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IMDbPro

The Fabelmans

  • 2022
  • Tous publics
  • 2h 31min
NOTE IMDb
7,5/10
129 k
MA NOTE
POPULARITÉ
1 404
74
The Fabelmans (2022)
Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.
Lire trailer1:31
38 Videos
99+ photos
Coming-of-AgePeriod DramaShowbiz DramaTeen DramaDrama

Sammy Fabelman découvre très tôt la magie du cinéma. Encouragée par sa famille, cette envie de réalisation devient de plus en plus prenante. Mais, des problèmes familiaux et des comportement... Tout lireSammy Fabelman découvre très tôt la magie du cinéma. Encouragée par sa famille, cette envie de réalisation devient de plus en plus prenante. Mais, des problèmes familiaux et des comportements antisémites à son égard viennent le perturber.Sammy Fabelman découvre très tôt la magie du cinéma. Encouragée par sa famille, cette envie de réalisation devient de plus en plus prenante. Mais, des problèmes familiaux et des comportements antisémites à son égard viennent le perturber.

  • Réalisation
    • Steven Spielberg
  • Scénario
    • Steven Spielberg
    • Tony Kushner
  • Casting principal
    • Michelle Williams
    • Gabriel LaBelle
    • Paul Dano
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    129 k
    MA NOTE
    POPULARITÉ
    1 404
    74
    • Réalisation
      • Steven Spielberg
    • Scénario
      • Steven Spielberg
      • Tony Kushner
    • Casting principal
      • Michelle Williams
      • Gabriel LaBelle
      • Paul Dano
    • 538avis d'utilisateurs
    • 349avis des critiques
    • 85Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 7 Oscars
      • 32 victoires et 299 nominations au total

    Vidéos38

    Official Trailer 2
    Trailer 1:31
    Official Trailer 2
    In Theatres Nov. 23
    Trailer 0:31
    In Theatres Nov. 23
    In Theatres Nov. 23
    Trailer 0:31
    In Theatres Nov. 23
    Official Trailer
    Trailer 2:26
    Official Trailer
    Official Trailer
    Trailer 2:26
    Official Trailer
    The Fabelmans
    Trailer 2:32
    The Fabelmans
    Oscars 2023 Best Picture Nominees
    Clip 1:31
    Oscars 2023 Best Picture Nominees

    Photos619

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    Rôles principaux81

    Modifier
    Michelle Williams
    Michelle Williams
    • Mitzi Fabelman
    Gabriel LaBelle
    Gabriel LaBelle
    • Sammy Fabelman
    Paul Dano
    Paul Dano
    • Burt Fabelman
    Judd Hirsch
    Judd Hirsch
    • Uncle Boris
    Seth Rogen
    Seth Rogen
    • Bennie Loewy
    Mateo Zoryan
    Mateo Zoryan
    • Younger Sammy Fabelman
    • (as Mateo Zoryon Francis-DeFord)
    Keeley Karsten
    Keeley Karsten
    • Natalie Fabelman
    Alina Brace
    Alina Brace
    • Younger Natalie Fabelman
    Julia Butters
    Julia Butters
    • Reggie Fabelman
    Birdie Borria
    Birdie Borria
    • Younger Reggie Fabelman
    Sophia Kopera
    Sophia Kopera
    • Lisa Fabelman
    Jeannie Berlin
    Jeannie Berlin
    • Hadassah Fabelman
    Robin Bartlett
    Robin Bartlett
    • Tina Schildkraut
    Sam Rechner
    Sam Rechner
    • Logan Hall
    Oakes Fegley
    Oakes Fegley
    • Chad Thomas
    Chloe East
    Chloe East
    • Monica Sherwood
    Isabelle Kusman
    Isabelle Kusman
    • Claudia Denning
    Chandler Lovelle
    Chandler Lovelle
    • Renee
    • Réalisation
      • Steven Spielberg
    • Scénario
      • Steven Spielberg
      • Tony Kushner
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs538

