Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 15 nominations au total
Avis à la une
Will Ferrell is back since the disappointing "Land of the Lost"! Who knew Mark Wahlberg could be genuinely hilarious? "The Other Guys" is the latest comedy to poke fun at the buddy cop genre, but this one is one of the best because the actors and director knew what they were doing.
Ferrell and Wahlberg have terrific chemistry and both of them have perfect comedic timing. But let's not forget the other supporting actors (too many to list here), as all of them have some memorable and quotable lines.
The jokes weave through slapstick and crude territory, while not being overly vulgar and overdone. The story is actually pretty engaging, as it is a genuine cop mystery at its core, but it is used as a vehicle for all the jokes to come in. And the jokes kept coming and had the entire audience laughing as well, this one the loudest compared to the previous Steve Carell entries "Date Night" and "Dinner For Schmucks". Sorry Steve, this year Will and Mark stole the audience.
Having said that, the production design, cinematography, editing, stunts/special effects are good, and the direction by Adam McKay is lighthearted and brisk. McKay is seriously becoming a big name in comedy film directors, and here is another memorable feather in his cap.
Overall, if you are in need of a laugh, see this movie A.S.A.P. This one is one of the funniest movies in years, and that's being honest.
Overall rating: 73/10
Ferrell and Wahlberg have terrific chemistry and both of them have perfect comedic timing. But let's not forget the other supporting actors (too many to list here), as all of them have some memorable and quotable lines.
The jokes weave through slapstick and crude territory, while not being overly vulgar and overdone. The story is actually pretty engaging, as it is a genuine cop mystery at its core, but it is used as a vehicle for all the jokes to come in. And the jokes kept coming and had the entire audience laughing as well, this one the loudest compared to the previous Steve Carell entries "Date Night" and "Dinner For Schmucks". Sorry Steve, this year Will and Mark stole the audience.
Having said that, the production design, cinematography, editing, stunts/special effects are good, and the direction by Adam McKay is lighthearted and brisk. McKay is seriously becoming a big name in comedy film directors, and here is another memorable feather in his cap.
Overall, if you are in need of a laugh, see this movie A.S.A.P. This one is one of the funniest movies in years, and that's being honest.
Overall rating: 73/10
I'm disappointed to see that this film still hasn't garnered the attnention it deserves. Even back when it came out it did so pretty quietly and was thus buried under other big budget flicks. Rarely though does a comedy keep you entertained and laughing throughout pretty much the entire film. Most comedies try and fail, or take breaks from the humor with someone else to preserve material. But Ferrell and Wahlberg play off of eachother perfectly in this film and have real chemistry to keep the film quality high. This is also one of the mostquotable films ever. 9 years later and my dad and I still shoot off a "I'm a peacock captain, you gotta let me fly", or a "if I were a lion and you were a tuna I'd swim out to the middle of the ocean and freakin eat you" every once in a short while. I definitely recommend this movie for fans of comedy
I tend to have mixed feelings about Will Ferrell films. Ferrell is a likable guy and plays likable characters, but often his films feel a little too much like extended Saturday Night Live sketches; even if they're funny, they just don't have that much to them.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
But I love The Other Guys. The premise is unexceptional, a mismatched buddy movie about two undistinguished cops who stumble into a big case, but the movie is wildly funny.
One of the things I love about this movie is how everyone plays it straight. Ferrell is almost as low key here as a cop-accountant as he was in Stranger Than Fiction, and while the movie is often extremely silly, no one in it ever gives a hint that they know it (although Ferrell has a few over-the-top moments that have that SNL cartoonish feel to them that I could have done without). Wahlberg doesn't act like he's making a cop movie parody, he acts like he's making a cop movie. There is a certain odd realism in moments where the heroes pull off something clever or dazzling and take a moment to be impressed with themselves.
Mainly though, this movie is just really, really funny. I could not stop laughing.
I have to say, I did not expect this film to be as good as it was. Another great addition to the buddy cop genre, as well as a satire of it, this film has huge laughs, and good action sequences. I really can not for the life of me understand why this movie catches so much hate as I've seen in other reviews here. Yes, there are some weak points, as with any movie, but the good HEAVILY overshadows the bad.
Will Ferrel and Mark Wahlberg star as Allen Gamble and Terry Hoitz, two under-achieving New York cops who, along with everyone else on the force, live in the shadow of the two super-cops, Christopher Danson (Dwayne Johnson) and P.K. Highsmith (Samuel L. Jackson). When an unexpected turn of events puts Danson and Highsmith out of commission, Allen and Terry decide to step up and take on an investigation of their own, leading to a tangle with foreign operatives, and an arrogant billionaire.
The Other Guys knows what it wants to be, and it achieves its goal in spades. People should know what they're getting into with this, as it delivers exactly what it advertises; a spoof of the 'buddy cop' genre, and a fast-paced action comedy for anyone to enjoy.
