NOTE IMDb
5,6/10
40 k
MA NOTE
Un employé nouvellement embauché dans une puissante société se retrouve dans un bureau de la direction, mais à un prix dangereux: il doit espionner l'ancien mentor de son patron pour lui ass... Tout lireUn employé nouvellement embauché dans une puissante société se retrouve dans un bureau de la direction, mais à un prix dangereux: il doit espionner l'ancien mentor de son patron pour lui assurer un avantage de plusieurs milliards de dollars.Un employé nouvellement embauché dans une puissante société se retrouve dans un bureau de la direction, mais à un prix dangereux: il doit espionner l'ancien mentor de son patron pour lui assurer un avantage de plusieurs milliards de dollars.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Will Peltz
- Morgan
- (as William Peltz)
Avis à la une
A thriller about the dark world of tech business giants, with big shot start like Gary Oldman and Harrison Ford, what could go wrong, right? Well, with this movie, almost everything did. It's slow, boring, repetitive and overall just disappointing.
Adam (Liam Hensworth) is a programmer (I think, because character development apparently wasn't a priority in this movie) who gets stuck in the middle of a feud between two tech giants, Wyatt and Goddard, played by Gary Oldman and Harrison Ford. And that's about as deep as the story goes. There's some background as to the rivalry between Wyatt and Goddard and a hard-to-believe love story between Adam and one of Goddard's executives, but overall, the film feels like an unfinished job, with a lot of potential, but no real charm to it.
I've got to accept the movie has some good things worth mentioning. Gary Oldman is great, as expected, in his limited screen time, and the final scenes are actually pretty good, but all in all this was not a good movie, and I would not recommend it.
Adam (Liam Hensworth) is a programmer (I think, because character development apparently wasn't a priority in this movie) who gets stuck in the middle of a feud between two tech giants, Wyatt and Goddard, played by Gary Oldman and Harrison Ford. And that's about as deep as the story goes. There's some background as to the rivalry between Wyatt and Goddard and a hard-to-believe love story between Adam and one of Goddard's executives, but overall, the film feels like an unfinished job, with a lot of potential, but no real charm to it.
I've got to accept the movie has some good things worth mentioning. Gary Oldman is great, as expected, in his limited screen time, and the final scenes are actually pretty good, but all in all this was not a good movie, and I would not recommend it.
With a title like "Paranoia," I expected suspicion, suspense, maybe even a cool chase scene, but this movie not only lacks the characteristics its title suggests, but is really devoid of any depth. It seems to be a vehicle to see Liam Hemsworth shirtless as much as possible, as well as in some gorgeous suits.
Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.
Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.
Not a bad movie, but certainly not a thriller and definitely forgettable
Amid a lot of techie razzle-dazzle, the plot is rather thin and predictable and there is absolutely NO character development, except a small amount for Richard Dreyfuss, who seems to be the most interesting character in the movie. It was nice to see him in this role.
Harrison Ford doesn't look good with a shaved head. Reminded me of Mr. Magoo without the glasses.
Not a bad movie, but certainly not a thriller and definitely forgettable
Thankfully, Gary Oldman can make almost any film bearable and his portrayal here of a ruthless, corrupt CEO is just about the only thing that this derivative movie has going for it. He manages to infuse a one-dimensional character with at least one more dimension.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
The script is so full of hackneyed clichés that I felt like I was watching a Dan Brown novel. You have to assume that the writer's entire experience of the corporate world is based on a combination of Occupy Movement manifestos and Oliver Stone movies. Liam Hemsworth has evidently starred in something call the Hunger Games where, I have to assume, he was hired for his looks and not his acting chops.
August is usually the doldrums when it comes to movie releases and this dud simply proves the rule to which Blue Jasmine is the exception.
PARANOIA is one of those corporate suspense thrillers about rival businesses, spying, and the like. All of these films seem to owe a debt to WALL STREET in the depiction of fresh-faced newcomers going under the wings of seasoned and cynical professionals.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
Sadly, there isn't much to get excited about in PARANOIA, a distinctly average type film. The writing is of bog-standard quality and the most interesting thing about it is the sheer number of familiar faces playing in support: Embeth Davidtz, Julian McMahon, Josh Holloway, even Richard Dreyfuss in a minor put pivotal role. Sadly they have little to do in a storyline that feels devoid of suspense and is really very ordinary.
One of the the film's biggest flaws is in the central casting of the inexperienced Liam Hemsworth. Hemsworth fails to bring any charisma to his part and in fact feels wooden throughout, and certainly out of his depth compared to the seasoned pros surrounding him. On the other hand, there's a nice turn from Gary Oldman who successfully manages to capture some of that fire he had in the 1990s. Harrison Ford looks incredibly old but is pretty good in a cast-against-type role.
"The lights always look brighter across the river." After saying the wrong things, Adam (Hemsworth) an up-and-coming employee at a powerful corporation finds himself and his friends out of a job. After the owner Nicolas Wyatt (Oldman) recruits him to spy on rival Jock Goddard (Ford) to find out what his company is coming up with Adam finds himself stuck in the middle of a dangerous game. When he wants out he realizes that it's not just his life is threatened unless he completes his task. I was looking forward to watching this for two reasons. Harrison Ford and Gary Oldman, also Richard Dreyfuss is in this but in a lesser role. I cannot recall a movie they have been in that has been bad (Kingdom of the Crystal Skull was bad but its still Indiana Jones so I can't hate it and I blame Lucas for that anyway). I did find out how to mess up a movie with those two legendary actors...add baby Thor (Liam Hemsworth). I'm not saying he was a bad actor in this because it wasn't terrible but when you have those two in a movie and you make baby Thor the main focus you have screwed up somewhere. I'd compare this to the movie Son Of No One in the way that you have Ray Liotta and Al Pacino and you make Channing Tatum the focus. Nothing personal against Hemsworth or Tatum but when you have such high caliber actors why waste them? As far as this movie goes the scenes with Oldman and Ford are amazing as expected, as far as the rest goes it was slow, a little boring and not exciting at all. With the plot being about the seedy underworld of the cellphone app industry though you don't have much to work with. Overall, a movie that could have been so much better but ended up being almost not worth seeing. It pains me to do this but I give it a C.
Le saviez-vous
- AnecdotesKevin Spacey turned down the role of Nicholas Wyatt.
- GaffesWhen Adam Cassidy is playing chess with Wyatt, there is no way he can make a checkmate without making check with his queen.
- Citations
Jock Goddard: Privacy. Absolute myth. There's no such thing.
- ConnexionsFeatured in Chelsea Lately: Épisode #7.121 (2013)
- Bandes originalesAlive (Zedd Remix)
Performed by Empire of the Sun
Composed by Nick Littlemore (as Nicholas Littlemore), Peter Mayes, Luke Steele, Jonathan Sloan, Steve Bach (as Steven Bach) and Zedd (as Anton Zaslavski)
Administered by: Universal Music Publishing Group Pty Ltd, on behalf of
Chenfeld Ltd and Solola Ltd, Sony/ATV Music Publishing (Australia) P ty Ltd.
admin by Sony/ATV Tunes LLC, Pulse Recording Songs (ASCAP) admin by
Downtown DLJ Songs (ASCAP), Bach to Bach Music (ASCAP),
Zedd Music Empire (ASCAP) admin by Kobalt Songs Music Publishing.
Courtesy of EMI Music Australia Pty Ltd./Astralwerks
under license from Universal Music Enterprises
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- How long is Paranoia?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Traición al límite
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 388 654 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 528 376 $US
- 18 août 2013
- Montant brut mondial
- 17 056 265 $US
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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