    7,5129K
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    Avis à la une

    8cliftonofun

    An origin story without capes

    I have been interested in this film since the moment I heard about it. As a kid whose first memorable movie theater experience was E. T., no filmmaker has more influenced the way I experience movies than Spielberg...and nothing influenced those movies more than his parents' divorce. So I was 100% ready for a personal tale, an origin story without capes or superpowers. No CGI. No motion capture. Just a movie about the power of families and stories through the eyes of a kid. It is just that... But it is more too. There's a generosity in the way that Spielberg makes sense of his own story after the fact. Nobody is a villain or hero. They are just people choosing between happiness and responsibility while realizing slowly and painfully that it may not have to be either/or. There were scenes that worked better than others (and I am still sorting through the third act), but it was fun to see him tell a story like this, whether it was his own or not.
    8jaredpahl

    Dear Diary, It's Steven

    After 50 years of making movies, Steven Spielberg is still, in the 2020s, finding new muscles to work. His semi-autobiopic, The Fabelmans, is different in style, reach, and aim, than anything Spielberg has ever made. The consummate ringmaster has never helmed a film so modest. And for a director whose personal attachments are spread all over his filmography, The Fabelmans may also be his most intimate.

    The story of Sam Fabelman (Gabriel LaBelle) is the story of Steven Spielberg, Jewish kid from Small Town USA, lover and later maker of movies. Sam shares with Steven three younger sisters, an eccentric concert pianist mother, an electrical engineer father, and a nearly identical path to movie directing. The names might be different, but obviously The Fabelmans is a dramatization of Steven Spielberg's childhood. It's certainly not our first indication of what the director thinks of such things as his parents' divorce, his interpersonal relationships with his family, or the images, moments, and memories that inspired him to make movies. Spielberg has brilliantly disguised these themes within his genre films; in alien invasion movies, dinosaur pictures, science fiction noirs, and family fantasy adventures. But with The Fabelmans, here comes the full reveal. It is a movie directly about family. His family. One must assume The Fabelmans is Steven Spielberg's last word on the subjects that have bewitched him throughout his career.

    The Fabelmans is kitchen sink drama all the way; no bells, no whistles, no magic realism or distracting style. In other words, no distance from these characters. The ones we have here are all quite well-realized. Paul Dano as Burt, the Fableman patriarch, is a sweetheart; surprisingly real despite an affected subservient speech pattern. Dano's character could have been an embarrassing caricature of the "no fun, get a job" father, but he comes out well-intentioned and completely three dimensional in a thankless role. Michelle Williams has the showier job playing mother Mitzy. She doesn't fumble the challenge, and in fact carves out a memorable personality from the more artistically inclined of Sam's parents. In the middle is Gabriel LaBelle, the latest model of the square-jawed, brown-eyed, young male muse that Spielberg has been searching for for decades now. Like Ansel Elgort, Tye Sheridan, Joseph Gordon-Levitt, Jeremy Irvine, and Shia LaBeouf before him (the man has a type), he's good enough. LaBelle is a likeable personality, a truly important metric for a performance like this, and he anchors the film admirably. Will it be that elusive star-making performance Spielberg has clearly been wanting from one of his young proteges? No. But it's a nice one.

    A few supporting players stop in for extended cameos. Judd Hirsh's quick turn as Uncle Boris may very well earn him an Oscar nomination. Hirsch has the classic showpiece monologue-two of them to be exact-and the sort of built-up respect needed for such a role. Young Chloe East on the other hand is a real discovery as Sam's high school girlfriend. Just when the movie needs a little energy, she comes in with the good stuff. Her's is a bright and living performance that never feels put on. Seth Rogan is there as well. A risky, maybe inspired casting choice, he's not bad.

