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Symbol

Titre original : Shinboru
  • 2009
  • Not Rated
  • 1h 33min
NOTE IMDb
6,8/10
4,8 k
MA NOTE
Symbol (2009)
A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.
Lire trailer1:00
1 Video
52 photos
ComédieFantaisieMystère

Ajouter une intrigue dans votre langueA man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.A man wakes up in a white room empty other than buttons on the walls, he must find out which button to push to get what he wants.

  • Réalisation
    • Hitoshi Matsumoto
  • Scénario
    • Hitoshi Matsumoto
    • Mitsuyoshi Takasu
  • Casting principal
    • Hitoshi Matsumoto
    • David Quintero
    • Luis Accinelli
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    4,8 k
    MA NOTE
    • Réalisation
      • Hitoshi Matsumoto
    • Scénario
      • Hitoshi Matsumoto
      • Mitsuyoshi Takasu
    • Casting principal
      • Hitoshi Matsumoto
      • David Quintero
      • Luis Accinelli
    • 29avis d'utilisateurs
    • 60avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 nominations au total

    Vidéos1

    Trailer
    Trailer 1:00
    Trailer

    Photos51

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 48
    Voir l'affiche

    Rôles principaux34

    Modifier
    Hitoshi Matsumoto
    Hitoshi Matsumoto
    • The Man
    David Quintero
    • Escargot Man, Antonio's Father
    Luis Accinelli
    • Antonio's Uncle
    Lilian Tapia
    • Antonio's Mother
    • (as Lillian Tapia)
    Adriana Fricke
    Adriana Fricke
    • Karen
    Carlos C. Torres
    Carlos C. Torres
    • Antonio
    Ivana Wong
    • Antonio's Sister
    Arkangel De La Muerte
    • Aguila De Plata
    Matcho Panpu
    • Tequila Joe
    • (as Misuteru Kakao)
    Dick Togo
    Dick Togo
    • El Super Demonio
    • (as Dick Tôgô)
    Salam Diagne
    • African Tribesman
    Stuart-O.
    Chris Gurundy
    Nik Sliwerski
    Jonathan Hicks
    Anatoli Krasnov
    Daisuke Sasaki
    Martin Sanchez
    • Réalisation
      • Hitoshi Matsumoto
    • Scénario
      • Hitoshi Matsumoto
      • Mitsuyoshi Takasu
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    6,84.7K
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    10

    Avis à la une

    10pinkflash-602-400831

    Great and challenging movie because it cannot be summarized in the usual cinematic linear form.

    Challenges many of the most basic philosophical assumptions about god, heaven, and hell. If you ever wondered about your own impact on others and your ability to do good works.. Or wondered if god could evolve eventually, there is so much to chew on. Imagery as diverse as clowns, Mexican wrestling, and the symbols of Japanese culture flutter as butterfly wings with the strobe and flicker of film infecting NOT only as genius can from the other side of the planet. The layering of thought and ideas is very satisfying compared to typical American films. I am not surprised that all but one of the reviews even gave an accurate summary. This can be a complex film, but not necessarily. A creative child couldn't help being charmed by the poetic surface of action and color. A stunning treat.
    6kosmasp

    Panic Room

    A Japanese movie that stars off in Mexico. No you heard/read me right. And yes this is the movie you wanted to see or were pushed to see by your friend. The latter is true for me. And this movie defies quite a few rules and is anything but simple to categorize. While its crazy ideas may either delight you or annoy you, this is a crude mix of fantasy and sci-fi that is difficult to put a finger on (no pun intended).

    The comedy that ensues is mostly non verbal and while the main character seems stupid at times, he is also able to figure things out quite quickly other times. And therefor the flow of the movie seems a bit interrupted at places. If you are annoyed by that, maybe you should stop watching. Though you would miss out on an ending that is even more difficult to describe then the movie itself. It is definitely a trip and something you have to do voluntarily, otherwise you might be angry at yourself/your friend recommending this.

    I cannot say watch this, but I cannot tell you not to either. I know that quite a few people were delighted by the (physical) humour, never even thinking about the layers that this movie builds. And that is a way to enjoy the movie, if you can. I had problems with the simple little things that were "off" (in the wrong sense) as written above. The big idea behind ... I liked that one. I just think there could have been an even better way to do that ...
    8KnatLouie

    It doesn't get much weirder than this...

