NOTE IMDb
5,8/10
9,3 k
MA NOTE
Diakité et Monge sont des officiers de police que tout oppose ; ils se retrouvent ensemble pour enquêter sur une affaire criminelle d'une ampleur inattendue.Diakité et Monge sont des officiers de police que tout oppose ; ils se retrouvent ensemble pour enquêter sur une affaire criminelle d'une ampleur inattendue.Diakité et Monge sont des officiers de police que tout oppose ; ils se retrouvent ensemble pour enquêter sur une affaire criminelle d'une ampleur inattendue.
- Réalisation
- Scénario
- Casting principal
Laurent Lafitte
- François Monge
- (as Laurent Lafitte de la Comédie-Française)
Catherine Schaub-Abkarian
- Mme Marchal
- (as Catherine Schaub Abkarian)
Sylvia Bergé
- Cheffe de la Crim'
- (as Sylvia Bergé de la Comédie-Française)
Élodie Hesme
- La psy
- (as Elodie Hesme)
Avis à la une
This would have been enjoyable for small children if not for explicit content. Now it's not enjoyable for anyone. This is painfully bad and it almost physically hurt me to watch this movie until the end.
Between bombastic action sequences that take way too long to get where they're going, a predictable plot and leaning heavily into screwball buddy-cop comedy that just doesn't land, this is mostly a misfire. Sy and Lafitte do their best with the material, and Izia Higelin brings her own brand of luminous charisma to her screen time, but they're let down by weak writing and embarrassingly juvenile jokes at every turn. One is better off watching a movie that does this formula right, like Rush Hour or the original Lethal Weapon.
Chill movie with a bit of violence and humor seasoned with clichés. For sure there no surprises, the movie rolls smoothly even the pace is rather good.
The competition between the two main characters somehow funny but eventually gets annoying. The end was mostly disappointing, the story should have gone all the way through or not at all because it was very lame.
Netflix has a tendency at not ending well its creations.
The competition between the two main characters somehow funny but eventually gets annoying. The end was mostly disappointing, the story should have gone all the way through or not at all because it was very lame.
Netflix has a tendency at not ending well its creations.
If you remove a couple of nude scenes this would be a funny cop movie for Nickelodeon. The comedy is forced, the action is edited so much that you not sure what is happening(there was 23 edits in 10 seconds). When it is not over-edited, the comedy scenes are drawn out to make sure you chuckle. On top of that, it plays most of the cliches' to overcome the non-existant writing. If you like simple, not serious, dumb movie to pass the time, then this is for you. If you are a thinker...skip.
Most cliché movie I've seen in forever, it's so predictable it hurts. Such a shame since the cast is actually quite capable and the plot isn't half bad.
Le saviez-vous
- AnecdotesIn the supermarket-gokart-race the main character and Nader is throwing bananas and turtles at eachother - making the scene very similar to a MarioKart game.
- GaffesThere is no positive discrimination policy in France.
- Citations
Ousmane Diakhité: [Describing a bad guy] This kind of skinny guy, you see, a Timothée Chalamet type but ugly.
- ConnexionsFollows De l'autre côté du périph (2012)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Les gars sûrs
- Lieux de tournage
- Combe Laval, Saint-Jean-en-Royans, Drôme, France(Scenic balcony road in car chase scene)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 17 000 000 € (estimé)
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to Loin du périph (2022) in Japan?
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