Ajouter une intrigue dans votre langueRebecca is suspicious of Ernessa, the new arrival at her boarding school. But is Rebecca just jealous of Ernessa's bond with Lucie, or does the new girl truly possess a dark secret?Rebecca is suspicious of Ernessa, the new arrival at her boarding school. But is Rebecca just jealous of Ernessa's bond with Lucie, or does the new girl truly possess a dark secret?Rebecca is suspicious of Ernessa, the new arrival at her boarding school. But is Rebecca just jealous of Ernessa's bond with Lucie, or does the new girl truly possess a dark secret?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Detective
- (as Al Goulem)
Avis à la une
This could have been a creepy Gothic horror movie. Mary Harron who made 'American Psycho' still pose the same problem to me as before. Her sparse style really stripes away the tension. She doesn't elevate the material and there is some good material here. More importantly, there are some great actors here trying their best. However, the movie never takes off. There is just a lack of tension. There is a lack of visual style. This is a bland execution. The female melodrama promises something that is never emotionally delivered. It's potentially an interesting horror but Harron doesn't know how to make one. Of course, this one doesn't have Christian Bale.
The way the horror and whole mystery of the movie gets presented is disappointing, to say the very least about it. It's lacking a good buildup and the movie does a poor job at explaining everything and to let stuff make sense. Really, when looking back at this movie, nothing really makes enough sense, which only adds to the redundant impression that the overall movie is making.
You can't even really this a horror but I also don't think that this was the approach they were heading for. They went for a more quiet and humble approach, which was supposed to add to the movie its mystery. But the story just isn't ever interesting or original enough to carry the movie through. As a viewer you will already figure things out before the characters in this movie will, which is always an annoying aspect about genre movies, such as this one.
Another big reason why the movie just doesn't ever work out is its pacing. The movie really has some bad editing in it and at times it even feels like scenes are completely missing. Things often happen too fast ever each other and there just isn't ever a natural flow to any of it. It feels almost as if this movie got shot in a hurry and got put together in a couple of days, in the editing room. It does feel a bit like an incomplete movie.
Thing that I did like about it was the fact that it featured an all girl cast. It's set at a boarding school for girls. It gives the movie already a special sort of atmosphere and the way the girls interact with each other feels genuine. I'm also confident about it that women will like this movie better than men, since some of its themes should be recognizable to most.
It still is a movie you simply shouldn't bother with. It's not exciting, it's not mysterious, it's not surprising, not scary, not particularly pleasant. It basically has far too little to offer to anyone.
5/10
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The movie does resemble "American Psycho" in that it's left very ambiguous whether what is happening--the protagonist (Sarah Bolger) suspects a new arrival to the school (Lily Cole) of being a vampire when tragic events befall her friends--is really happening or is all in the troubled protagonist's head (and perhaps the real cause is more mundane adolescent problems like anorexia nervosa). The protagonist's fertile imagination is sparked by the LeFanu "Carmilla" story, which she is (rather implausibly) reading in her English class, and she is also haunted by the recent death of her father. The morbid eroticism and repressed desires of the classic story do fit in well with what is actually going on in the school (as do the intimations of lesbianism and lesbian jealousy).
Sara Bolger is pretty if also pretty young (she was a little girl in "In America" only a few years ago), but the real problem is she is not quite a strong enough actress to pull off such a complex character (she's certainly no Christian Bale). But she gives it her best try. British actress Lily Cole has the right look (creepy), but she too is a pretty inexperienced. Sara Gaddon, a somewhat older actress, has all of the more erotic scenes, but her character is rather underdeveloped. The movie is definitely too erotic and violent for kids--or perhaps even your more impressionable teens (although it's hardly a lesbian sex romp either). The biggest problem though is the short length, which I think indicates that Harron's vision was perhaps somewhat hampered either by a lack of money or interference from the people providing the money (maybe both). Still while the movie doesn't entirely work, it is a very interesting failure.
Le saviez-vous
- AnecdotesThe classical piece Ernessa plays on piano is Chopin's Nocturne no. 1. Lily Cole actually suggested a few different pieces to the director and chose this piece, which she had never heard before.
- Citations
Rebecca: You're wrong. The good things I remember about my father - the walks we took, the fairy tales he read to me - they all really happened.
Ernessa: He read you other fairy tales that you forgot.
[singing]
Ernessa: # My mother, she butchered me. My father, he ate me. My sister, little Anne-Marie, she gathered up the bones of me, and tied them in a silken cloth to lay under the juniper. Tweet, tweet, what a pretty bird am I! #
- ConnexionsReferenced in Film Junk Podcast: Episode 336: Drive and TIFF 2011 (2011)
- Bandes originalesBlow Away
Written by Lukas Burton and Alison Sudol
Performed by Alison Sudol (as A Fine Frenzy)
Licensed courtesy of Virgin Records Ltd.
Published by WB Music Corp./Ampstar Music/Wowch Music (BMI)
All rights on behalf of itself and Ampstar Music administered by WB Music Corp. All rights reserved
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Nhật Ký Bướm Đêm
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 3 838 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 276 $US
- 22 avr. 2012
- Montant brut mondial
- 413 035 $US
- Durée1 heure 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1