    I was fortunate enough to catch this movie at a screening during the Copenhagen film-festival last month, and when I went to see it, I didn't really know what to expect, so imagine my surprise and joy, when I found out that the plot went something like this...

    First, we begin with a scene in Mexico, where we see a small family eating breakfast.. nothing extraordinary in that, except that the father is wearing a full-face wrestling-mask, like the famous Mexican wrestler Santos (or for the mainstream-audience, like The Gimp from "Pulp Fiction"), and is suddenly picked up by a foul-mouthed woman dressed as a nun, who drives him to town, where the night's big fight is going to take place.

    Then, cut to a Japanese man, waking up in a completely empty white room, not knowing how or why he got there, he screams to get some help and attention. But all he sees is something that looks like a button in the wall.. when he presses it, hundreds of naked angel-boys appear before him, only to disappear back into the wall..except their penises! He then proceeds to press the penises, and finds out that something mysterious happens every time he does so! Holes open in the walls, and random things are thrown into the room, be it furniture, gadgets, food, or even living things! All that happens inside the room is apparently a personal voyage for the man, but it also effects other people's lives at the same time, most notably the Mexican wrestler and his family, which we discover near the end of the film. But it really is something that should be watched to be completely understood - and even then, it's not even certain that you'll be able to understand what happened - or why.

    Highly recommended film. Very unique and entertaining throughout, even though the last fifteen minutes get really bizarre and too artsy for my taste. This movie is not to be missed. You will probably never see anything quite as weird and funny like this. 8/10
    9Radu_A

    It helps if you know Japanese slapstick - but just a bit

    There's no mention on who the director/ lead actor Hitoshi Matsumoto is in the other reviews, which may help prospective viewers to decide if they want to see this unique film or not. Matsumoto is one half of the arguably most famous Japanese comedy duo 'Downtown'. Their style is called 'manzai', that is one guy says a lot of stupid stuff and the other butts in all the time to correct him; you may have seen this in the background of some films by Kitano, who started his career in 'manzai' as well.

    If you know that type of comedy, the otherwise completely non-sequitur style of 'Symbol' won't necessarily come as such a surprise, because the whole idea of 'manzai' is to baffle the audience by pushing nonsense as far as it can go. Since Matsumoto's part is the 'boke' AKA nitwit, it's pretty much in his line to come up with the most far-fetched, senseless and weirdest story angles imaginable - after all he's been doing this on TV since 1983! The ridiculous wig he's wearing in the film is actually part of his TV antics - I remember him wobbling around with it whenever he got an idea, pretty much like what he's doing here.

    What surprised me though is that 'Symbol' has excellent production values, unlike his debut 'Big Man Japan' which suffered from very bad CGI (which may have been on purpose though). Here the visuals look so well done that I can't help but wonder about the budget. Another surprise unmentioned in the other reviews: there's an appearance by 'Kiss'! Other than that, I can only confirm what everyone else said: you may love it, you may hate it, that depends on how much you can forget about any expectations you have.
    7athanasiosze

    6.7/10. Recommended

    It's very difficult to review this movie. I don't know if it's dumb or brilliant. It's definitely hilarious, ridiculous, entertaining and above all, unique and original. As i was watching the first hour, i decided to not recommend it even though it was kinda interesting. However, the last 15-20 minutes were almost breathtaking. I think that the ending is beautiful. I guess that there are deep messages here, but i can't decipher them. That's the reason i don't rate it higher, because there is a strong possibility that the director is just messing around and there is no hidden wisdom here. In any case, this was fun and enjoyable. There are some boring scenes but overall, i liked it. Watch it if you like weird comedy/drama/fantasy movies and make your own judgement.

    Centres d’intérêt connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Elijah Wood in Le Seigneur des anneaux : La Communauté de l'anneau (2001)
    Fantaisie
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Connexions
      References Nip/Tuck (2003)
    • Bandes originales
      Symbol: Ending Theme
      Written by Yasuaki Shimizu

      Performed by Yasuaki Shimizu and Saxophonettes

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    FAQ16

    • How long is Symbol?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 septembre 2009 (Japon)
    • Pays d’origine
      • Japon
    • Site officiel
      • Official site (Japan)
    • Langues
      • Russe
      • Japonais
      • Espagnol
      • Anglais
    • Aussi connu sous le nom de
      • Shinboru
    • Lieux de tournage
      • Mexique
    • Sociétés de production
      • Yoshimoto Kogyo Company
      • Phantom Film
      • AOI Promotion
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 5 033 714 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.78 : 1

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