Showing Up
- 2022
- Tous publics
- 1h 47min
NOTE IMDb
6,3/10
6,9 k
MA NOTE
Une sculptrice qui se prépare à ouvrir un nouveau spectacle doit équilibrer sa vie créative avec les drames quotidiens de sa famille et de ses amis, dans le portrait vibrant et captivant de ... Tout lireUne sculptrice qui se prépare à ouvrir un nouveau spectacle doit équilibrer sa vie créative avec les drames quotidiens de sa famille et de ses amis, dans le portrait vibrant et captivant de l'art et de l'artisanat de Kelly Reichardt.Une sculptrice qui se prépare à ouvrir un nouveau spectacle doit équilibrer sa vie créative avec les drames quotidiens de sa famille et de ses amis, dans le portrait vibrant et captivant de l'art et de l'artisanat de Kelly Reichardt.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 10 nominations au total
André 3000
- Eric
- (as André Benjamin)
Avis à la une
This director is known for making arthouse pictures that arent targetted at a mass audience. These are the kind of small pictures filmcritics love to watch, but I cant get excited about.
The bad: this movie is literally going nowhere. We get to see the mondane and boring life of an artist. We get to see her take care of a pigeon. Talk to her landlady etc. It's just one contineous lame uneventful portrait.
More bad: I started watching it for Michelle Williams, who has starred in some excellent pictures in the past. She can act! And although the purpose of her acting performance is to portray an uneventful life of a mundane artist, her performance didnt entice me for one second.
Only suited for fans of this director's work. Others better pass this incredibly tedious movie by...
The bad: this movie is literally going nowhere. We get to see the mondane and boring life of an artist. We get to see her take care of a pigeon. Talk to her landlady etc. It's just one contineous lame uneventful portrait.
More bad: I started watching it for Michelle Williams, who has starred in some excellent pictures in the past. She can act! And although the purpose of her acting performance is to portray an uneventful life of a mundane artist, her performance didnt entice me for one second.
Only suited for fans of this director's work. Others better pass this incredibly tedious movie by...
This line from the movie is what probably describes it the best. Not much is said here. And the things that are said aren't that important even. It's the words left unsaid that makes this film work so well.
Hard to rate a film like this. I cannot explain why I loved this so much; I just know that I did. I am not sure what this movie was about. Loneliness? Commodification of art? Satisfaction? All I understood is that the pigeon was a metaphor for the lead character; a vulnerable and wounded bird unable to fly until it's healed and released.
One of those movies that lingers on your mind after it's finished.
Hard to rate a film like this. I cannot explain why I loved this so much; I just know that I did. I am not sure what this movie was about. Loneliness? Commodification of art? Satisfaction? All I understood is that the pigeon was a metaphor for the lead character; a vulnerable and wounded bird unable to fly until it's healed and released.
One of those movies that lingers on your mind after it's finished.
So if you've ever been around artists or the art world you know that there isn't a whole lot of drama unless the artist in question has issues. There's a lot of "hurry up and wait" as artists paint, sculpt, shape or just cerate in some way shape or form.
And this film is all about "Showing Up".
Like I've said in other reviews, films, mostly American films, are about showing characters facing adversity, overcoming said adversity, and growing for it. Or becoming more whole people. American films are all about therapeutic sessions for the movie going masses. In other words this isn't plot driven, but character driven. And as much as I appreciate slow films, this one had me on the verge of walking out.
Part of the reason is that SF's Metreon Number 2 theatre is partially out of focus. But aside from that the film just plods along from one small character encounter to the other. Until the sum total sees the patient, that is main character, have a break out moment. Suddenly they're cured and all is well, except that damn projector is still showing a fuzzy image.;
I didn't hate the film, but the promo said that this film was a captivating and hilarious look at the artist's world. Well, I at least didn't pay full price for the film, and unlike the PRC remake of Hichiko the night before, this film had a larger audience. But there was nary a funny moment in it, and what we're seeing is the viewpoint of the artist as they create art for a self expression finale.
Watching someone paint, sculpt, write, shoot film even, is boring. It really is. A lot of the dynamic goes on inside the neural network of the human brain, a thing we can't see. All we see is the artist rendering the final creation. It is akin to watching paint dry. And that's kind of what this film feels like. Watching the artist dry her paint as she walks from one vignette to the next.
That's intentional, but it sure made it a chore to watch for those unprepared. I expected something far more traditional and actually funny, not some slow plodding well shot and static character examination as per a psychological study. And for that alone I felt like writing a hate filled review because of my hatred for behavioral science.
BHut, it is actually a kind of endearing film, and accomplishes its goal in the end. There's nothing flashy here, just a slow paced well meaning film looking at the everyday life of an artist who finally stands up for herself, her art, and life in the end.
And this film is all about "Showing Up".
