Hop

The Easter Bunny is to Easter what Santa Claus is to Christmas. Legend has it that both the Easter Bunny and Santa Claus go around people's houses at night before their respective days bringing gifts- though in the case of the Easter Bunny, these tend to be more specific to coloured eggs, candy and chocolates. Despite their similarities, Hollywood seems to favour Santa Claus over the Easter Bunny, going by the number of Yuletide-themed films around the plump, jolly, white-bearded man in a red suit and the dearth of films about the latter.

Cinco Paul and Ken Daurio however attempt to change that with their part-live action, part-animated romp "Hop", a through and through family film centred around the Easter Bunny. Also the writers of last summer's surprising hit for Chris Meledandri's Illumination Entertainment's "Despicable Me", Paul and Daurio display much less of their ingenuity this time round. Indeed, their adaptation of the Easter Bunny legend borrows too heavily from Yuletide films like "Elf", "Fred Claus" and in particular "The Santa Clause" that it almost feels that they have merely switched elves for chicks, reindeers also for chicks and Santa for the Easter Bunny.

The references are apparent right from the start, when we are first introduced to the Easter factory where all the candy and chocolates for the kids are prepared. Production designer Richard Holland's vision of this is no more than "Charlie and the Chocolate Factory" crossed with Santa's workshop in any of the films mentioned above, and despite the riot of colours, there's little wildly inventive that will make you go 'wow'. Same goes for the Easter Bunny's mode of transportation, which is really an egg-shaped sleigh pulled by hundreds of tiny chicks; or the source of its magical powers, derived from the Egg of Destiny or the equivalent of a Santa suit.

Paul and Daurio's reliance on these Yuletide film tropes extends as well to the plot of the movie, which essentially is the story of the heir- apparent to the Easter Bunny throne, E. B. (voiced by Russell Brand, who also makes a live-action cameo later on) absconding his responsibilities to pursue his dreams of musical superstardom much to the chagrin of his father (Hugh Laurie). You can probably guess the narrative pretty much from here on end- just add in another out-of-work slacker, Fred (James Marsden), who is in the same real-life situation as E.B. with his father (Gary Cole).

Besides sorting out their own father-son issues, E.B. and Fred will also spend time bickering with each other, before bonding through a fictional David Hasselhoff (playing himself) reality show "Hoff Knows Talent" (an all-too obvious riff on "America's Got Talent") and a sing-along at a school play where both take turns singing 'I Want Candy'. There's also a subplot which sees E.B's father's number two, a duplicitous Spanish chick Carlos (voiced by Hank Azaria), insinuating that he be crowned the next Easter Bunny in E.B's absence- but this is played for little more than to allow for an frenetic action-packed finale at the end.

Though originality isn't one of its strong suits, director Tim Hill's (Alvin and the Chipmunks) film does take- pardon the pun- more than a few hops in the right direction. Most prominently, Hill's experience with such part-animation, part-live action fare is amply demonstrated in the seamless blend of E.B. and the rest of the computer-generated animals with their human counterparts- special mention goes to E.B, whose features and expressions are beautifully and vividly animated. Impressive too is Illumination Entertainment's ability to create 'oh-so- adorable' sidekick characters, the chicks including Carlos and the over- enthusiastic prone-to-dancing Phil reminiscent of the little yellow minions from "Despicable Me" and equally irresistible.

Hill has also assembled a lively voice cast led by the vivacious Russell Brand. Though there is none of the raunchiness usually associated with him (think "Get Him to the Greek"), Brand's distinctive laid-back charm is still intact and fits his character perfectly. Just as outstanding is Hank Azaria's voicing of both Carlos and Phil. Though the two characters couldn't be more different in nature, Azaria finds a unique voice for each, and is especially good at delivering Carlos' punchlines with aplomb- who can forget Carlos' line 'It's called a coup d'état which is a French for coup d'état!'

And thanks to Brand and Azaria's voice talents, as well as the excellent blend of live-action and animation, "Hop" still proves to be more than agreeable family entertainment- even if laugh-out-loud moments are fewer and further-in-between than one would expect. Not to mention of course that the familiarity with Yuletide films of Santa Claus is unmistakable, which also makes "Hop" just as undemanding, if not unexceptional, fare as most of these movies. Still, it's colourful, it's buoyant, and it's cute, so that's definitely enough to keep the kids entertained.

