Sophia, une brillante scientifique, apprend qu'un grand requin nage dans les profondeurs de la rivière.Sophia, une brillante scientifique, apprend qu'un grand requin nage dans les profondeurs de la rivière.Sophia, une brillante scientifique, apprend qu'un grand requin nage dans les profondeurs de la rivière.
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At first, I thought it was a movie from "The Asylum" production. That's until the unexpected and spectacular ending came about. No spoilers though. You'll have to watch it.
Pros. Very nice views of Paris. Nice camera work and pictures. Entertaining.
Cons. All the rest, including the fake sharks that make "Jaws" sharks look so real. Lol. Bad acting unless it was supposed to be a comedy. Not sure it was the intention but it's there!
Overall terrible movie released just in time as an advertisement push for Paris Olympic Games. As a bad joke the ending would make an awesome and epic Olympics Opening Ceremony. Lol. The movie was entertaining due to the fact that it looked more like a comedy than a thriller.
Pros. Very nice views of Paris. Nice camera work and pictures. Entertaining.
Cons. All the rest, including the fake sharks that make "Jaws" sharks look so real. Lol. Bad acting unless it was supposed to be a comedy. Not sure it was the intention but it's there!
Overall terrible movie released just in time as an advertisement push for Paris Olympic Games. As a bad joke the ending would make an awesome and epic Olympics Opening Ceremony. Lol. The movie was entertaining due to the fact that it looked more like a comedy than a thriller.
To each his own, I think people are taking this way too seriously forgetting it's just a shark movie.
Me, I love a good stupid movie, I really do and when you couple that with some over the top shark shenanigans, you're usually in for a good time. For the most part I enjoyed Under Paris but I think the movie's biggest problem is it doesn't know whether it wants to be a serious study as to how negatively humanity has affected nature (the Siene river is one of the most polluted rivers in the world) or just a fun action movie a la The Meg. The first half of the movie wants so badly to be Jaws, you can almost hear the theme music playing every time Sophia has a flashback, but once they go into the catacombs and discover Lilith's nest, things veer into the realm of the ridiculous, admittedly the best aspects of the film.
Me, I love a good stupid movie, I really do and when you couple that with some over the top shark shenanigans, you're usually in for a good time. For the most part I enjoyed Under Paris but I think the movie's biggest problem is it doesn't know whether it wants to be a serious study as to how negatively humanity has affected nature (the Siene river is one of the most polluted rivers in the world) or just a fun action movie a la The Meg. The first half of the movie wants so badly to be Jaws, you can almost hear the theme music playing every time Sophia has a flashback, but once they go into the catacombs and discover Lilith's nest, things veer into the realm of the ridiculous, admittedly the best aspects of the film.
Will this movie win any awards? No
It was a full of your standard shark movie cliches and the middle drags a little, but I have to admit I was surprised in the last quarter of the film, and even though I was cheering for the shark (there was just too many stupid people waiting to be eaten) I did end up enjoying the film. I love shark movies though, so if you aren't generally into shark movies then this probably won't float your boat.
A lot of action at the beginning and end, lots of blood, heavy dose of environmental message which is very topical. Would I watch it again. Yeah I would. And I'd watch a sequel if that happens too.
A lot of action at the beginning and end, lots of blood, heavy dose of environmental message which is very topical. Would I watch it again. Yeah I would. And I'd watch a sequel if that happens too.
(Yes, I did spend a while trying to come up with a pun that I hadn't seen before).
As this film was gathering some traction on Twitter across the weekend, I decided that I should give it a go. Having assumed it would be an equivalent to the sort of film "The Asylum" make, I was surprised and interested to see that it was initially not that - though in all honesty it gets there by the end.
Having lost her crew, and husband, to Shark attack, on an expedition to the Pacific garbage patch, Sophia (Berenice Bejo) returns to Paris and works in an aquarium. Three years later she's contacted by an Environmentalist Mika (Lea Leviant) who explains that she's hacked shark tracking technology and that one has made it up the Seine, as far as Paris city centre. With Sophia refusing to help them, Mika and her associate Ben (Nagisa Morimoto) undertake the dive instead, with Mika being arrested. Mika, and later Sophia, try to convince River Patrol of the unlikely interloper, but with the Paris Triathlon imminent, the mayor (Anne Marivin) refuses to consider cancelling.
