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3,3/10
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Ajouter une intrigue dans votre langueTwo friends meet again to share their last days in an old house where everything happened a long time ago. They gather a group of people, which results in a disastrous turn of events, during... Tout lireTwo friends meet again to share their last days in an old house where everything happened a long time ago. They gather a group of people, which results in a disastrous turn of events, during which reveals the deepest human depths.Two friends meet again to share their last days in an old house where everything happened a long time ago. They gather a group of people, which results in a disastrous turn of events, during which reveals the deepest human depths.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Carsten Frank
- Katze
- (as Frank Oliver)
Jens Geutebrück
- Priest
- (as Geutebrück)
Avis à la une
The horror status this movie has got is pretty high... Possibly, seen as a must for die hard horror fans...
I'll start off on a high, Melancholie der Engel has great camera work, & to a large extent, the soundtrack is OK...
However... Its just waaay too long...
There is some great sick scenes in there, but it just gets boring in between, & the dialogue is terrible... Which for me is the biggest bummer, as regarding the storyline, there is just nothing to grab onto, at all, its basically just random scenes of emptiness...
I'm guessing this movie got rated so sick for the animal cruelty in it, which of course is bad... However compare that to the extreme scenes of paedophilia in 'A Serbian Film'... Well... I know which were more disturbing for me...
At the end of the day, this movie is only worth a watch to see how it compares to the rest of the so-called sick movies...
I'll start off on a high, Melancholie der Engel has great camera work, & to a large extent, the soundtrack is OK...
However... Its just waaay too long...
There is some great sick scenes in there, but it just gets boring in between, & the dialogue is terrible... Which for me is the biggest bummer, as regarding the storyline, there is just nothing to grab onto, at all, its basically just random scenes of emptiness...
I'm guessing this movie got rated so sick for the animal cruelty in it, which of course is bad... However compare that to the extreme scenes of paedophilia in 'A Serbian Film'... Well... I know which were more disturbing for me...
At the end of the day, this movie is only worth a watch to see how it compares to the rest of the so-called sick movies...
Holy hell, I've just watched this since I finally got my hands on the English subtitles.
The movie has little to no plot, backstory or continuity whatsoever. The only thing that saves this movie is the excellent way in which the director manages to depict decay, death and several mental illnesses. Unfortunately, these themes however, exist within a vacuum and feel disjointed as hell. Trying to understand this film objectively is largely a futile exercise. The movie feeds on the reaction of the viewer, that's the only power it has, which makes it extremely fragile.
I would suggest to skip this movie, or if you're just curious about the sheer madness on display, watch a few selected scenes, there are plenty, I assure you.
The movie has little to no plot, backstory or continuity whatsoever. The only thing that saves this movie is the excellent way in which the director manages to depict decay, death and several mental illnesses. Unfortunately, these themes however, exist within a vacuum and feel disjointed as hell. Trying to understand this film objectively is largely a futile exercise. The movie feeds on the reaction of the viewer, that's the only power it has, which makes it extremely fragile.
I would suggest to skip this movie, or if you're just curious about the sheer madness on display, watch a few selected scenes, there are plenty, I assure you.
What the heck was this movie about? I can never ever get back the 2.5 hours that I used of my life to watch this movie. There is very little sequential movement through this story and the randomness and extensive focus on the irrelevant produced a waking coma that I may never recover from. The symbolism is impossible to follow and even the nudity, to include random ball and sack shots, was out of place and added little to the comprehensibility of this film. This would be a perfect film for someone on death row who had nothing else to live for and was anxious to end their life in confusion.
With its focus on audiovisual composition, THE ANGELS' MELANCHOLIA essentially is an emotional experience. Not enough, the complexly developed story also stretches out to themes of friendship, passion, revenge and death wish. This assumes intense preoccupation with all the multiple layers of the movie. In aesthetic, tender images the stunned audience witnesses events that blurred the frontiers between reality and fiction probably already during the shooting. Just apparently in contradiction the events are accompanied by citations of German contemporary history, which gives Marian Dora's work a powerful intellectual historical basis. The movie's structure is similar to the baroque cathedral which gets a central role in the movie: The story and (only on the first sight) marginal details get mirrored like a symmetry axis and seem to be the counterpart of the leading characters destiny.
A personal work of director Marian Dora, the movie defies all formal conventions of storytelling. In nearly all scenes the movie breaks up to the audience's expectations. Established viewing and thinking habits as well as generally accepted and provided moral patterns are getting destroyed and stay unusable. If comparisons are appropriate at all, THE ANGELS' MELANCHOLIA has its place between the work of Jodorowsky or Pasolini. However, the movie can't deny its German roots and openly admits its highly controversial underground cinema status: Poetic, radical, original, unwieldy and impossible to forget.
A personal work of director Marian Dora, the movie defies all formal conventions of storytelling. In nearly all scenes the movie breaks up to the audience's expectations. Established viewing and thinking habits as well as generally accepted and provided moral patterns are getting destroyed and stay unusable. If comparisons are appropriate at all, THE ANGELS' MELANCHOLIA has its place between the work of Jodorowsky or Pasolini. However, the movie can't deny its German roots and openly admits its highly controversial underground cinema status: Poetic, radical, original, unwieldy and impossible to forget.
In 2009's "Melancholie der Engel" we are introduced to a group of people that have gathered in an old house and from there on the movie turns to a pretentious art house movie with disgusting imagery. There are quite a few scenes in this that are stomach-turning because they are so disgusting and disturbing that not everyone will even be able to watch this. The plot is weird and full of artsy stuff that was not entertaining at all. Every now and then something sick and disturbing happens to shock the audience just for the sake of it. In between there are quite a few nice shots and the overall cinematography was pretty good considering the low budget. However the overall result is way too long and unconvoluted. In the end some of the pictures will stay in the viewers head for a while but that's about the only achievement this movie gets. [3,0/10]
Le saviez-vous
- AnecdotesThe director received several death threats after the movie was released
- Versions alternativesThe extended 165-minute version contains more dialogue and most of the extreme content is further intensified compared to the 158-minute cut.
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- How long is Melancholie der Engel?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Angels' Melancholia
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 38 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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