Ardor

The movie didn't work for me. It felt too artificial... forced. Almost like I could tell 'this is a movie' constantly. And it is not supposed to be like that, it has a kind of magical aura you are supposed to feel, and sometimes it works, mainly with sounds and the jungle images. But it doesn't work on how they managed ellipsis... for time to pass by they show you a dark sky with a full moon. Also it didn't work in acting direction, I think. The actors are good, but the tone is completely flat. It may have been a good idea, but it becomes somehow artificial while the movie advances. And the idea of man becoming one with nature felt also forced. The 'tiger'analogy with the main character. It has a great message and I think it was a strong bet. I'm glad they tried. Maybe Herzog's movies would have been a good starting point to think the mise en scene for this subject.

While it is not obvious in the beginning inside the jungle on Misiones near triple frontier with a jaguar roaming nearby, it is increasingly clear as this Argentine-Brazilian movie on land conflict advances, particularly in its second half, that it is a Western. Not only due the script, with powerful and violent gangsters robbing a rural estate from a humble hardworking family, a mysterious stranger engaging himself in protecting it against them, defensive shooting strategy, rape and duel. Also in edition, cinematography and even costumes (although the story is not in XIXth century in the United States, but in contemporary or recent past in verdant and watery Northeastern Argentina), the film explores many traits of the genre, with large face close-ups, shotguns, neckwear and wide-brimmed hats. The movie is technically well made, with extraordinary actors such as Chico Diaz, Alice Braga and Gael García Bernal.

This movie is a mess! It takes from so many past films and creates a film which is clinch ridden. The main character is a mixture of Tom Sawyer (Look Ma, no shoes!), Tarzan (he speaks to tigers), Rambo (jungle warfare expert who uses nature to defeat well-armed opponents) and Clint Eastwood in The Good, The Bad, and The Ugly (starring and squinting). The bad guys are stereotypes of characters right out of Deliverence, The Road, and Rolling Thunder. The story plot is so stupid that it is really hard to believe; a gang of killers who are working for an unnamed boss, attempt to steal land composing of two wooden shacks in the dense jungle with no one around for miles. The hero keeps removing his shirt,yet wears a hippie style leather necklace and has a strange looking tattoo on his back which looks like an ocean wave. Also, ninety percent of the dialogue consists if heavy breathing and moaning. All the characters are flat and stiff. There is no chemistry what so ever between any of them. They just like and stare, and wear filthy dirty clothes and never shower. This movie is a real stinker. I only gave it a four because the photography is beautiful and I liked the stupid showdown at the end.

Set in the Argentinean rain forest this is part western and part eco tale. It stars one of my favourite actors Gael García Bernal, as Kai, and he also co produced it. We have a poor subsistence farming family who are targeted by nasty thugs working for a land grab company – we are never sure what their ultimate aim is.

Kai ends up going to rescue the abducted daughter of one of the farmers but in so doing puts himself on a collision course with the evil ones.

Now this has a few clichés in it and has borrowed heavily from other films in the western genre. The action is limited, but when it happens it is well done. The cinematography is lovely – but hard to go wrong when you have the bounty of a rain forest at your feet– probably. The performances are all above average too but where it falls down is the thin story line. It is good versus bad with next to no ambiguity at all and almost no back story – this makes it hard to put everything into context.

That said I still enjoyed the watch – but would not want to see again, so a rental option here methinks. Original title is 'El Ardor' and filmed in Spanish with good to average sub titles and a run time of 96m minutes; this is one for those that like the sides nice and firmly drawn and appreciate some good old fashioned retribution.

Pablo Fendrick wrote and directed this Argentine film that tries to be something more than barely tolerable but gets lost in what seems like an endlessly slow moving uncomfortable night at the movies. The rain forests are beautiful, the scenery is fine, the actors are fine, but the story cannot seem o decide whether it is a myth or a political statement about the gross disparity between the wealthy and the poor in South America.

The chief attraction is Gael García Bernal (Kai), a mysterious man who emerges from the Argentinean rain forest to help a poor farmer and his daughter Vania, who are threatened by a band of mercenaries hired to force them to sell their land and take over his property by setting fire to their farm and community. They capture Vania (Alice Braga) but Kai rescues her and we are left to discern what the future will hold for these 'creatures'.

Fans of Gael García Bernal will get to see a lot of him here but even this fine young actor cannot salvage this very tedious and meaningless film. In Spanish with English subtitles.