Bodyguards & Assassins

Very disappointing film. This film last's 138 min. In my opinion it was at least 45 min too long. I find it a overlong film!. i think it had too little action. When a action showed up, i think it was poor. Even the drama and story was very boring. I think it should be renamed to Boringguards and Assassins. I like some Drama films and TV series, but i think this was not any good Drama.

I think the camera angles and editing also was poor. It was hard to follow the action. I thought this film would be action packed, considering Donnie was in it. I don't think it was. With all that money, how could they make such a bad film? I don't know how they managed to do that. Also, Donnie wears a silly unconvincing bald-cap making his head look like a watermelon. Hahaa.

It has only max 15 min of action out of 138 min. I felt cheated since, before it was released it was promoted as having 1 hour of action. More drama film than action film. I will never watch this film again. See only this if you like a boring drama film with very little action. Watch Ip Man instead, than this junk. I think it does at least have much better, story, acting, and fight scenes

I had the pleasure (but discomfort) of watching this on the plane from Taipei to Bangkok and have never been so engrossed in an in-flight movie. It was heartbreaking and exciting and, although perhaps slightly out of place, the action sequences were excellent. The acting was great and this may well be my favorite film so far this year. I am unaware as to how accurate the story is but I would bet it is much closer to reality than most "Based on a True Story"-type films. Another reviewer said they were expecting a Hong Kong "Gangs of New York" and I think it does fall somewhere near this but I would rewatch this film 100 times before watching "Gangs" again... this is mostly due to Cameron Diaz's atrocious performance. I hope this film receives a subtitled release on DVD as I will definitely want to add it to my collection.

I had been looking forward to seeing this movie as the advertising had billed it as something of a period epic, something along the lines of a Hong Kong "Gangs of New York".

I have to say that the sets and reconstruction of 1906 Hong Kong were very good, but there were some occasions where the matte backgrounds didn't quite gel with the foreground.

The story on the whole was very good, with the key characters either learning or demonstrating the link between sacrifice and revolution. However I think this movie loses effectiveness by trying to do too much.

For a film such as this which tries to be a historical epic, the wire-fu stunts look incredibly out of place. It would have been far more effective to keep the stunts grounded in reality. The wire-fu stunts work well in films such as Crouching Tiger, Hidden Dragon and Hero where there is an element of fantasy to the whole story. For a story that is purportedly a historical account all it serves to do is remind the viewer that he is watching a movie, not real events.

I also found the inclusion of Mengke Bateer off-putting. A seven-foot Chinese in 1906 Hong Kong doesn't seem very believable to me. I suspect that he was put there to get a few cheap jokes, as the character would have been just as believable as a six-foot well-built person.

These may seem like minor issues, but for me they detracted from what could have been a truly excellent film.

The film was well made, and Hong Kong was restored to be very real at that time, and the characterization was also very full. The role of Sun Wen is the most innovative, almost all indirect description, but every stroke is in place. There were two times when tears almost fell down. They were all the roles played by Nicholas Tse. The simple and single-minded man really moved me most.

excerpt, more at my location - When introducing Bodyguards And Assassins – a film based around the real life actions of his grandfather, Peter Sun was asked to comment on the historical accuracy of the film. A laugh went around the auditorium, perhaps filled with veterans of previous Donnie Yen films. Peter Sun laughed, too. Clearly, in bringing the film to the big screen, some embellishments had to be made. Bad news perhaps for scholars of Chinese political history, but great news for fans of martial arts cinema.

In saying this, Peter Sun effectively conceded that Bodyguards And Assassins is not really a film about his grandfather. Dr Sun appears in the film only briefly. But through the skilled interweaving of political thriller and Chinese hero myth, the film succeeds in conveying his importance, in the willingness of ordinary and extra-ordinary people alike to sacrifice everything for his success. In that, Bodyguards And Assassins is not just a hugely watchable martial arts experience, but a surprisingly effective vehicle for a political subtext that echoes in China to this day.