I don't understand how a lot of people cannot find anything in this movie funny. From start to finish, I found it hilarious, and laughed out loud several times. There's just as much smart humor and witty interplay between characters as there is random, often weird humor that is present in many of Ferrel's films, and the writing manages to balance the smart humor and the random, sometimes dumb humor very well. There are definitely some loud, sometimes obnoxious moments, such as Ferrel's occasional outbursts, and his 'Gator' emotional episodes, especially the "Pimps Don't Cry" music number, but aside from those small instances, I really had a ball watching this.
The movie starts, and ends, with action, and in between are a bunch of great moments. There's an intense opening car chase, a parking lot fight scene, an office building shootout, and an intense-action-packed final car chase and standoff that I really enjoyed, especially considering the tone of the film. I think it's important to note that even though this film is, at heart, a comedy, the action remains serious, and it's never really slapstick or funny. The first and last car chases were especially entertaining, and they felt very "Bad Boys"-ish.
Ferrel and Wahlberg have great chemistry, and their constant bickering and clashing of personalities really is consistently funny. They both throw themselves into their roles, and their dedication made this movie that much more fun. Ferrell is hilarious, time and again proving himself as one of the best comedy actors out there (you can't help but laugh just by looking at him), and Wahlberg is one of my favorite actors, so it was a joy to watch them together. Michael Keaton also delivered a hilarious, underrated performance, so props to him.
Overall, I highly, highly recommend it, to both fans of the genre, and fans of the actors. 10/10.
Will Ferrel and Mark Wahlberg star as Allen Gamble and Terry Hoitz, two under-achieving New York cops who, along with everyone else on the force, live in the shadow of the two super-cops, Christopher Danson (Dwayne Johnson) and P.K. Highsmith (Samuel L. Jackson). When an unexpected turn of events puts Danson and Highsmith out of commission, Allen and Terry decide to step up and take on an investigation of their own, leading to a tangle with foreign operatives, and an arrogant billionaire.
The Other Guys knows what it wants to be, and it achieves its goal in spades. People should know what they're getting into with this, as it delivers exactly what it advertises; a spoof of the 'buddy cop' genre, and a fast-paced action comedy for anyone to enjoy.
I don't understand how a lot of people cannot find anything in this movie funny. From start to finish, I found it hilarious, and laughed out loud several times. There's just as much smart humor and witty interplay between characters as there is random, often weird humor that is present in many of Ferrel's films, and the writing manages to balance the smart humor and the random, sometimes dumb humor very well. There are definitely some loud, sometimes obnoxious moments, such as Ferrel's occasional outbursts, and his 'Gator' emotional episodes, especially the "Pimps Don't Cry" music number, but aside from those small instances, I really had a ball watching this.
The movie starts, and ends, with action, and in between are a bunch of great moments. There's an intense opening car chase, a parking lot fight scene, an office building shootout, and an intense-action-packed final car chase and standoff that I really enjoyed, especially considering the tone of the film. I think it's important to note that even though this film is, at heart, a comedy, the action remains serious, and it's never really slapstick or funny. The first and last car chases were especially entertaining, and they felt very "Bad Boys"-ish.
Ferrel and Wahlberg have great chemistry, and their constant bickering and clashing of personalities really is consistently funny. They both throw themselves into their roles, and their dedication made this movie that much more fun. Ferrell is hilarious, time and again proving himself as one of the best comedy actors out there (you can't help but laugh just by looking at him), and Wahlberg is one of my favorite actors, so it was a joy to watch them together. Michael Keaton also delivered a hilarious, underrated performance, so props to him.
Overall, I highly, highly recommend it, to both fans of the genre, and fans of the actors. 10/10.
Really good watch, will watch again, and can recommend.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
Le saviez-vous
- AnecdotesThe idea of teaming up of Will Ferrell and Mark Wahlberg had been gestating since The 79th Annual Academy Awards (2007), where Will had been viciously insulting other actors as part of a bit, but became extremely polite to Mark.
- GaffesAs Terry is sliding down the board room table on his back, one of his guns falls out of his hand near the end. When he is on the ground, he has a gun in both hands.
- Citations
Terry Hoitz: I am a peacock, you gotta let me fly!
- Crédits fousAn outtake between Will Ferrell and Mark Wahlberg at the restaurant plays after the end credits.
- Versions alternativesThere are two versions available., the PG-13 theatrical release, running 1h 47m (107 min) and an unrated home video cut of 1h 56m (116 min).
- ConnexionsFeatured in The Nostalgia Critic: Top 11 Coolest Cliches (2010)
- Bandes originalesWe Trying to Stay Alive
Written by Barry Gibb, Maurice Gibb, Robin Gibb, John Forte, Wyclef Jean and Pras Michel (as Samuel Michel)
Performed by Wyclef Jean featuring John Forte and Pras Michel (as Pras)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains a sample of "Stayin' Alive"
Performed by The Bee Gees
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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- How long is The Other Guys?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Policías de repuesto
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 119 219 978 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 543 162 $US
- 8 août 2010
- Montant brut mondial
- 170 458 922 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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