NOTE IMDb
5,4/10
2,9 k
MA NOTE
À la fin de la Seconde Guerre mondiale, un groupe de résistants organise le casse du siècle : voler le trésor de Mussolini au siège du régime fasciste à Milan.À la fin de la Seconde Guerre mondiale, un groupe de résistants organise le casse du siècle : voler le trésor de Mussolini au siège du régime fasciste à Milan.À la fin de la Seconde Guerre mondiale, un groupe de résistants organise le casse du siècle : voler le trésor de Mussolini au siège du régime fasciste à Milan.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Rebecca Coco Edogamhe
- Hessa
- (as Coco Rebecca Edogamhe)
Avis à la une
Don't take this so seriously and don't expect too much. The actors delivered a very good performance. The substance of the story lacks and some cheesy holes let's questions open.
The spoken language is cool and the music remembers at times the war movies of the sixties. I don't think this movie is based on true events. The way they attacked the head quarter was really too easy to get in.
The costumes and sceneries were well created.
Nice landscapes at the end and who knows if there wil ever be a sequel.
Finally I spent anyway an entertaining time cause I have for the moment really not more options to see on Netflix.
5/10.
The spoken language is cool and the music remembers at times the war movies of the sixties. I don't think this movie is based on true events. The way they attacked the head quarter was really too easy to get in.
The costumes and sceneries were well created.
Nice landscapes at the end and who knows if there wil ever be a sequel.
Finally I spent anyway an entertaining time cause I have for the moment really not more options to see on Netflix.
5/10.
The main issue of this movie is that it tries way too hard to be cool, and never feels spontaneous.
I mean, what's the point of the female lead singing covers of songs released decades after the events in the movie? Super distracting and doesn't fit at all. Cringe all over.
General lack of self awareness plagues the whole film, and in its search for coolness often takes itself too seriously.
I struggle at figuring out who the intended audience was. Older generations would find it too "modern", the younger ones would only be reminiscing the movies which clearly inspired this one, doing similar things but better. I can only recommend it if you are die hard fans of the genre.
I mean, what's the point of the female lead singing covers of songs released decades after the events in the movie? Super distracting and doesn't fit at all. Cringe all over.
General lack of self awareness plagues the whole film, and in its search for coolness often takes itself too seriously.
I struggle at figuring out who the intended audience was. Older generations would find it too "modern", the younger ones would only be reminiscing the movies which clearly inspired this one, doing similar things but better. I can only recommend it if you are die hard fans of the genre.
Sometimes a movie leaves you with some thoughts to think about, the other times it leaves you with nothing, as if you've never watched a movie at all. Rapiniamo il Duce is sadly closer to the latter but not without its buts too.
Ever since I started learning Italian, their movies were mostly misses for me; it's an expressive language and for the most part I just couldn't grab what the characters are saying - and I was just reading the subtitles! - but this one was different. Maybe because it was produced for Netflix but I just didn't feel like it was really made for Italians and that's on the negative side actually. The whole movie seems like an American remake but with an all-Italian cast and that dissonance is palpable starting the first minutes.
On the positive side though Rapiniamo il Duce is a stylish, fast-paced heist drama with fantastic inclusions of animated segments and 1940s appropriate soundtrack but it lacks consistency and the setting (last days of WWII) is only there to bring a feeling of urgency into narrative, not to be a leading vehicle for it. Main characters are no names that we know little to nothing about and therefore are not capable to empathize with anyone - the story plays out so fast it hasn't got time to draw backstories longer than a sentence or a five second clip and that rush is all over the place. The jokes would've been a well-fitting addition and probably the life saver for the movie but they don't exist here as well.
All in all this is a well-crafted movie that looks marvelous on paper, as a comic book adaptation but as a standalone feature it is as lifeless as its main characters.
Ever since I started learning Italian, their movies were mostly misses for me; it's an expressive language and for the most part I just couldn't grab what the characters are saying - and I was just reading the subtitles! - but this one was different. Maybe because it was produced for Netflix but I just didn't feel like it was really made for Italians and that's on the negative side actually. The whole movie seems like an American remake but with an all-Italian cast and that dissonance is palpable starting the first minutes.
On the positive side though Rapiniamo il Duce is a stylish, fast-paced heist drama with fantastic inclusions of animated segments and 1940s appropriate soundtrack but it lacks consistency and the setting (last days of WWII) is only there to bring a feeling of urgency into narrative, not to be a leading vehicle for it. Main characters are no names that we know little to nothing about and therefore are not capable to empathize with anyone - the story plays out so fast it hasn't got time to draw backstories longer than a sentence or a five second clip and that rush is all over the place. The jokes would've been a well-fitting addition and probably the life saver for the movie but they don't exist here as well.
All in all this is a well-crafted movie that looks marvelous on paper, as a comic book adaptation but as a standalone feature it is as lifeless as its main characters.
This is, in many ways, Renato De Maria's Italian version of Quentin Tarantino's Inglourious Basterds. It is a historically based piece of film fiction where the premise involves the use of Mussolini and the Italian Fascists as the basis for the story. A group of men discover a plan by Mussolini to flee Italy with his his country's riches as the war is coming to a close. The plot is to steal the gold and escape pic h and free men. The movie is well scripted, shot, and directed. The cinematography and costumes are very good. The acting is good. Matilda de Angelis, the star of HBO's The Undoing, is very good in this. The film is good and I love that so many war films focus on Germany and Hitler, but this one uses Mussolini and the Italians as a focal point. While it is good, it is not as compelling, well filmed, or well scripted as a Tarantino film. That is okay. Many films do not.
There's nothing so wrong with this movie that it ever becomes unwatchable, but there isn't really a good reason to watch it, either. It starts off fine, but as it went on, I became increasingly restless. The number of derivative and predictable plot elements really started to pile up, and the pacing felt off.
The worst part, I thought, was that they didn't really do much with the premise. This is an Italian movie set during the end of World War II, and they barely even used that setup. It could have been set in the United States during the Civil War or Prohibition, and there probably wouldn't need to be many changes.
The characters were likeable, though, and it hits all the notes that you expect a heist comedy to hit.
The worst part, I thought, was that they didn't really do much with the premise. This is an Italian movie set during the end of World War II, and they barely even used that setup. It could have been set in the United States during the Civil War or Prohibition, and there probably wouldn't need to be many changes.
The characters were likeable, though, and it hits all the notes that you expect a heist comedy to hit.
Le saviez-vous
- AnecdotesComedian Maccio Capatonda, who plays the character of champion pilot Denis Fabbri in the movie, realized a comedic fake trailer in which he put himself as the main star of the picture, "playing" all the roles, as part of the movie's marketing campaign. The fake trailer gained more views and likes than the real one.
- GaffesYvonne (played by Matilda de Angelis) sings "Tutto Nero" in a cabaret during opening credits. This is Italian version of "Paint it Black". The film takes place in 1945 while Rolling Stones first released the song in May 1966 followed by the Italian version sung by Caterina Caselli in November.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Robbing Mussolini
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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