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6,4/10
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Ajouter une intrigue dans votre langueAt the age of ten, Henry James Herman, a boy who was conceived in a petri-dish and raised by his feminist mother, follows a string of Post-It notes in hopes of finding his biological father.At the age of ten, Henry James Herman, a boy who was conceived in a petri-dish and raised by his feminist mother, follows a string of Post-It notes in hopes of finding his biological father.At the age of ten, Henry James Herman, a boy who was conceived in a petri-dish and raised by his feminist mother, follows a string of Post-It notes in hopes of finding his biological father.
- Récompenses
- 1 victoire et 2 nominations au total
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I was in the library one afternoon, browsing through the DVD titles looking for something to jump out at me. Jesus Henry Christ, caught my eye because of its two leads, Michael Sheen and Toni Collette. I love their work and was surprised to see a film starring both of them, that I hadn't heard of.
Toni Collette is the single mother of Henry - a product of sperm donor father. Being a child genius, Henry knows all he needs to. Everything except the most important thing, "Who is his father?"
Several leaps of faith later and Henry is lead to Michael Sheen, who may or may not be the sperm donor. And 'hilarity' ensues. OK, I guess I may not have been very charitable there, but the film is not a great one. At the films core is an interesting idea and as I have titled my review "It's heart is in the right place". But I feel the film doesn't really know where it's going or what it wanted to be. It switches from moments of farce, black comedy and drama. It also shoots off at tangents, leaving several threads hanging.
Sheen and Collette do the best they can with the material at hand. But I couldn't help wondering how or indeed why either, but especially Sheen had ended up in this film.
The film describes itself as being "quirky". I am suspicious of anything that describes itself as quirky. Surely that is for the viewer to decide?
That said, the film is enjoyable in the most part, and it did make me laugh a couple of times. Perhaps best watched on a wet Saturday afternoon, if there is nothing better to do.
I have given it a 6/10 score - mainly due to Collette and Sheen. With lesser actors the score would have been less.
Toni Collette is the single mother of Henry - a product of sperm donor father. Being a child genius, Henry knows all he needs to. Everything except the most important thing, "Who is his father?"
Several leaps of faith later and Henry is lead to Michael Sheen, who may or may not be the sperm donor. And 'hilarity' ensues. OK, I guess I may not have been very charitable there, but the film is not a great one. At the films core is an interesting idea and as I have titled my review "It's heart is in the right place". But I feel the film doesn't really know where it's going or what it wanted to be. It switches from moments of farce, black comedy and drama. It also shoots off at tangents, leaving several threads hanging.
Sheen and Collette do the best they can with the material at hand. But I couldn't help wondering how or indeed why either, but especially Sheen had ended up in this film.
The film describes itself as being "quirky". I am suspicious of anything that describes itself as quirky. Surely that is for the viewer to decide?
That said, the film is enjoyable in the most part, and it did make me laugh a couple of times. Perhaps best watched on a wet Saturday afternoon, if there is nothing better to do.
I have given it a 6/10 score - mainly due to Collette and Sheen. With lesser actors the score would have been less.
The second film of Singapore Night, Jesus Christ Henry got into the lineup because of Singaporean Sukee Chew's involvement being one of three producers of the film, an indie production that made its World Premiere in the Tribeca Film Festival a few weeks ago, which drew quite a mixed response with comments that it had tried to hard. Written and directed by Korean American Dennis Lee based upon his short film back in 2003, I thought this movie garnered reactions that it didn't quite deserve for trying too hard, being crafted in the same hyperactive mold such as quirky comedies that have been seen around the region such as Citizen Dog and true blue Singaporean film 18 Grams of Love even.
There are a number of focus shifts in the film that tangent off its intended protagonist Henry James Herman (Jason Spevack), a petri-dish baby conceived through in-vitro fertilization technique opted by his feminist mom Patricia Herman (Toni Collette), turning out to be the unintentional genius with a videographic memory, retaining every single little detail that he's experienced since conception. Jason Spevack would probably be yet another child actor to look out for since Freddie Highmore grew up, and this film will serve as his showreel if not for being upstaged by the other cast members given the narrative shifts that put the spotlight on them.
Specifically I thought the film devoted a lot more time (not that I'm complaining) to the Patricia character, beginning with a rather lengthy introduction to the Herman family and the demise of each and every individual character beginning with Patricia's mother right down to her brothers, each in a rather comical manner that you'll likely be surprised at its rather nonchalant manner in which to bump them off, with black comedy by the bucket loads of course. And this set the course of the film to be rather gag filled in almost every scene put on screen, that for some it may be tiring and trying since it could have felt like a water torture treatment being force fed with in-your-face comedic moments. I appreciated what it had tried to do, but opinions on humour especially, and how to deliver it, will obviously be polarized.
