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"Eyes Wide Open" has a wonderful sense of sincerity to it. It's a small, unpretentious film which manages to plunge to emotional depths without being showy or sensational. This restraint imbues the film with much power and conviction in telling the story of a family man whose inner world is torn apart when he falls in love with a young man. What makes this scenario unique is that the milieu in which this is played out, is that of the ultra Orthodox Jewish society in Jerusalem. As with all extreme religions there is of course no place for deviants from the norm.

Aharon, the protagonist, is a deeply religious man searching for truths who has to face the truth of his own heart. In perhaps the most poignant scene of the film, he confesses to his horrified spiritual mentor that he feels he's truly come alive for the first time.

"Eyes Wide Open" is the debut feature film of director Haim Tabakman. It is unusual for a first time director to demonstrate such assurance of style and tone. What would make or break a film of this nature is the quality of the performances. All the secondary parts are well played, but it is Zohar Strauss utterly convincing lead performance which makes the film work. There is not one false moment. This makes the inherent tragic situation an extremely moving one to behold. Highly recommended.

emotion. as silk ladder. a love story in forbidden area. religion and relationship. nude tale about two different men and their sin/error/adventure/crazy act. few words. drops of gestures, looks and shadows of feelings. ball of sadness and strange happiness, vulnerabilities, courage and fear. a white paper and crumbs of letters. a stranger as seed of a dangerous experience. family, society and a young man from nowhere to nowhere. a ritual bath and work in a kosher meat shop. death of father and new forms of beginning. fragility of old world and ambiguous place in tradition circle. it is not a movie about gay love but only love. it is not a movie about Juwish traditional laws but only picture of a closed society. it is not just a movie. but images of a trip behind ordinary expectations.

Situated in the orthodox Jewish community in Jerusalem this debut is a rare intimate view into a closed community where everyone keeps a close watch on each other and keep hold with an invisible grip. It's about homosexuality this time but it could have been about any other subject that is controversial. More than anything it's about the pressure of a community that gives one no other choice than either to bend or to break under the pressure.

Integer, honest and touching this movie tells itself by the images and not by an abundance of words. Silence contributes to the impact like a sonic boom. This movie is felt as much as it is seen. Wonderful, a gem.

I just saw this at the Minneapolis-St. Paul film festival. A powerful, relentless film that seems to imply, if I can trust my instincts, that "falling in love" is a spiritual phenomenon devoid of gender considerations. Now, I may disagree with this personally, but the director makes such a powerful case for it that it is entertaining to watch.

Also implied is the message that repression produces the opposite effect in the long run...

In the film, a super-fundamentalist butcher in an ultra-orthodox Jewish neighborhood meets and falls for another man, despite the social and even physical danger. The scene in which the two meet is shot in such a way that even we heterosexuals in the audience can understand. The young apprentice enters from a pouring rain with a cherubic, earnest look on his face and, for just a second, what the director is trying to say echoes in everyone watching.

The scenes between the butcher and his plain yet somehow beautiful and patient wife become more tense and more poignant, even as they become more and more muted.

Overall, this was an excellent film. I gave it four out of five on my ballot.

Things to watch for: Pool of Siloam, frank but not disgusting sex scenes. A-

A simple story, gently told, in a stark setting of almost medieval religiosity.

I'm middle-aged gay European agnostic from Christian background and found this film enchanting and entertaining although sombre and downbeat.

The 'purity police' were scary talibanesque types: you will comply or else. I did not know about such compliance methods in Judaism.

The intolerance towards the 'seducer' gay man was ugly, so far removed from secular/reform attitudes around me.

The main character (the butcher Aaron) was unfulfilled after siring four children and still having a loving and beautiful wife, felt 'dead inside'.

But was that from the recent loss of his father, or some other reasons than just lust?