Pauvres Créatures

Clearly a lot of people enjoyed this grotesque movie, but it wasn't for me. Some of the scenes in it made me feel sick, and maybe they were supposed to, but it seemed unnecessary. Don't even get me started on how pretentious the movie was.

I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.

The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.

Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.

Lanthimos's films are amazing... definitely not for everyone, but when you're in it you wait again and again for each new film. This time is no exception, it's hypnotic, it's explicit, it's funny, it's transgressive. A story that has an incredible Emma Stone, a register that allows her to play 8-10 characters at the same time. Visually it's a marvel, how it looks, how everything looks and without a doubt it's a great adaptation of the original material. That's right... it has a very central axis that revolves around sex and that can sometimes be very shocking (not my case). Very well W. Defoe, they give him free rein and he does what he wants. In short, a must-see date with good cinema and a well-deserved Oscar for best actress for Emma Stone.

This isn't an easy film to watch and capture everything it tries to convey, on the contrary, it's quite complex.

I'm not a deep connoisseur of Freud, on the contrary, I studied some of his texts when I went to journalism school, but I remember very little, I'm actually unfamiliar with the subject, but clearly "Poor Things" seems to me to work with some points of psychosexual development human developed by Freud.

I may be talking nonsense, but it seems to me that the sexual phases of children described by Freud (oral, anal, genital, etc.) are shown in Bella's development during the projection, as well as her total independence and freedom in relation to the world and in the passage of each of those phases, without being repressed, allowing her to reach the superego.

While working with complex concepts of the development of the human psyche, the film also flirts wonderfully with the frustrations of love, and social, political and human issues, and I honestly couldn't capture everything the work was offering me, a lot of details must have escaped my attention.

So much content, so much complexity, inserted in a spectacular, wonderful cinematography, with exuberant sets, elaborated down to the smallest details, with perfect use of vivid colors and black and white, actors shining on the screen, all of them without exception, incredible direction, and a soundtrack very strange that fits like a glove.

I rate it 8 out of 10 because my ignorance really didn't allow me to capture everything that was being offered to me, and at some moments I felt a little tired from demanding so much of my brain, but it's a great film in all aspects. It's just not for everyone, as it's not what you would call popcorn entertainment cinema, on the contrary, it's the opposite, and perhaps the trailer could mislead certain types of audiences.

It is hard not to make a comparison between Poor Things and Barbie due to both being released within six months of each other and both dealing with Cartesian themes.

What Barbie lacked with its exploration of existentialism, Lanthimos gifts us with an abundance. At times, it seems we are presented with a nonsensical tale, but we view the world through the eyes of Stone's character, Bella, while she makes sense of what it means to be human.

It is a feminist tale committed to science fantasy that keeps us engaged through its comedy, incredible sets and fabulous costumes.

If you think you love Lanthimos, therefore, you will!

I went into the theatre now knowing what to expect as the fiancé had booked the tickets. She said she'd heard it was "artsy" and "special". Those words were a gross understatement.

The setting is basically a fantasy and everything is off - but that's the point. It is gory but not in a disgusting way. There's a lot of nakedness.

But god damn - the acting is the best I've seen for some time. Mark ruffalo and Emma stone are amazing in their roles and they're being pathetic and hysterically funny all the way at the same time but their progressions in terms of being pathetic run diagonally forward towards each other.

I'm not going to recommend this movie to but a specific crowd of people though. It's not an attempt at pleasing a wide crowd. It's a vision by the director that's been clearly set forth and executed brilliantly and you as a viewer feel amazed that you get the chance to have a glimpse into this very weird mind that's written this. It's not a must see in terms of the story but in terms of creating art it definitely is.

I loved it and felt disgusted at the same time. I was amazed and very troubled at the same time. It's a challenge to anyone who views it to open up all pre-conceived notions and completely throw them overboard. Be prepared to accept the dichotomies of the world for what they are and experience all the ugliness you can imagine and you will be fine.

But just to lay out how disgusting this movie can be at times - a middle aged couple walked out of the theatre approximately 15 minutes into the movie. But we all know how some middle aged couples can be.