Like I've said in other reviews, films, mostly American films, are about showing characters facing adversity, overcoming said adversity, and growing for it. Or becoming more whole people. American films are all about therapeutic sessions for the movie going masses. In other words this isn't plot driven, but character driven. And as much as I appreciate slow films, this one had me on the verge of walking out.
Part of the reason is that SF's Metreon Number 2 theatre is partially out of focus. But aside from that the film just plods along from one small character encounter to the other. Until the sum total sees the patient, that is main character, have a break out moment. Suddenly they're cured and all is well, except that damn projector is still showing a fuzzy image.;
I didn't hate the film, but the promo said that this film was a captivating and hilarious look at the artist's world. Well, I at least didn't pay full price for the film, and unlike the PRC remake of Hichiko the night before, this film had a larger audience. But there was nary a funny moment in it, and what we're seeing is the viewpoint of the artist as they create art for a self expression finale.
Watching someone paint, sculpt, write, shoot film even, is boring. It really is. A lot of the dynamic goes on inside the neural network of the human brain, a thing we can't see. All we see is the artist rendering the final creation. It is akin to watching paint dry. And that's kind of what this film feels like. Watching the artist dry her paint as she walks from one vignette to the next.
That's intentional, but it sure made it a chore to watch for those unprepared. I expected something far more traditional and actually funny, not some slow plodding well shot and static character examination as per a psychological study. And for that alone I felt like writing a hate filled review because of my hatred for behavioral science.
BHut, it is actually a kind of endearing film, and accomplishes its goal in the end. There's nothing flashy here, just a slow paced well meaning film looking at the everyday life of an artist who finally stands up for herself, her art, and life in the end.
Lizzy (Michelle Williams) is a sculptor working to set up her show. She works at a small art school run by her mother Jean (Maryann Plunkett). Her father Bill (Judd Hirsch) has a couple living at his house. His brother Sean is unstable. Her co-worker Eric (André 3000) is firing her works in the kiln. She has a love-hate relationship with her friend-landlord Jo (Hong Chau).
It's a minimalist portrait of an artistic life and her little everyday tribulations. It's not the most earth-shattering plot. It's a look inside a stressed-out woman's life. It's Michelle Williams being naturally compelling. Hong Chau delivers another great performance. The art school is very specific. It's not a movie that is so quirky that it's hilarious and it's not so dramatic that it's heart-wrenching. It's the simple drama of an artist.
It's a minimalist portrait of an artistic life and her little everyday tribulations. It's not the most earth-shattering plot. It's a look inside a stressed-out woman's life. It's Michelle Williams being naturally compelling. Hong Chau delivers another great performance. The art school is very specific. It's not a movie that is so quirky that it's hilarious and it's not so dramatic that it's heart-wrenching. It's the simple drama of an artist.
Are you an artist? Do you have impostor syndrome? Does it feel like everyone is getting on with their lives except you? Well, let me tell you: IT'S ALL IN YOUR HEAD.
This movie has taught me that in adulthood we accept one another as we are. Just like Jo accepted Lizzie.
This movie has taught me that things take time.
This movie embodies the weakness and fear inside all of us. The voice that doesn't speak up and piles up thoughts upon thoughts upon thoughts.
If anxiety and calm had a baby, it would be this movie.
I don't recommend watching this. Great performances from all the actors. But that's about it.
This movie has taught me that in adulthood we accept one another as we are. Just like Jo accepted Lizzie.
This movie has taught me that things take time.
This movie embodies the weakness and fear inside all of us. The voice that doesn't speak up and piles up thoughts upon thoughts upon thoughts.
If anxiety and calm had a baby, it would be this movie.
I don't recommend watching this. Great performances from all the actors. But that's about it.
Le saviez-vous
- AnecdotesThe art pieces that Lizzy created in the movie have been made by artist Cynthia Lahti, who lives in Portland, and whose work writer-director Kelly Reichardt has followed for a long time. She also happened to be a longtime friend of Jonathan Raymond, who is the co-writer of this movie. Her work was on Reichardt's mind as she was writing the movie, but when Reichardt first contacted her, she was on the verge of giving up her career. She trained Michelle Williams in sculpting before filming, and while working on the movie, she found a renewed urge to create. By the end of the shoot, she had created so many new pieces that it became difficult to walk inside her workshop.
- GaffesIn the first scene Eric uses the kiln, he lays Lizzie's freshly glazed pieces directly on the shelves. This would actually ruin the kiln shelves and the pieces while firing as glaze melts when it's hot and transforms into a glass-like matter which would stick to the shelves.
- Crédits fousThe end credits roll over a shot of an art student weaving on a loom.
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- How long is Showing Up?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 754 483 $US
- Week-end de sortie aux États-Unis et au Canada
- 63 418 $US
- 9 avr. 2023
- Montant brut mondial
- 1 270 549 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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