Niro has definitely gone back on track.
    5napierslogs

    I wish I got a story rather than messed up characters and a meaningless climax

    "Stone" is a messed up film. I would like to say that I don't know what the story was about, but that's not really true as it was a very simplistic plot. Edward Norton is a convicted criminal up for parole, overseen by parole officer Robert De Niro. It's not so much that the story is hard to understand, more so that nothing actually happens.

    It's dialogue-heavy as Norton philosophizes his way to freedom, and it's supposed to be character-rich as we watch De Niro try to remain sane as both Norton and his wife Milla Jovovich work their angles on him. But these are just messed up characters that I knew less about at the end than I did at the beginning. The film has clear problems when the only somewhat likable character is the guiltless criminal Norton. But I would say it's bigger problems are with the fact that it's supposed to be a thriller, but all you have is De Niro and Norton jabbering back and forth until nothing is clear and very little of consequence or action occurs. There is even a religious undertone to the whole film, but I have no idea what they were trying to say with that.

    I'm sure De Niro and Norton deliver great performances as they always do, but when their characters are poorly written and make no sense, you can't watch a film for the acting. The director was overly concerned with detail, framing every scene and adding nuance to each shot, which is great in some films, but in "Stone", it would have served him better to just try and tell a story from beginning to end.
    6TheGOLDENWALRUS

    yes, ed norton has a cornrows

    Deniro and Norton, back together again. Stone's first two acts are great. You're intrigued, it's unpredictable, and interesting. But the third act leaves you confused and almost unaffected by the story at the end. Stone (norton) is up for parole and wants to get out. Why not throw his sex-crazed wife (jocovich) in front of Jack's (Deniro) feet. But one of these three is starting to see life under a new life. How will this play out? Norton was great but nothing spectacular. Will remind you of his primal fear days. But what makes his performance so good is how he makes his character so likable considering the ridiculous offensive lines that come out of his mouth.

    I don't think they went far enough with Deniro's character. It wasn't written well enough. It starts off with a flashback on his broken relationship with his wife and what extremes he goes to keep her. But this ins't really paid off well in the film.

    Interesting film. Not predictable. Good performances. Less than mediocre writing.

    My verdict B/C
    4thpgmc

    Slow Drama With Awesome Actors

    I have never heard of this movie until it came to my local theater. With a A-list star line up such as DeNiro, Norton and Jovovich how could this movie miss. I was wrong. It did. Those who appreciate great acting in a movie won't be disappointed. (Did you ever see a movie Edward Norton was in that he wasn't absolutely great..well, maybe a couple that he may have did for the just the money..lol. His absolute best was "American History X") The movie itself moved along a pace that one keeps looking at his/her watch waiting for the ending. And the ending, again, is the latest Hollywood type...it sucks. Storyline was interesting but never got you interested to a point where one found it entertaining. This was a 98% dialog movie. You could be listening to this entire movie and never watch the video portion and understand the entire script. I am a big fan of Norton and Jovovich but this movie I could have passed on.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Edward Norton spent time with real prisoners in the Southern Michigan Correctional Facility. He adopted his character's accent and cornrow hairstyle from the prisoners. Norton inserted phrases he heard from the prisoners into the dialogue.
    • Citations

      [last lines]

      Radio Interviewer: [talking calls] Next up here is Gerald, from south west Detroit. Welcome, Gerald.

      Stone: I, I just wanna say, I got this book. They say that when you experience a spiritual truth, that it comes to you through sound. If you let this sound go through you, it changes you, you know? Puts you back into harmony. You know, it makes you like a tuning fork of God.

      Radio Interviewer: Okay...

      Stone: Yeah. They say, they say, you can start with small things, like little vibrations. You know, sound of a bee, sound of a buzzing light, and then it grows.

      Radio Interviewer: All right. That's interesting.

      Stone: Well, they say that everything that happens to you is what was supposed to happen to you, for you to advance. But you gotta come back lots a times, cycle through many lives until you learn, so you can grow.

      Radio Interviewer: Well, thanks for your input. Next time up here in the WDDL listener line is Kathy in Farmington...

      [fades out]

    • Connexions
      Referenced in Maltin on Movies: No Strings Attached (2011)
    • Bandes originales
      Stone
      Musical Modules

      Written by Jon Brion

      Published by You Can't Take It With You Music (ASCAP)

    Meilleurs choix

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    FAQ

    • How long is Stone?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 mai 2011 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Karma
    • Lieux de tournage
      • Dexter, Michigan, États-Unis
    • Sociétés de production
      • Millennium Films
      • Mimran Schur Pictures
      • Mimran Schur Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 22 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 810 078 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 75 766 $US
      • 10 oct. 2010
    • Montant brut mondial
      • 10 300 416 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 45 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
      • DTS
    • Rapport de forme
      • 2.35 : 1

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