Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.Deux détectives décalés de New York saisissent l'occasion de se présenter comme les plus grands policiers de la ville, mais les choses ne se passent pas comme prévu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 15 nominations au total
Avis à la une
The movie is funny to start and rolls along nicely but quickly loses all steam and finishes quite weak. Having every single character be an off center borderline nutjob loses something without any straight men to set them up or play off of. Mark Wahlberg played the straight man part well for the first half of the movie but turns as loony as everyone else before it's over. A few laugh out loud moments save the entire experience but it really could've and should've been a better film in general and certainly funnier across the board.
Not nearly as bad as Step Brothers but not half as good as Anchorman. Probably Semi-Pro and Jackie Moon levels here.
Not nearly as bad as Step Brothers but not half as good as Anchorman. Probably Semi-Pro and Jackie Moon levels here.
P.K. Highsmith (Samuel L. Jackson) and Christopher Danson (Dwayne Johnson) are the best action hero rock star cops in the NYPD. They get into outlandish chases for nothing arrests. Everybody loves them. Martin (Rob Riggle) and Fosse (Damon Wayans Jr.) are the jokers. Captain Gene Mauch (Michael Keaton) is in charge. Then there are the Other Guys. Allen Gamble (Will Ferrell) is a naive paper pusher. His partner Terry Hoitz (Mark Wahlberg) is still trying to make up for shooting Derek Jeter. Gamble is eager to do paperwork for the heroes and Hoitz hates him for it. Highsmith and Danson finally kill themselves stupidly in a chase. Everybody wants to be the next hero cops. Hoitz forces Gamble to take on a high profile case. David Ershon (Steve Coogan) is an investment banker who lost $32 billion of Pamela Boardman (Anne Heche)'s fund. She demands that he replace the losses and he tries to go on the run. Gamble arrests Ershon on a scaffolding permit violation but a professional team takes him. On the personal side, Hoitz can't believe that Gamble is married to Sheila (Eva Mendes).
I would have loved a buddy cop movie with Samuel L. Jackson and Dwayne Johnson. This is just as good in a completely different way. Ferrell is hilarious and Wahlberg is the perfect angry foil. The fighting partners have great chemistry. The angrier Wahlberg gets, the funnier the movie gets. Adam McKay has a great sense of the ridiculous. The story is stupid. The setups are insane. The dialog is hilarious. There are some gut busting laughs.
I would have loved a buddy cop movie with Samuel L. Jackson and Dwayne Johnson. This is just as good in a completely different way. Ferrell is hilarious and Wahlberg is the perfect angry foil. The fighting partners have great chemistry. The angrier Wahlberg gets, the funnier the movie gets. Adam McKay has a great sense of the ridiculous. The story is stupid. The setups are insane. The dialog is hilarious. There are some gut busting laughs.
Will Ferrell is back since the disappointing "Land of the Lost"! Who knew Mark Wahlberg could be genuinely hilarious? "The Other Guys" is the latest comedy to poke fun at the buddy cop genre, but this one is one of the best because the actors and director knew what they were doing.
Ferrell and Wahlberg have terrific chemistry and both of them have perfect comedic timing. But let's not forget the other supporting actors (too many to list here), as all of them have some memorable and quotable lines.
The jokes weave through slapstick and crude territory, while not being overly vulgar and overdone. The story is actually pretty engaging, as it is a genuine cop mystery at its core, but it is used as a vehicle for all the jokes to come in. And the jokes kept coming and had the entire audience laughing as well, this one the loudest compared to the previous Steve Carell entries "Date Night" and "Dinner For Schmucks". Sorry Steve, this year Will and Mark stole the audience.
Having said that, the production design, cinematography, editing, stunts/special effects are good, and the direction by Adam McKay is lighthearted and brisk. McKay is seriously becoming a big name in comedy film directors, and here is another memorable feather in his cap.
Overall, if you are in need of a laugh, see this movie A.S.A.P. This one is one of the funniest movies in years, and that's being honest.
