Big Top

Family friendly sit-com set in a travelling circus, featuring a surprisingly top notch range of comic performers (its good to see Ruth Madoc back performing regularly on TV again), this show is never going to win any awards for the quality of its scripts, but there are some inventive touches that show there is enough potential for a second series.

Other reviewers have commented stating that it bears no comparison to The Office, Fawlty Towers etc - and indeed it doesn't, but this show is clearly aimed at family viewing and is going out in a relatively early evening time slot so should be viewed in that context.

1st of all, an apology to any overseas viewers.

If you tuned in expecting the sardonic writing of The Office, the eloquence of Yes, Minister or the raw genius of Fawlty Towers: Sorry! This can only be blames on current "blue sky" thinkers at the BBC's programming department.

Amanda Holden, With minimal talent (ahh, the irony!) to start with, must have pulled in every favour/loan/threat in her portfolio to get this made. Poor comic timing, dire scripts, sets recycled from "Crossroads" & something approaching no appreciable acting talent on display.

Oh, & what the hell is Tony Robinson doing in this mess?! what a way to see the 00's out. We saw it in with the aforementioned "Office" in 2001, & this wipes the ass of the decade!!

Still, there IS a plus side to this. There cannot be anything worse than this in the 2010 schedule.

can there????

I've forgotten the last time the BBC did an amusing comedy , as has the majority of viewers in Britain , so I'm guessing BIG TOP with its large ensemble cast playing a circus troupe is a throw back to the days of DADS ARMY , HI DE HI and ARE YOU BEING SERVED . It also features Tony Robinson best known for Baldrick one of the truly great comedy characters from the classic BLACKADDER series , and there's John Thomson from THE FAST SHOW fame . That said the cast also features Amanda Holden at the top of the cast list who is so untalented she strikes me as someone who'd have a problem playing herself . If the omens weren't good the reality is far worse than can be imagined

As has been pointed out the jokes are lamer than a horse that's had its limbs amputated . This is only be expected from a BBC comedy from the 21st century . That's not the main problem . One episode centres around the immigration bureau investigating one of the circus acts who might be an illegal immigrant . Being a BBC show there's not much call for racist gags - which might have raised a chortle if only for nostalgia's sake - but no the real offence comes with Holden's character thinking about whoring herself to the immigration investigator ! This in a show broadcast at 7.30 pm ! It's amazing the amount of sexual references and innuendos there is in a sit-com that on the surface considers itself a family show . In fact if you can imagine a children's show with sexual references this is what it looks like - a kind of TORCHWOOD with canned laughter

You can imagine the BBC big-wigs planning this, let's take a star from each of the following hit shows - The Fast Show, Blackadder and Hi-de-Hi. Add the sister of a movie star, a foreigner with a comedy eastern European accent and Amanda Holden, clearly one of the current "flavours of the month" from Britain's got Talent and the celebrity magazines and we should have a massive hit......

Well, what a disaster: tired flat jokes, a wooden and unfunny performance from Holden and predictable writing Tony Robinson is in some sort of catatonic trance throughout each episode. He's clearly there in body, but his eyes tell you he'd rather be in a trench talking about pottery.

If this programme was a horse, it would have been taken out and shot. It is a prime example of being less than the sum of it's parts.

Enthusiastic ringmaster Lizzie has been handed Circus Maestro from her father, but it's struggling. Week after week, it moves from one crisis to another.

One thing I've always wondered: how on Earth did the BBC transmit the whole series? I can remember the backlash after episode one aired; people didn't respond well, but they put out the whole thing. I quit after about only ten minutes. Sixteen years on, I decided to dip my toe in once again.

This must rank as one of the worst comedies ever commissioned. Nothing works; the scripts are unfunny, the acting is poor, and all efforts to make Amanda Holden a comedy sitcom star failed.

There just aren't any laughs, apart from one or two decent lines in episode three. The stereotypical characters aren't likable, goofy, or in any way appealing. I'd argue Georgie and Boyco are the worst of the lot. Boyco's accent will make you think of Miss Popov.

At times, it felt as though it was written many years before it went out; it's dated, but I'm being unkind to the great comedies of yesteryear.

The biggest crime had to be the misuse of the great Tony Robinson. I can't understand how he agreed to be in it.

2/10.