    The Fabelmans is practically structureless, even at times aimless. There is no agreed-upon thesis that the movie is working toward, nor is there a feeling Spielberg is coaxing us into experiencing. As a cinematic project, it does not play to its director's strengths whatsoever. But we've seen the resiliency of Steven Spielberg before. Desert animal he truly is; able to adapt to changing landscapes and external challenges. By his standards, this is a tiny movie. Not the first quiet, artistic coming-of-age movie (in one of the movie's few missteps, it trots out a clichéd bullying subplot that drags the quality of the production way down), but in experienced, versatile hands, one of the very best.

    The Fabelmans certainly won't blow the doors off the box office, and for many, its sincere love for the craft of filmmaking will go completely unregistered. That narrow appeal, however, is precisely why The Fabelmans is destined to become a very special movie for people like me. I had my own 'Greatest Show on Earth' experience at six years old, when I saw Sam Raimi's Spider-man in one of the great big theaters where my aunt lived. Later, after I had discovered more of my favorites, developed a taste for the movies, I made my own. My cousins starred in one Jurassic Park rip-off as a team of scientists pursued by dragons in Shanghai. I became a film snob in college, and made short films with the guiding help of a professor who thought I had potential. I got a job as a documentarian and later directed a commercial or two of my own. All the while, I had my own family, who happen to be a lot like The Fabelmans, there to support and sometimes to trivialize, but whom I love with everything I have. Oh, it is sappy to talk about how personal The Fabelmans feels to me. I'm sure mine will not be the only review emphasizing how relatable this film is to someone with the artistic itch. But I assume I'm much like Sam Fabelman, and Steven Spielberg too, when I say that movies are my therapy. Our careers may never compare, but at least we'll share that.

    Mazal Tov.

    87/100.
    8Benjamin-M-Weilert

    A thoughtful if not slightly long autobiography of Steven Spielberg

    Steven Spielberg has been directing films for so many decades that it's actually a little surprising that the semi-autobiographical The Fabelmans (2022) took this long to materialize. Because of his years of success as a filmmaker, I already knew some details of Spielberg's rise to the successful director that he is today. Granted, I'm not sure how much of the family drama in The Fabelmans is a direct influence on Spielberg's life or if he manufactured it for the movie itself. Still, it is interesting to see the early budding talent presented in this movie and be able to extrapolate to movies like Jaws (1975), Saving Private Ryan (1998), and Schindler's List (1993).

    Perhaps my one qualm with this movie is that it's a bit too long. I understand the desire to show the entire life of Sammy Fabelman (Gabriel LaBelle) to understand the context of the origins of his filmmaking passion, but there could have been much shorter ways to show these moments instead of dedicating almost the entire first act to something that was much less exciting than the rest of the film. Even if it started in the second act, The Fabelmans easily captures that struggle between family and living the life of a dedicated creative.

    I really appreciated the conversation about how pursuing a creative passion can really be a challenge for an individual's personal life. Similar to how the leads in La La Land (2016) had to choose between themselves and their dreams, The Fabelmans shows how having an additional way to communicate (in this case, via filmmaking) can sometimes break through barriers and expose hard truths. The unblinking eye of the camera often sees more than we want, whether the bipolar disorder and affair of a mother or how a bully sees themselves as the hero.

    A thoughtful if not slightly long autobiography of Steven Spielberg, I give The Fabelmans 4.0 stars out of 5.
    7moritzherz

    Every upcoming filmmaker should watch this!

    Steven Spielberg made some of the best movies ever made. Now he made one about his early life, his way of becoming a filmmaker. And this is not his best film and not his most important one, but his most personal one.

    The story is fascinating, especially the way filmmaking is portrayed here is extraordinary. This is a love letter to cinema and you will be moved watching it, if you are a cineast like me.

