L'enlèvement

I like every part of the movie and everyone really got into their roles, because basically it is a very sensitive topic and a part of the history of a people and the influence of religious divisions. It is known that the Vatican is responsible for many evils, which are not talked about, and this story is just one of the details in all of that. It's not an ordinary story either, but something that happened in the second half of the nineteenth century to many families and it known that the influence of the Inquisition was strong also centuries before that. It is good to be. It is good to watch, even if it is for the sake of some knowledge about the history of the Catholic Church.

It's been presented as one of the movie of the year but despite the premises it doesn't fly. The founding idea is good, it's an historical movie about changes, political power and secularism. Cast is great but I couldn't keep away from my nose the scent of Italian bad tv. Despite all to me these are not the major flaws, the main problem is I was not hooked by the subject and therefore this was not interesting to me. Probably 20 years ago this would have been way controversial showing a Pope in crisis of conscience during the making of the Republic of Italy and the atomization of Church. I need to add that it was quite inflated by media as well therefore my expectations were high. It's still a well made movie just not for me. But you should give it a try especially if you are a parent.

As a film movie lover, depending on what city I am living in, I broaden my horizons by going to watch films at any festival. Since moving to Vancouver to pursue an education in film production at UBC, I have been excited to visit VIFF and watch a film. After scrolling through the website, I decided to see 'Kidnapped,' an Italian film by Marco Bellocchio. I haven't seen his films before, but I was excited to see this one. The film includes an intense historical drama of a Jewish toddler kidnapped by Pope Pius IX in 1865 because it was believed he had received a secret baptism. It was one of the best films I have seen and deserves more recognition. This rich, operatic film resonates strongly with the audience through the director's storytelling and the emotions portrayed by the actors in the movie.

Or is it strangers than fiction? Well whatever the case (and no pun intended as always of course), the apparently true story of a young boy who is being taken away from his family ... to become something quite ... well different from what he'd otherwise be. And the struggle of the family to become whole again as one might suspect.

Am a bit surprised to see all the awards and nominations - had not heard about this before. But that should not sway you away or take anything from the movie. Sometimes there's movies you just discover like this (and the same probably is true for you) ... by the way kidnapping (in this case literally, so definitely no pun intended) is nothing I would call a discovery ... but what happens after that ... well there is quite the mayhem that ensues ... so don't expect this to pull punches or be soft (action part of it but also the general story) ... there is a text introduction and an ... outro-duction? Not sure what it is called, but you get the meaning surely.

Based on a bizarre true story, this follows the tale of the young Edgardo Sala who was living quite happily with his Jewish parents and siblings in Bologna until an official arrives one evening to tell them he is to be removed from their care. Why? It appears that many years earlier when he was in his cradle, he has been baptised and so must therefore be looked after by the church. Despite their appeals and protestations, he is swiftly taken to Rome where he is enrolled in a Catholic school where his is pretty thoroughly indoctrinated into the ways of his new Church - even becoming of special interest to Pope Pius IX (Paolo Pierobon). The story really centres around the trial many year later of the Papal Officer Feletti (Fabrizio Gifuni) after the city had become part of the Italian Kingdom, and those proceedings are used to fill in some of the backstory and to test the theories of responsibility of actions done in the name of the State. Perhaps unsurprisingly, the young man grows up to become conflicted - his love of Jesus struggles with his love of family and of the Talmud that was so important to him as a child. What I didn't really understand was just why the Pope would ever been at all interested in the fate of a small Jewish lad when the Papal States were in permanent decline, but Marco Bellochio uses a solid cast and a sparing, but frequently impassioned, amount of dialogue to deliver a stylishly made intrigue that show the last vestiges of the once all-powerful Papacy and of the inconsequential hopes of a family and a small boy.