Tracker

I saw this film for the second time last night and fell in love with it all over again. If you want to lose yourself in a beautifully directed film with the most spellbinding scenery and cinematography, then this movie is a must. Ray Winston keeps that special something that we all love and expect from his acting, the support is by the by, as the two main character make the movie and i would have been happy with just the two of them in the movie. The drawing together of the two main characters story is a stroke of genius, with some very comical moments that made me laugh out loud. You soon learn to love the characters and feel emotional for the pain and suffering they have both experienced and had to learn to overcome. Thanks for a real non-hyped, relaxing film that will stay fresh for years to come.

I love it when you watch a movie expecting it to be pretty poor and it turns out to be a good wee movie. This film meets all the criteria for a nice easy to watch film, great actors, beautifully shot and a few twists in the plot. Temuera Morrison plays Keremara a Maori wrongly accused of a crime, he has no option to go on the run as he will be hanged under British justice. Ray Winstone plays Van Diemen a war weary Boer newly arrived from South Africa after the Boer War, his reputation is well known by the British for tracking and fighting. Van Diemen takes up the chase for Keremara along with the British soldiers, will Keremara be caught, will he be killed by Van Diemen or will he find true justice. I found myself really caring about both the main characters and what the outcome for both of them. The first 15 minutes are slow but once the focus is on Keremara and Van Diemen the movie comes into it's own, well worth a watch folks.

I am not sure what the complaints are all about. The acting is brilliant, the story line holds together just fine. The scenery is fantastic. It is culturally and historically sensitive.

The back and forth in the story between the Tracker and the Maori escapee is reminiscent of another great movie, Hell in the Pacific, which starred Toshiro Mifune and Lee Marvin. Each of them would get the upper hand from time to time.

This movie had me on the edge of my seat and the twist at the end had me gasping. I cannot say enough about this movie. All I can say is watch it!

I saw Tracker at a preview screening a few days back and wasn't sure what to expect - The idea of Ray Winstone attempting a South African Accent in particular made me nervous. And it does get off to a slowish start. But...

As soon as the chase is underway the film really opens out. Moments of genuine threat, tension and some really quite crunchy violence are counterbalanced by a pervading air of melancholy - hunter and hunted have both lost everything - and an increasing dramatic weight to the story as they find common ground whilst engaged in a high risk game of cat and mouse.

It's not the most psychologically complicated movie in the world, basically being a boys own action film, but it's made well, with obvious love and attention to detail plus two towering central performances from the leads. And it has a heart. By the time the film reached it's climax I was properly choked up and genuinely on the edge of my seat.

And Ray did a good job with the accent after all.

Keremea a Moari sailor finds himself being falsely accused of murder in New Zealand at the turn of the 20th Century so flees in to the countryside hotly pursued by a posse led by Arjen Van Diemen a veteran of the Boer war

Reading the above synopsis the premise is one that's very familiar , almost too familiar . In many ways it resembles that of a revisionary Western in the tradition of CHATO'S LAND where whites pursue the noble savage and as the story unravels white men are portrayed as being less noble and more savage than their prey . Certainly the audience are under no illusion who to root for but unfortunately the film suffers from a seen it all before feel . It's a common feeling on this page that TRACKER is a film that isn't as good as it could have been but it's impossible to do anything radically different with this type of story

One aspect that is very noticeable is the landscapes . It was common in 1970s Antipodian cinema to to have sweeping rural locations for settings . Later on Australian cinema seemed to locate to urban locations to tell a story where as New Zealand seemed happy to keep its output in a rural setting . Of course LORD OF THE RINGS needed a landscape of wide open spaces but you can see any director quickly falling in love with the country with its beautiful vistas of coastline , forests , mountains and rivers . Here director Ian Sharp seems hypnotised by the countryside , so much so that the hypnotic beauty of the natural countryside ends up becoming the star of TRACKED and overwhelms the narrative