    Everybody who's dreaming about becoming a filmmaker some day has to watch this picture. It was made for you, by Mr. Spielberg with love and the hope of inspiring the next generation as he was inspired by directors from his time.
    8mx-85496

    Preconceived notions, I apologize Steven

    When I first found out that Steven was making a movie about his life my first reaction was "wow, that's a conceited thing to do" so, I really wanted to dislike this film even before watching.

    So, I skipped it at the theaters, did read some reviews and there were a lot of mixed ones. Watched the trailers and I admit those made it look half good. I figured I'd just wait till it streaming then I'd give it a go.

    This afternoon I did just that, sat down in my rocking chair and watched 'the Fabelmans' and after it had ended and the credits were rolling my first thought was 'I apologize Steven'

    I now know that it wasn't out of some conceited place or Steven trying to pay tribute to his own career. Instead it's a film about his family and it's dysfunctions and milestones that would eventually lead Steven to be the wonderful filmmaker we all love.

    It's obvious now that Steven was the only one that could of written and directed this film.

    Now, I can understand if there's questions on 'why' he made this film. Why expose his family's dirty laundry? Why stir up controversial moments but all these things led to Steven becoming the filmmaker he is.

    In the end I was very pleasantly surprised by this film. I laughed, I was aggravated and at times very moved and inside all of those emotions we have tidbits on Steven falling in love with filmmaking. It's always present in the film but really it's not the focus. It's his family, the love he has for them and those struggles to keep it all together.

    Good job Steven and thank you for such a wonderful career and so many great memories you have given to me and my family.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Steven Spielberg said his parents had been "nagging" him to put them on the big screen prior to their deaths. "They were actually nagging me, 'When are you going to tell that story about our family, Steve?' And so this was something they were very enthusiastic about," he said. He also shared what finally prompted him to make The Fabelmans: "I started seriously thinking, if I had to make one movie I haven't made yet, something that I really want to do on a very personally atomic level, what would that be? And there was only one story I really wanted to tell." He also said The Fabelmans is "the first coming-of-age story I've ever told." "My life with my mom and dad taught me a lesson, which I hope this film in a small way imparts," he told The Hollywood Reporter. "Which is, when does a young person in a family start to see his parents as human beings? In my case, because of what happened between the ages of 7 and 18, I started to appreciate my mom and dad not as parents but as real people."
    • Gaffes
      Younger Sammy Fabelman's eyes are blue, while the older Sammy Fablelman's eyes are brown.
    • Citations

      John Ford: When the horizon's at the bottom, it's interesting. When the horizon's at the top, it's interesting. When the horizon's in the middle, it's boring as shit. Now, good luck to you. And get the fuck out of my office!

    • Crédits fous
      Two dedications to Spielberg's real life parents Leah Adler and Arnold Spielberg appear after the closing credits.
    • Connexions
      Featured in Amanda the Jedi Show: This Movie was Shockingly Terrible - Best and Worst of TIFF 2022 (2022)
    • Bandes originales
      The Greatest Show on Earth
      from Sous le plus grand chapiteau du monde (1952)

      Written by Victor Young, Ned Washington

      Performed by the Paramount Studios Band

      Courtesy of Paramount Pictures

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    FAQ20

    • How long is The Fabelmans?Alimenté par Alexa
    • Is "The Fabelmans" based on Steven Spielberg's early life?

    Détails

    Modifier
    • Date de sortie
      • 22 février 2023 (France)
    • Pays d’origine
      • États-Unis
      • Inde
    • Sites officiels
      • Facebook
      • Instagram
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Los Fabelman
    • Lieux de tournage
      • 12908 Bailey Street, Whittier, Californie, États-Unis(Monte's camera shop: Bennie tries to offer Sammy a film camera)
    • Sociétés de production
      • Amblin Entertainment
      • Amblin Partners
      • Reliance Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 40 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 17 348 945 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 161 579 $US
      • 13 nov. 2022
    • Montant brut mondial
      • 45 614 213 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 31 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • Dolby Surround 7.1
    • Rapport de forme
      • 1.85 : 1

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