Overall rating: 73/10
Ferrell and Wahlberg have terrific chemistry and both of them have perfect comedic timing. But let's not forget the other supporting actors (too many to list here), as all of them have some memorable and quotable lines.
The jokes weave through slapstick and crude territory, while not being overly vulgar and overdone. The story is actually pretty engaging, as it is a genuine cop mystery at its core, but it is used as a vehicle for all the jokes to come in. And the jokes kept coming and had the entire audience laughing as well, this one the loudest compared to the previous Steve Carell entries "Date Night" and "Dinner For Schmucks". Sorry Steve, this year Will and Mark stole the audience.
Having said that, the production design, cinematography, editing, stunts/special effects are good, and the direction by Adam McKay is lighthearted and brisk. McKay is seriously becoming a big name in comedy film directors, and here is another memorable feather in his cap.
Overall, if you are in need of a laugh, see this movie A.S.A.P. This one is one of the funniest movies in years, and that's being honest.
Overall rating: 73/10
I don't normally write reviews but after reading some of the awful reviews some people wrote about this film I had to come to its defence.
This film had me laughing from start to finish. If you like the silliness of Will Ferrell films or the humour in Ted then you will love this film. The comedy can be played very deadpan despite the surrealness (is that a word) of the situation. The comic timing is great and the chemistry between all the main characters is excellent. When I saw this film only had a 6.7 IMDb rating I was a little reluctant to watch it but I saw the trailer and that drew me in. I didn't regret it.
If you want some great laughs, watch this film.
This film had me laughing from start to finish. If you like the silliness of Will Ferrell films or the humour in Ted then you will love this film. The comedy can be played very deadpan despite the surrealness (is that a word) of the situation. The comic timing is great and the chemistry between all the main characters is excellent. When I saw this film only had a 6.7 IMDb rating I was a little reluctant to watch it but I saw the trailer and that drew me in. I didn't regret it.
If you want some great laughs, watch this film.
Really good watch, will watch again, and can recommend.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
This is weird proof that Will Ferrell can do (some level) of action, and (as always) he's hilarious alongside Mark Wahlberg (see also "Daddy's Home").
To me, this is a testament of how good Will Ferrell is, not only can he elevate a bad premise (it just wasn't that strong), but he can elevate another actor (not saying Mark Wahlberg is bad, he's just not Will Ferrell).
With the on screen chemistry, a slew of supporting actors, including Michael Keaton, and some actually good action scenes, the onslaught of comedy sugar definitely helps any of the weaker jokes go down.
While I think the weak point is the villains: its a very bland "greedy millionaire business" trope, but even they get some good jokes in.
Le saviez-vous
- AnecdotesThe idea of teaming up of Will Ferrell and Mark Wahlberg had been gestating since The 79th Annual Academy Awards (2007), where Will had been viciously insulting other actors as part of a bit, but became extremely polite to Mark.
- GaffesAs Terry is sliding down the board room table on his back, one of his guns falls out of his hand near the end. When he is on the ground, he has a gun in both hands.
- Citations
Terry Hoitz: I am a peacock, you gotta let me fly!
- Crédits fousAn outtake between Will Ferrell and Mark Wahlberg at the restaurant plays after the end credits.
- Versions alternativesThere are two versions available., the PG-13 theatrical release, running 1h 47m (107 min) and an unrated home video cut of 1h 56m (116 min).
- ConnexionsFeatured in The Nostalgia Critic: Top 11 Coolest Cliches (2010)
- Bandes originalesWe Trying to Stay Alive
Written by Barry Gibb, Maurice Gibb, Robin Gibb, John Forte, Wyclef Jean and Pras Michel (as Samuel Michel)
Performed by Wyclef Jean featuring John Forte and Pras Michel (as Pras)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains a sample of "Stayin' Alive"
Performed by The Bee Gees
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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- How long is The Other Guys?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Policías de repuesto
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 119 219 978 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 543 162 $US
- 8 août 2010
- Montant brut mondial
- 170 458 922 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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