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Just as how Santa Claus stories work through their way through the Christmas period, Hop brings forward the Easter season some three weeks early with a kids film that combines the best of live action and animation in yet another talking animal story, which is something quite expected when you combine filmmakers who had worked on Alvin and the Chipmunks, and the producers of Despicable Me, who probably would have floated the idea that cute yellow things make for comedic villains since they're going against type.

Hop is a tale about sons being unable to live up to the ideals of their fathers, being told what is expected, being seen as soft and unable to exert any say in what they really want to do in life. When we first see EB (or short for Easter Bunny, voiced by Russell Brand), "plush toy" comes to mind for its incredibly cute design when the wide eyed bunny tours and allows the audience to see first hand what would be the equivalent of Santa's operations that the Easter Bunny adopts, with multitudes of chocolate and candy making machines all outsourced not to elves, but to chicks to operate and churn them out, before making deliveries in one single day to all the kids.

But as EB grows up, his propensity to take on the family business, or rather his calling in life, takes a hit and wanes because he aspires to dabble in music and play drums. Rather than take over from his father, he runs away to Hollywood to seek out his fortunes and thereby putting Easter potentially on hold, and bumps into Fred O'Hare (James Marsden), who is also kicked out of his family home because his father and family members find it a tad ridiculous that he mucks around home for the last one year doing nothing. So it's a chance meeting of two similar sons set to prove themselves in a whole new world, and bring about the usual kids theme of friendship, perseverance, and plenty of juvenile comedy. Look out for David Hasselhoff playing himself, and the requisite cute bunnies collectively known as the Pink Berets who would probably steal the show.

I have to admit though that some of the jokes do work, since it's quite a wide spectrum from the usual toilet humour - EB poops delicious, multi-flavoured candy! - to a hilarious get up of the song I Love Candy with the duo continuing a ruse from earlier involving EB pretending to be a plush toy. This aspect of the film compensates for the lack of sophistication of the plot which for some weird reason has Fred not being satisfied with having validated that he's not crazy with his young time witnessing of the Easter Bunny going about his one day routine, but desiring to instead become a bunny himself.

That brought about what I thought was the most direct reference back to Despicable Me with the mindless bantering amongst the minions of the Easter Bunny's factory, where second in command Carlos (Hank Azaria), in the absence of EB and his dad getting old, secretly coverts a plot to usurp the festivity and run the entire show himself. While the minions have different designs and varying degrees of intelligence, the chicks here adopt a uniform look, and as expected there's always a smart alecky character to become cannon fodder for laughs.

Besides priming itself for a respectable box office result when the Easter holiday rolls along, what this film would probably successfully do is to ramp up demand for rabbits and chicks amongst its targeted demographic, so parents, do spare a thought and taper those short term wants. Strictly for the kids. Do stay tuned until after the end credits for a scene to witness James Marsden's Mandarin diction.

When I watched this movie, I thought that it was fantastic. I feel like that if I rewatched it now, I'd probably have a bit of a different opinion. The animation and story is pretty good as well as the acting. Its not the greatest movie ever, not by a long shot, but for a kid this is very entertaining. The concept, though stupid, is interesting and overall its pretty funny.

This is one of the only Easter films I know which is perfect for the holidays without being about Jesus. Such a cute little film which makes me laugh and I never get tired of. Perfect family Easter film.

The TV previews made me want to see this movie, but it turns out that those were the few funny moments to this movie - with the exception of the school play with the characters singing "I Want Candy". Nicely animated, but short on guffaws. Kids may love it, but as an adult it was a bit boring at moments and not very original. Now, really, the Easter Bunny has a sleigh? May be best to wait for this one to come out on DVD and keep it in mind for an Easter basket gift for next year. There are a shortage of good, original movie plots out there, short on story line and imagination. If the producers could only make the perfect fit of beautiful animation and storyline, you'd have one fine movie. This one needed more laughs to keep it moving along.