L'Événement

This film is about the horrors of abortion or the lack of possibility to have one. "I want to have a child later, but I don't want a child instead of the life" the film heroine states at one of her doctors appointments. But being a young woman in the 60s meant exactly that- you could forget a free life and career if you became pregnant. The film told the story very close to the main character, tight cinematography. This is good for intimacy and really increases the horrors of her several attempts at aborting the fetus. At the same time I feel like the film misses a bit out on showing us the world around her, it's not a queens gambit like costume piece... if it weren't for the old cars it could have also been set in the 90s/2000s in terms of costumes and styling I feel. But that's also what gives the story a lot of actuality because it makes you think directly of the horrible situations woman go through today in countries where abortion is forbidden.

I left the film with a feeling of uneasiness and needed to take a hot shower at home.

Good acting in general, nudity without voyeurism which I greatly appreciated.

Tight 100m adaptation of the Annie Ernaux novel, with a terrific performance by the lead actress. Will watch future Diwan movies.

Sure, with US heading back to medieval times on abortion, there is every bit of contemporary relevance. But that is not at all the point here. Diwan wants to make the pride and anguish of the young woman real to you, no preaching attempted or necessary. Cinematically, she succeeds.

The genre of great abortion movies is pretty small, one thinks of the Romanian 4 months 3 weeks and 2 days, but this one is near the top. Good news is, real Ernaux overcame her brutal ordeal and became a decorated French writer. Read her if you can, in the original French if you can.

A controversial topic. Dealt with the perspective of a woman. Good acting. Personally I would have only made it more graphic with respect to bloody towels and blood. But that would change its rating. So apart from that good buildup, but lacks in middle. Maybe a bigger meltdown was to be shown. The embrace with her mother just was too much to handle for me. Music tones dropping at places to corelate with the plot, was interesting and rightly done, so that was nice. I would suggest it only if you try to watch it with an open mind. On controversial topics, whether you agree or not, is a different question. Atleast you should see the point. You dont have to agree. You can give your points. The reason for cinema is to start a dialogue or ask yourself questions. Good viewing.

Saw this back at the 2022 Sundance Film Festival

Based on a novel by Annie Ernaux,, the topic of abortion is already becoming a very controversial subject in the past many years. There are many debates about whether abortion is right or wrong. Audrey Diwan takes this serious subject matter and creates a uneasy, intense, but realistic approach about this topic through the lens of an interesting character portrayed by Anamaria Vartolomei who gives an amazing stellar performance throughout this movie. This movie isn't an easy watch because of the brutal nature of what the character is going through and especially a really disturbing third act that made me feel uneasy and quite uncomfortable while watching it. Throughout there are some beautiful camerawork with the 1:33:1 aspect ratio perfectly capturing the 1970s in France, some beautiful production and costume designs, and really good soundtrack. Although, the setting at times didn't feel like the 70s because the movie didn't explore it's time period well enough as it should have which was one of the flaws I had with this movie.

As I have to say it again, Anamaria Vartolomei sells throughout this movie with her realistic performance on portraying a character who is lost, somewhat arrogant but also finding a way to solve her issue. Even if it risks her own sanity. Character study films are really interesting as it provides an guide to understand how the human life works throughout many lens. It's often not easy to be really engage with a character but if the writing is great, the character is great. Some problems I have with the movie are that some of the dialogue felt a little clunky as it didn't feel like it fits in the 1970s time period and some of the supporting characters felt like they had nothing to do with the movie. Almost as if they could have just been removed from the final cut honestly.

Overall, this was a really good adaptation from director Audrey Diwan and I really look forward to seeing more films from here. I believe there's a great potential of French female filmmakers coming soon in the near decade.

Rating: B+

Like it's lead character, Anne (Anamaria Vartolomei), Director Audrey Diwan's HAPPENING is direct, strong and decisive. Anne is a very promising literature student who finds herself pregnant after a fling with a visiting student. The place is France in the early 60s when having a procedure to abort a baby is strictly illegal. Her closest friends and doctor want nothing to do with her plans - especially, her doctor, who's very counsel could land him in jail.

Diwan's adaptation of Annie Ernaux's novel feels immediate, adopting an almost you are there approach (the script was co-written by Diwan and a trio of other writers). While it's certainly not a documentary construct, it's very much a drama, but it feels real. Laurent Tangy's hand-held camera is like an intimate partner to Diwan's vision. The active tense title is very much on point here (the French title also translates into "The Event").

Vartolomei is quite excellent. She is often the only character on screen and her performance never seems studied, simply inhabited. The others in the cast are always believable even if they don't have time to really develop. Anna Mouglalis is particularly memorable as the blunt Mme. Riviere, and legendary European actress Sandrinne Bonnaire is on hand as Anne's mother.

HAPPENING gets quite explicit at times, but never feels in the least exploitative. The screenplay is also admirable in that it never preaches. Diwan follows her character on her own terms all the way through. It's a difficult movie, but a very worthy one.