NOTE IMDb
7,0/10
11 k
MA NOTE
Teresa, une mère autrichienne de cinquante ans, voyage au paradis des plages du Kenya, à la recherche de l'amour des garçons africains. Mais elle doit affronter la dure vérité que sur les pl... Tout lireTeresa, une mère autrichienne de cinquante ans, voyage au paradis des plages du Kenya, à la recherche de l'amour des garçons africains. Mais elle doit affronter la dure vérité que sur les plages du Kenya, l'amour est un business.Teresa, une mère autrichienne de cinquante ans, voyage au paradis des plages du Kenya, à la recherche de l'amour des garçons africains. Mais elle doit affronter la dure vérité que sur les plages du Kenya, l'amour est un business.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 7 nominations au total
Margarete Tiesel
- Teresa
- (as Margarethe Tiesel)
Gabriel Mwarua
- Gabriel
- (as Gabriel Nguma Mwaruwa)
Carlos Mkutano
- Salama
- (as Carlos Mukutani)
Avis à la une
An Austrian woman on holiday in Kenya, is convinced by a fellow country woman to seduce a local boys for the fun of it as they are tasty as an exotic fruit. The hesitant woman eventually gives in and she has a taste of young love. Unaware or perhaps out of naivety that for the local boys, older European women are a good way to supplement their income she spends a bit of time under the illusion that she is loved by an attractive young man. When reality hits, it hurts and this frustrated woman turns her quest from looking for a bit of fun to an odyssey of self-confirmation.
Simple, effective and nicely made this is a beautifully visual thesis on holiday romance.
Simple, effective and nicely made this is a beautifully visual thesis on holiday romance.
8OJT
Without knowing anything more about this, than getting quite OK reviews, I went to see this as they had taken the film I came to see off the day before. Choosing away Skyfall, Stone's Savages and the German film Barbara, because I heard this film was provoking.
It is provoking, at least to many, I'll guess. But I found it to be a very good film, with just as much emphasis on other qualities. The opening scene is simply hilarious, an made the whole crowd instantly fall in a good mood with a LOL-moment, but not without us feeling a tiny bit of shame. This has nothing to do with the film itself, except giving us a glimpse of the main person, Theresa's, background. Completely brilliant way to set tone, and making the audience aware, an f...king hilarious!
We soon see her, as a 50'ish woman preparing for holiday trip to Kenya. Arriving there, we see the obvious goal for a paradise holiday in the sun, and obviously something a lot of German speaking tourists do, as the locals are quite good in German phrases. we are soon seeing that sex tourism is quite big down here, and a reluctant Teresa goes along after getting recommendations from her experienced travel friend, which already is "going steady" with her sugar mama.
As th film plays on, we get a close look at what this sex traffic is all about. Not much prettier than we have learned from men's trips to Thailand or Indonesia. It unravels both he understanding of the reason, as well as the less pretty sides of it. It's shown in a good way, but is more an more showing the unpleasant and nasty sides of it as well. It's after a while thrown Directly and literary in your face.
Director Ulrich Seidl is perhaps taking after his well known and brilliantly provoking countryman Mikael Haneke, and succeeds very well. This is the first if a trilogy starting with "Paradise" as first word in the title. I'll be sure to see the two next ones, as this simply gave me the same great feeling to watch as the first of Kieslowki's "Trois coleurs" back in 1993.
This film is many things at the same time, and a gem for those not to easily offended. It's fun in a quirky Scandinavian way, it's beautifully filmed, and great and neatly told. It doesn't take a stand, but it wants you to do so. It's both beautiful and sad, both funny and tragic, both charming and disgusting. But most if all, it feels very true, and not at all fake. But I think all the laughs here are fabulously loosening up what gives us bad tastes in mouth. It makes the very balanced, even though taking up a severe subject to discussion.
I guess many will have troubles watching the naked bodies, as well as heavily overweight women indulging in sex acts with young local's, but I heavily recommend to give it a shot. This gem won't leave you for a long time. It even gives a great picture of Kenya as a travel goal, with th draw backs of what tourism might lead to. Stunningly good filmmaking and surely something you haven't seen on screen before!
It is provoking, at least to many, I'll guess. But I found it to be a very good film, with just as much emphasis on other qualities. The opening scene is simply hilarious, an made the whole crowd instantly fall in a good mood with a LOL-moment, but not without us feeling a tiny bit of shame. This has nothing to do with the film itself, except giving us a glimpse of the main person, Theresa's, background. Completely brilliant way to set tone, and making the audience aware, an f...king hilarious!
We soon see her, as a 50'ish woman preparing for holiday trip to Kenya. Arriving there, we see the obvious goal for a paradise holiday in the sun, and obviously something a lot of German speaking tourists do, as the locals are quite good in German phrases. we are soon seeing that sex tourism is quite big down here, and a reluctant Teresa goes along after getting recommendations from her experienced travel friend, which already is "going steady" with her sugar mama.