Yes like a typical comedic indie film, this one is filled with its fair share of quirky characters. Outside of the mother-son Hermans, and Patricia's father Stan (Frank Moore) who forms a very strong bond with his grandson Henry, the story also goes out to another dysfunctional father-daughter pair when Henry embarks on a mission to discover his biological father. This brings Michael Sheen into the fray as Dr Slavkin O'Hara, a professor whose book "Born Gay or Made That Way?" becomes a living hell for his daughter Audrey (Samantha Weinstein) when she is the subject of his book, and becomes the constant taunt of her schoolmates.
Story-wise, the coming together of these two families in a sort of identity-crisis form the bulk of the situational comedy they find themselves in, but the pairing of both Weinstein and Spaveck together moved the story forward with both putting in strong performances and holding their own against two very powerful thespians in Sheen and Collette, although Weinstein probably upstaged Spaveck a little with her portrayal as the extremely cynical and sarcastic little girl quite unfazed by her tormentors. Again there are plenty of laugh out loud wicked moments that you will probably wonder if you're laughing at the film, or with it especially in its darker moments that could be quite unsettling.
Production values are quite spiffy given the big name executive producer behind this film, though Dennis Lee and Sukee Chew were quite tight lipped on how much this film actually cost since it looked like a multi-million dollar movie. If you're still game for quirkiness in all characters of your indie films, then Jesus Henry Christ will still be your cup of tea if you see beyond, or tolerate some eyebrow raising moments with its less than friendly jibes against lesbians/feminists as well as a white man who thinks he's black, otherwise those jaded will find fault with almost every frame of the film in trying too hard with wild absurdity in characters. Split down the middle, depending on your mood and attitude.
There are a number of focus shifts in the film that tangent off its intended protagonist Henry James Herman (Jason Spevack), a petri-dish baby conceived through in-vitro fertilization technique opted by his feminist mom Patricia Herman (Toni Collette), turning out to be the unintentional genius with a videographic memory, retaining every single little detail that he's experienced since conception. Jason Spevack would probably be yet another child actor to look out for since Freddie Highmore grew up, and this film will serve as his showreel if not for being upstaged by the other cast members given the narrative shifts that put the spotlight on them.
Specifically I thought the film devoted a lot more time (not that I'm complaining) to the Patricia character, beginning with a rather lengthy introduction to the Herman family and the demise of each and every individual character beginning with Patricia's mother right down to her brothers, each in a rather comical manner that you'll likely be surprised at its rather nonchalant manner in which to bump them off, with black comedy by the bucket loads of course. And this set the course of the film to be rather gag filled in almost every scene put on screen, that for some it may be tiring and trying since it could have felt like a water torture treatment being force fed with in-your-face comedic moments. I appreciated what it had tried to do, but opinions on humour especially, and how to deliver it, will obviously be polarized.
Yes like a typical comedic indie film, this one is filled with its fair share of quirky characters. Outside of the mother-son Hermans, and Patricia's father Stan (Frank Moore) who forms a very strong bond with his grandson Henry, the story also goes out to another dysfunctional father-daughter pair when Henry embarks on a mission to discover his biological father. This brings Michael Sheen into the fray as Dr Slavkin O'Hara, a professor whose book "Born Gay or Made That Way?" becomes a living hell for his daughter Audrey (Samantha Weinstein) when she is the subject of his book, and becomes the constant taunt of her schoolmates.
Story-wise, the coming together of these two families in a sort of identity-crisis form the bulk of the situational comedy they find themselves in, but the pairing of both Weinstein and Spaveck together moved the story forward with both putting in strong performances and holding their own against two very powerful thespians in Sheen and Collette, although Weinstein probably upstaged Spaveck a little with her portrayal as the extremely cynical and sarcastic little girl quite unfazed by her tormentors. Again there are plenty of laugh out loud wicked moments that you will probably wonder if you're laughing at the film, or with it especially in its darker moments that could be quite unsettling.
Production values are quite spiffy given the big name executive producer behind this film, though Dennis Lee and Sukee Chew were quite tight lipped on how much this film actually cost since it looked like a multi-million dollar movie. If you're still game for quirkiness in all characters of your indie films, then Jesus Henry Christ will still be your cup of tea if you see beyond, or tolerate some eyebrow raising moments with its less than friendly jibes against lesbians/feminists as well as a white man who thinks he's black, otherwise those jaded will find fault with almost every frame of the film in trying too hard with wild absurdity in characters. Split down the middle, depending on your mood and attitude.
I have to say I was impressed, pleasantly by this indie production. I did chance upon the movie and I did not expect much from the story line. I thought it would be some kind of children offering and I was prepared to sample and leave it. However I found a little gem of a film. It is funny, well acted and briskly paced. The story of the little genius is more incidental than central to the theme. I particularly like the black humour that one wouldn't expect associated with with child actors. All in all it shows that mega budget are not needed to produce an intelligent, humorous and entertaining production. Well done Dennis Lee. I will watch out for this director/writer.
