Taken 2

Such a disgusting movie ever. I am from Turkey but I have never seen those people and buildings in anywhere. They are just old historic buildings. The police cars are totally fake. I do not know what the director was trying to show by doing this but it is so stupid. Turkish Police Department never had those cars. I did not see any girls outside in the movie, just men and women with black scarf and covering all their body showed up everywhere. Turkey is a democratic and secular country and there is no difference between people who are walking around the streets live in USA and Turkey. If I knew that I would never go that movie and give money to those f.... people. Please protest this movie and do not watch it even in your house.

Liam Neeson's action-man renaissance in 2008's "Taken" was a most unheralded critical and box-office hit for a seemingly generic revenge flick. Writers Luc Besson and Robert Mark Kamen managed to captivate audiences with a streamlined story of a retired CIA operative using his skills to locate and rescue his kidnapped daughter. It was a simple concept in that it utilized family bonds as motivation, but it was made exciting through a mixture of intriguing resourcefulness and crafty violence.

Everything about the story of "Taken" was so concrete, that there didn't seem like any obvious direction for a sequel, but a gross of $226.8 million on a $25-million budget talks, and so we have "Taken 2," but what Besson and Kamen have come up with this time fails to measure up to the original in almost every way.

This shouldn't surprise anyone considering, again, no justification existed in the original story for a sequel. Kim (Maggie Grace) couldn't just get taken again, and part of the intrigue was Mills (Neeson) having to find her despite being hours behind her captors with no idea of where they might take her. In "Taken 2," it's not as complicated and the stakes don't feel nearly as high.

Simply, the Albanians that Mills killed en route to finding his daughter want revenge, so they track him to one of his private security jobs in Istanbul. As it happens, Kim and her mother, Lenore (Famke Janssen), decide to surprise him by flying to meet him there, though to be fair it's not that obnoxious of a coincidence, as Mills had invited them to come after hearing Lenore's current husband had canceled their family trip to China.

During their first full day together in Istanbul, Kim gets the idea to let Bryan and Lenore have some alone time in hopes of rekindling their relationship, but when they go into town they are followed by the Albanians, and despite Mills' best efforts, he and Lenore are taken.

The entire setup here is forced — really forced. It feels as though every single plot point or detail exists solely to create circumstances in which our main characters can get kidnapped, with ample occurrences both inconvenient and convenient to allow for problems and general suspense while also providing enough room for a solution.

We already know what Mills is willing to do for his family, so his motivation is identical to the first film, plus we know he's too skilled to stay kidnapped for long. What's required to compensate for not raising the stakes in terms of both motivation and danger is substantially more creativity, and that's where Besson and Kamen really come up dry.

There's one scene early on (as in once the film gets going early on) in which Mills uses Kim to help pinpoint his location in the city, instructing her to set off grenades so he can figure out how far away she is by how long it takes for him to hear the blast. It's just a tease that the film might reach its predecessor's level, however, as the ingenuity never gets any more exciting than that.

Director Olivier Megaton, a frequent Besson collaborator, takes over for Pierre Morel, and does nothing to help nor hurt the picture. His style is a bit more frenetic as he heavily edits the action sequences to the point where you don't get more than a second and a half at any one camera angle, but that's not a problem so much as the film's failure through and through to prevent the audience's indifference to what's going on. We were given plenty of reason to doubt Mills' success in"Taken," but this time around we haven't a shred. There's a moment in which we think something might take a surprisingly darker turn, but it's over in a flash.

The script also attempts to be a bit more theme-driven than the first film, whether just because or in effort to compensate for its pointlessness. The father of one of the Albanians Mills killed (the infamous Marco from Tripoja), the "main bad guy" played by Rade Serbedzija, has a few conversations with Mills about taking the lives of family members and when revenge is or isn't justified. It's legitimate notion, but a bit out of place; we're asked to consider the feelings of the random European thugs who we normally see as killing fodder for our action movies. We don't care if you're someone's son — you're a tattooed meathead who deserves to be offed if for nothing but our amusement.

"Taken 2″ isn't offensively bad, just uninspired and unable to make the case for its existence. At 91 minutes, it's a harmless exercise in generic action filmmaking aimed at placating the folks who clamored to see more of one man's particular set of skills, even if they're the exact same skills applied in a less-than-spectacular manner.

~Steven C

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The sequel which could have started off one of the best action franchises of all time but ultimately fell flat. The movie is poorly directed by Olivier Megaton who over used shaky cam, the writing is cliched and stupid but to be honest I can't help but like it for being so bad, there is some redeeming factors like Liam Neeson who always puts in a great performance but overall the film is stupid and that's why I like it.

The movie was very good and Liam Neeson is one my favourite actors. it is great that Liam Neeson visited Turkey. I am sure that he impressed very much while he was there. However I just hated director's point of view about Istanbul, and Turkey. In some scenes you see some women wearing pitch black clothes as if they live in a country governed by Islamic rules . No!!! Turkey is not like that!!! Its constitution is more democratic than many 'democratic' countries in the world. And especially women had their rights before many 'democratic' countries in the world. For example Turkish women can vote or can be elected since 1934! Just check the history. You will see Turkish women had such rights before millions of others women living in other countries. But, I do not understand why there is not any Turkish women seen in the movie. All the movie was taken in very weird and suburban areas, and you do not see any women, but the guys. This is not Iran, this is Istanbul! I am very sorry about the director's attitude and I did not like it at all.

Turkey is a secular, democratic and modern country. You can see the people with very modern looking all over the city, not ninjas! The people of Turkey do not wear such a pitch black clothes like the people living in an Islamic country. Not only the appearance, but also the thoughts are modern and contemporary in Turkey! Why did director say a big lie to the world? Is there a political reason? Should a director act like a horrible politician?

I am fed up with seeing such horrible movies hiding the truth! Make movie of what you see, not hide the truth!

Movie certainly deserves 7 out of 10, but the director does not deserve even 0!

I hope my review was useful to correct some mistakes/lies about Istanbul...

What an utter disappointment. Like many fans of the original Taken, I was looking forward to a sequel to see if it could match or in any way surpass the original. I am afraid that as as sequel I am left perplexed at the lack of any tension, real action and pace in the film. The villains were not as nasty as they should be- after all they were seeking revenge for the slaughter of friends and family and all appeared not all intimidating. There was no sharp dialogue and some scenes bordered on the risible especially when Liam Neeson was trying to give directions to his daughter on his whereabouts. The finale was rushed and overall the film lacked any bite or interest. Dull, unimaginative-only Liam Neeson kept what glimmer of hopes alive by his solid acting. However, a real shame the film could not even match or equal the original. Do not waste your time- see the original Taken and leave this sequel alone.