At the start the film is actually reasonably sensible. The shark is played as a looming threat, foreboding in the background or whipping through frame too quick to get a good look at. There's a clear environmental message, where climate change and sea pollution has changed the shark's natural habitats. Berenice Bejo, who was in "The Artist" is a decent lead and does have some chemistry with impossibly heroic Soldier turned River Police action man Adil, played by Nassim Lyes.
I guess the trouble with the film is that, towards the end it does drift into that 'Asylum' "Sharknado" territory with much more explicit use of the, now painfully cheap-looking, CGI Shark. I write my reviews without spoilers usually, and I'll continue to do so here, but I just don't understand how the ending happens. I liked how spectacular it was but where does the water come from?
You never know with Neflix just how well a film has actually done, but there's a chance from that ending that sequels, or sister films might be forthcoming. I'd hope they'd find a more consistent tone, either way, serious, or campy, to be satisfying. This is neither.
As this film was gathering some traction on Twitter across the weekend, I decided that I should give it a go. Having assumed it would be an equivalent to the sort of film "The Asylum" make, I was surprised and interested to see that it was initially not that - though in all honesty it gets there by the end.
Having lost her crew, and husband, to Shark attack, on an expedition to the Pacific garbage patch, Sophia (Berenice Bejo) returns to Paris and works in an aquarium. Three years later she's contacted by an Environmentalist Mika (Lea Leviant) who explains that she's hacked shark tracking technology and that one has made it up the Seine, as far as Paris city centre. With Sophia refusing to help them, Mika and her associate Ben (Nagisa Morimoto) undertake the dive instead, with Mika being arrested. Mika, and later Sophia, try to convince River Patrol of the unlikely interloper, but with the Paris Triathlon imminent, the mayor (Anne Marivin) refuses to consider cancelling.
At the start the film is actually reasonably sensible. The shark is played as a looming threat, foreboding in the background or whipping through frame too quick to get a good look at. There's a clear environmental message, where climate change and sea pollution has changed the shark's natural habitats. Berenice Bejo, who was in "The Artist" is a decent lead and does have some chemistry with impossibly heroic Soldier turned River Police action man Adil, played by Nassim Lyes.
I guess the trouble with the film is that, towards the end it does drift into that 'Asylum' "Sharknado" territory with much more explicit use of the, now painfully cheap-looking, CGI Shark. I write my reviews without spoilers usually, and I'll continue to do so here, but I just don't understand how the ending happens. I liked how spectacular it was but where does the water come from?
You never know with Neflix just how well a film has actually done, but there's a chance from that ending that sequels, or sister films might be forthcoming. I'd hope they'd find a more consistent tone, either way, serious, or campy, to be satisfying. This is neither.
The actors are ok, the script is pretty much as bad as any shark movie, but it lacks explanation about why the shark goes to Paris, why has it tripled in size, why it can self reproduce etc... a bit of logic never hurts.
The main focus is actually the Olympic Games in Paris put in the limelight by the lack of preparation from Paris City Hall. Anne Marivin does a good job playing a completely incompetent, dishonest, ruthless, politically driven mayor of Paris that everyone will recognize easily. The only differences are that she's pretty and she can speak French. Shame she doesn't get gulped by the shark.
Ok movie, worth a watch just to break the rhythm of the Netflix TV series.
The main focus is actually the Olympic Games in Paris put in the limelight by the lack of preparation from Paris City Hall. Anne Marivin does a good job playing a completely incompetent, dishonest, ruthless, politically driven mayor of Paris that everyone will recognize easily. The only differences are that she's pretty and she can speak French. Shame she doesn't get gulped by the shark.
Ok movie, worth a watch just to break the rhythm of the Netflix TV series.
Le saviez-vous
- AnecdotesAlthough it may appear that a large number of triathletes are swimming in the Seine, this was not the case. Those scenes were filmed at an open-air water tank in Alicante, Spain. (Famously, the Seine has been deemed too polluted to swim in, something which the French authorities have spent upwards of a billion euros to rectify.)
- GaffesWhen displaying the 3000 miles journey of the shark, it is shown to have swum up the wrong river, namely the Loire, that flows about 200 km south of Paris. The mayor of Orléans, a prominent city on the Loire, cheekily urged his citizens not to panic if they caught a glimpse of a huge fin, that would just be the lost shark hurrying on its way to shoot the movie.
- Bandes originalesA Fin in the Water
composed by Anthony D'Amario, Alex Cortés & Edouard Rigaudière
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- How long is Under Paris?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- En las profundidades del Sena
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 € (estimé)
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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What is the Canadian French language plot outline for Sous la Seine (2024)?
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