Ce que je veux de plus

I thought that this movie did a good job of exploring the mindset of a frustrated and confused woman. It also toughed base on a man who thought only of himself and was too weak to let his wife know the truth as to his direction concerning their marriage and two children.

I noted various red flags in his character that Anna failed to see until the very end. Including guilt trips, manipulative control freak behavior and stalking with physical abuse.

But their are people out here in the world who for reasons known only to themselves who will forever fall victim to these tactics. As evident with Anna and how she devolved into her need for attention that she thought she wasn't receiving at home.

As for the ending of this movie, personally I would have opted for Anna to reach home with the locks changed and her husband growing a pair to let her know that he was not to be played a fool and not to take his kindness as a weakness.

Just my takw on the subject.

COME UNDONE ('Cosa voglio di più', the Italian title means 'What More Do I Want') is a very slight film by the well respected director Silvio Soldini ('Bread and Tulips', 'Days and Clouds', etc), a story that seems to get mired in its own passion, unable to transmit a story line that will keep the audience's attention. Perhaps this is due to the 'too many cooks spoil the broth' concept: in addition to Soldini the story and screenplay were nursed by Doriana Leondeff, and Angelo Carbone. The cast is a strong one but the actors are just not given much to develop, leaving the audience with the repeated question 'what if...?'

Anna (Alba Rohrwacher) is an accountant for an important insurance firm and lives with her longterm lover Alessio (Giuseppe Battiston) - a man who longs fro a stable longterm relationship with children, a home, etc. Anna, feeling as though the fire has fizzled in that relationship and takes up with co-worker Domenico (Pierfrancesco Favino) and the two begin a passionate affair. Now it is Anna who is considering a longterm relationship but is thwarted by the fact that Domenico is married to Miriam (Teresa Saponangelo) and has children and doesn't want to leave his wife, instead preferring passionate occasional intervals with Anna in tacky motels. It becomes a struggle of human nature - which is preferable, a stable home life or intermittent moments of passion?

The actors give this film their all and the encounters between Anna and Domenico are incredibly sensuous. The problem lies with the story's lack of resolution or even momentum: it gets stuck in the process of offering a solution for the lovers. It is simply not up to the same standards as Soldini's other works - but those are fairly high standards to reach. Given the film's few flaws it is still a beautiful visual experience.

Grady Harp

When it comes to hot and heavy sex scenes this film takes the cake. Oh, brother! Sure got me going. The rest of the film was okay but the sex scenes are what makes this film unforgettable and memorable. The director here sure knew what he was doing. He managed to make you want both the man and the woman at the same time! Yikes! What goes on here? The story is not at all original but the telling of it keeps you on the edge of your seat constantly. It was even difficult to take a break, the intensity of the situation was so demanding. Everything about the film was first rate. The acting, the script, the settings, the photography, the music, it just all comes together in a very classy way.

A fast pace in the first minutes, then it keeps slowing down over and over till it leaves a sense of loss. "What more do I want" keeps telling a story with almost no surprise. Probably a teenage love story in a non-teenage context, shaking because of its voids.

Most of the social, political subjects are kept in the background. Full of love, love and more love. Or surrogates of it.

An upsetting watercolor painting in my opinion.

I do not know how this film can sell in the countries where it has been produced. Looks also strange how money can be invested in such a story and put in a film with good acting, photography, and direction.

Cosa voglio di più, English title 'Come Undone', is essentially the story of an affair. It provides little context or psychological examination of its characters, makes no moral judgement and offers little in the way of justification for their actions. The Italian title (translated literally as 'What more do I want') gives more emphasis to the idea of the film literally being about just wanting something more.

There doesn't seem to be any particularly deep want in Anna. Her sister might have just had a baby, but she doesn't really seem to be ready to have one with husband/boyfriend, Alessio. The relationship between them is easy-going and stable, even if there is no real passion there. He's a handyman, watches the pennies carefully; she works in administration for an insurance company. If their love life is unexciting, there's no conflict there either, certainly nothing that suggests that she's ready for an affair.

There's no doubt however that she is interested in Domenico/Mimmo, a cater who turns up for one of their work functions. Anna suggests coffee, they finally manage a meeting, and eventually end up at a motel for sex. It soon becomes a regular affair, but finding the time to be together is increasingly difficult. Mimmo has a wife and two children and has to steal an hour or two while he is supposed to be at the pool swimming. Anna, plays the old working late at the office line. There's only so long before suspicions are aroused in their partners, but Anna is impatient.

All Cosa voglio di più seems to be saying is that we all need a little bit of excitement outside the mundane practicalities of life. For all the passions that are raised, it's curiously detached, lacking the more gentle charm of a similar theme in Soldini's Bread and Tulips. For most films it would be the passionate affair and the exploration of deep emotional needs that would be the focus of the story, but Soldini intentionally seems to give more attention to the little banalities that have to be taken into consideration, taking time over Anna looking through brands of facewipes while she takes a call from Mimmo, or Mimmo mentally balancing the cost of paying for a motel room against the urgent needs of his children. It's refreshingly more honest about the realities of affairs, but that perhaps doesn't make for the most exciting drama.