Killing Fields

OK.

Mumbling, yes. about as much as Run Baby Run. Archetypal characters, well, tick, but then this is the US.

Personally, I liked it. I didn't expect to, but it was OK. They did a 'Coen brothers-y' thing, not really explaining the back story.

OK. Maybe the two male leads have similar attitudes to women and to their abusers as I do, so maybe that biases me, but I don't think that's all.

I think this has a body. Brains, guts, and a spine. The minor parts are well cast and directed, and the three leads rock.

I'm a bit surprised how slated this has been on IMDb.

I liked it, OK? So sue me....

In the Texas bayous, a local homicide detective teams up with a cop from New York City to investigate a series of unsolved murders.

The casting on this film is perfect -- Sam Worthington, Jeffrey Dean Morgan and the flawless Chloe Moretz. The directing and cinematography are great, with the dark, gritty feel that one would expect from your better serial killer films. And the story, despite being disjointed, is a pretty good one.

That being said, I have a major problem with this film -- it is fiction. My understanding is that the police involved with the real case were hoping this film would promote the true unsolved murders in the "Texas killing fields". Well, I am sure they must be disappointed. The story is fake, the solution is fake... they even changed the name of the city.

Now, here is the thing... if you are going to call this film "Texas Killing Fields" and then make it about nothing related to the case, the least you can do is put a featurette on the DVD. I know two former detectives who are willing to talk about the case. I know some family members of victims who have a story to tell. If one of the goals was to promote the real case (in order to get it solved), the people behind this movie did not do even the most basic of things to accomplish this goal.

If I pretend that this movie was not very loosely based on a true story, I can be more praising. Like I said, it looks great and the cast is phenomenal. Moretz never fails to impress, and I think Morgan should be an A-lister in the world of Hollywood. He impressed me in "The Resident" and again here.

While I have not read other reviews, I suspect there is a running theme to talk about the director's father, maybe saying things like "being in his shadow". I hope these sort of comments are few and far between. Ami Mann holds her own, and whether she was a famous director's daughter or not, she has the skills and is blazing her own trail.

I was sort of hanging for this film, great cast, story line that can make for great viewing, and I like the setting of the story as well. And after another lackluster year when it comes to entertainment on the big screen, I thought this could be great!

Well sadly to say it is messy, when it comes to this kind of cop film, you need direction, some one that can tell the story at a good pace, connect all the dots, get you engrossed in the mood of the film, make you sit and wait for more clues and so on, but this film lacks all of that.

Sure the acting is solid, but I expected that with the good cast, but it just does not flow at a good pace, it jumps over some dots that should be connected to make you feel you are part of the characters, and that's where this film is messy, hence my score of 5, sort of sits in the middle.

Nothing special, but not bad either, 5 out of 5 for this one.

A modest, if unspectacular low-key offbeat crime thriller that seems to focus on its bleak noir atmospherics and rustic sense of place (being filmed in New Orleans creating such an alienating environment from its bayous), and less so on its moody characters and narrative depth of its investigation. Things just seem to happen, with little to no reasoning behind it. Conventional storytelling enlivened by its edgy moments of suspense. Texas cop Mike Souder is paired up with out-of-town New York detective Brian Heigh where they're dealing with a local murder, but Heigh finds himself looking into another case involving a serial killer who murders his lady victims in the killing fields a wasteland outside Texas City. Director Ami Canaan Mann (yep the daughter of Michael Mann) in her debut feature creates a slick look with her prowling camera and gets strong performances from the likes of Jeffrey Dean Morgan, Sam Worthington, Chloe Grace Moretz and Jessica Chastain. Even the minor support give fine turns; Sheryl Lee, James Herbert and an unsettling Stephen Graham. However it's the four main leads that really carry this. Morgan's turn as the New York copper is the film's heart and conscience, but that's not taking anything away from Worthington and Chastain. Worthington probably gives the best performance of his career as the hard-bitten Texan detective and Chastain really does hold her own as a fellow officer. However it's Moretz who really surprises in a tender, but spirited performance as the street kid of the town tramp. She's definitely a talent. You can't take anything away from the cast, as they don't limit themselves to the material's shortcomings. The story is supposedly inspired by true events, but never does it go into any great detail and this can be its downfall. As what transpires can feel forced and rushed leading to something predictably anti-climatic due to the red herrings being too obvious. Still Mann keeps you interested with her technical techniques, but also giving it a contemplatively humane touch amongst its slow pace and brooding circumstances. A fair, if compelling straight-to-DVD enterprise.

"You don't know how close to the edge you are".

In Little Texas, Texas, Detectives Brian Heigh (Jeffrey Dean Morgan) and Mike Souder (Sam Worthington) are investigating a series of murders of women by a serial-killer. When they leave the crime scene where a body was found, Brian brings the girl Ann Sliger (Chloë Grace Moretz) that is on probation to the house of her dysfunctional family and delivers the neglected Ann to her careless mother.

Then they are called by Detective Pam Stall (Jessica Chastain), who is Mike's ex-wife, to help her to investigating a case of missing woman, but the case is outside their jurisdiction. However, they join Pam in her investigation while the family man Brian tries to help Ann and protect the girl against the abusive friends of her mother. Mike follows a clue that leads to two local criminals while Brian follows a different line of investigation and finds that the bodies were dumped in an area called "The Killing Fields". When Ann is kidnapped by the serial-killer, Brian seeks her out alone in the dangerous land.

"Texas Killing Fields" is an underrated and gritty detective story. The screenplay could be improved since the situation of two different groups of killers is confused but later the plot becomes clearer and the viewer is able to understand the big picture.

The locations in the bayous show an American reality that is not well- explored in Amereican films.The cast has great actors and actresses and the performances are excellent. Ami Canaan Mann is the daughter of Michael Mann and this is her second feature. My vote is seven.

Title (Brazil): "Em Busca de um Assassino" ("Chasing a Killer")