As th film plays on, we get a close look at what this sex traffic is all about. Not much prettier than we have learned from men's trips to Thailand or Indonesia. It unravels both he understanding of the reason, as well as the less pretty sides of it. It's shown in a good way, but is more an more showing the unpleasant and nasty sides of it as well. It's after a while thrown Directly and literary in your face.
Director Ulrich Seidl is perhaps taking after his well known and brilliantly provoking countryman Mikael Haneke, and succeeds very well. This is the first if a trilogy starting with "Paradise" as first word in the title. I'll be sure to see the two next ones, as this simply gave me the same great feeling to watch as the first of Kieslowki's "Trois coleurs" back in 1993.
This film is many things at the same time, and a gem for those not to easily offended. It's fun in a quirky Scandinavian way, it's beautifully filmed, and great and neatly told. It doesn't take a stand, but it wants you to do so. It's both beautiful and sad, both funny and tragic, both charming and disgusting. But most if all, it feels very true, and not at all fake. But I think all the laughs here are fabulously loosening up what gives us bad tastes in mouth. It makes the very balanced, even though taking up a severe subject to discussion.
I guess many will have troubles watching the naked bodies, as well as heavily overweight women indulging in sex acts with young local's, but I heavily recommend to give it a shot. This gem won't leave you for a long time. It even gives a great picture of Kenya as a travel goal, with th draw backs of what tourism might lead to. Stunningly good filmmaking and surely something you haven't seen on screen before!
I remember watching this in my twenties and hoping to never end up as one of these ladies, now in my thirties i'd realised i might actually end up like one of them, I just hope i can actually afford it by then.
9xWRL
Some white middle-aged German-speaking women tourists seek sex from male youths on a beach in Kenya--what could go wrong?
This movie vividly documents the repercussions of living out sexual fantasies without thinking of the other person. The location shots make clear the disparity between the visitors and the local people. The tourists' hotel aspires to luxury yet it's sad and artificial, with live entertainment that looks sadly out of place. There's a (literal) dividing line between the hotel and the beach, dividing "Europe," as one person calls it, from Africa.
At one point, the main character wishes out loud that her sex boys would look deeply into her eyes and see her soul rather than merely performing sex in exchange for money. It's the perfect irony, since this woman and her tourist friends show no human regard for the young men they use for sex.
The locales and the situations are exotic. The contrasts we see are eye-opening. Here is a movie produced without frills that promises nonetheless to leave a lasting impression.
This movie vividly documents the repercussions of living out sexual fantasies without thinking of the other person. The location shots make clear the disparity between the visitors and the local people. The tourists' hotel aspires to luxury yet it's sad and artificial, with live entertainment that looks sadly out of place. There's a (literal) dividing line between the hotel and the beach, dividing "Europe," as one person calls it, from Africa.
At one point, the main character wishes out loud that her sex boys would look deeply into her eyes and see her soul rather than merely performing sex in exchange for money. It's the perfect irony, since this woman and her tourist friends show no human regard for the young men they use for sex.
The locales and the situations are exotic. The contrasts we see are eye-opening. Here is a movie produced without frills that promises nonetheless to leave a lasting impression.
Finally some meaningful film on the repertoire! I loved it although I found it a little bit slow, but I still gave it 7 out of 10. Life in reality is slow, so it is natural.
So is sex. Natural! That is showing in this film. Everyone needs sex and love! So do fat Austrian women. In Austria they probably would not get any, so they have to travel to Kenya. Kenyan are so poor that it is a way to make some money. It is business! Sex tourism! There is so much of it today all over the world. Sad and funny and heartwarming at the same time.
If you want a little bit break from Hollywood, please watch this.
So is sex. Natural! That is showing in this film. Everyone needs sex and love! So do fat Austrian women. In Austria they probably would not get any, so they have to travel to Kenya. Kenyan are so poor that it is a way to make some money. It is business! Sex tourism! There is so much of it today all over the world. Sad and funny and heartwarming at the same time.
If you want a little bit break from Hollywood, please watch this.
Le saviez-vous
- AnecdotesCasting of the lead actress took one year before Margarethe Tiesel won the part. "From the beginning I knew I wanted to work with a professional actor for the main role. But the job description was extremely demanding. A woman over fifty who doesn't correspond to the usual Western beauty ideals, in that she's overweight, for example. As usual with my method, she had to possess the ability to improvise scenes and to appear authentic on camera. And then there was the greatest difficulty: She had to shoot nude sex scenes, fall for these young black men.," director Ulrich Seidl said. "A few weeks before we started the shooting, I went to Africa with three actresses, one after the other: I wanted them to try out on site, so I could find out right there how they would communicate with African men, how they would touch the skin of African men, and things of that kind.It was only then that I decided in favour of Margarete Tiesel."
- ConnexionsFeatured in Pauw & Witteman: Épisode #7.65 (2013)
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- How long is Paradise: Love?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Paradise: Love
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 600 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 24 267 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 014 $US
- 28 avr. 2013
- Montant brut mondial
- 1 709 036 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Paradis: Amour (2012) officially released in Canada in French?
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