"Jesus Henry Christ" is a quirky indie comedy with a genetics, homosexuality and heresy bent. It starts off with heavy '70s-influenced comedy which you just have to hustle through to get to the heart of the story. The plot might seem a bit eccentric, but that is probably necessary if the comedy is going to be actually funny. Henry is a genius test-tube baby. He might be a freak but his mother (Toni Collette) wants to raise him normally.
Obviously Henry doesn't have many friends; that's why he's the classic indie protagonist. It also doesn't help that Catholic school headmasters don't like it when he denounces God's existence. Henry has always been able to handle himself just fine until the question of who his father is keeps popping up.
The introductions of his probable half-sister (Samantha Weinstein) and father (Michael Sheen) are possibly the funniest and most brilliant character set-up scenes. Audrey is Dr. Slavkin O'Hara's natural daughter but has decided to raise her as a psychology experiment in a world free of gender bias. Needless to say, she wishes she didn't have a father. Weinstein was uniquely beautiful and sympathetically hilarious as an adolescent with the hardest life imaginable. Sheen was funny, original and amazingly empathetic as a father/professor that is a perfect mix of 30 Rock's Wesley Snipes and the pedantic one from Midnight in Paris.
The spinning camera choices get annoying, the character and situation oddities can be off-putting, but it's also damn hilarious especially if you like anything that tries to turn "normal" social and cultural values upside down. "Jesus Henry Christ" is clever, particularly well-acted by most of the cast, and so original that you stare in disbelief but then laugh-out-loud out of awkwardness, relatability and genuine appreciation.
Obviously Henry doesn't have many friends; that's why he's the classic indie protagonist. It also doesn't help that Catholic school headmasters don't like it when he denounces God's existence. Henry has always been able to handle himself just fine until the question of who his father is keeps popping up.
The introductions of his probable half-sister (Samantha Weinstein) and father (Michael Sheen) are possibly the funniest and most brilliant character set-up scenes. Audrey is Dr. Slavkin O'Hara's natural daughter but has decided to raise her as a psychology experiment in a world free of gender bias. Needless to say, she wishes she didn't have a father. Weinstein was uniquely beautiful and sympathetically hilarious as an adolescent with the hardest life imaginable. Sheen was funny, original and amazingly empathetic as a father/professor that is a perfect mix of 30 Rock's Wesley Snipes and the pedantic one from Midnight in Paris.
The spinning camera choices get annoying, the character and situation oddities can be off-putting, but it's also damn hilarious especially if you like anything that tries to turn "normal" social and cultural values upside down. "Jesus Henry Christ" is clever, particularly well-acted by most of the cast, and so original that you stare in disbelief but then laugh-out-loud out of awkwardness, relatability and genuine appreciation.
I picked this movie due to an expiring groupon, and the movie theatre had a poor selection of films. i came into this with no expectations, in fact, low expectations, due to the 5.8 rating on IMDb.
but i was quite blown away by this comedy, right from the very start. 10 seconds into it, i knew i was going to enjoy this film and i truly did.
it's a snappy film that moves fast. exaggerated but funny and with good reasoning. also has a nice heartwarming side to it too. it has a unique, and rather strange storyline. but this is a movie where execution trumps idea. the characters were quirky and multi-faceted. child actors were great too.
i do wish we got to see how the little guy turned out! i am really glad i got to watch this movie. i think it ranks one of my top favourite comedies! and i'm still baffled at its poor ratings! to be fair, comedies are usually not highly rated. PLUS i am a big fan of indie comedies. i really enjoyed 500 days of summer, thank you for smoking, etc. although i really though juno was overrated. i think this was funnier and better than juno!
but i was quite blown away by this comedy, right from the very start. 10 seconds into it, i knew i was going to enjoy this film and i truly did.
it's a snappy film that moves fast. exaggerated but funny and with good reasoning. also has a nice heartwarming side to it too. it has a unique, and rather strange storyline. but this is a movie where execution trumps idea. the characters were quirky and multi-faceted. child actors were great too.
i do wish we got to see how the little guy turned out! i am really glad i got to watch this movie. i think it ranks one of my top favourite comedies! and i'm still baffled at its poor ratings! to be fair, comedies are usually not highly rated. PLUS i am a big fan of indie comedies. i really enjoyed 500 days of summer, thank you for smoking, etc. although i really though juno was overrated. i think this was funnier and better than juno!
Le saviez-vous
- AnecdotesToni Collette was pregnant with her son, Arlo, while filming. Her son was born the same month the film was released, April 2011.
- Citations
Henry James Herman: Why are any of us here? What is the purpose of our being?
- ConnexionsFeatured in Maltin on Movies: The Five-Year Engagement (2012)
- Bandes originalesStars Like You
Written and Performed by Troy MacCubbin
Published by Alloy Tracks Publishing (ASCAP) and FWM100 Publishing (ASCAP)
Courtesy of Alloy Tracks Records
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- How long is Jesus Henry Christ?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Hành Trình Tìm Bố
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 20 183 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 192 $US
- 22 avr. 2012
- Montant brut mondial
- 20 183 $US
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